Beyond The Blue Horizon
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Beyond The Blue Horizon
''Beyond the Blue Horizon'' is a 1971 studio album by American jazz guitarist George Benson. It was his first album released by CTI and included organist Clarence Palmer, drummer Jack DeJohnette, bassist Ron Carter, and percussionists Michael Cameron and Albert Nicholson. Background This album followed ''The Other Side of Abbey Road'', his last album for A&M, arranged by Don Sebesky with brass, strings, and 23 musicians. Contrary to that Benson recovered at his first CTI release a classical format from a small group that included a Hammond B-3 organ, a type of ensemble in which Benson had a lot of experience recording as a sideman with organist "Brother" Jack McDuff up to 11 albums between 1963 and 1965. This was also the kind of group on ''The New Boss Guitar of George Benson'', his debut album as a leader in 1964 recorded with the organ quartet of Jack MacDuff. In an interview by Anthony Brown and Ken Kimery in April 2011, Benson said this album was recorded at the beg ...
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George Benson
George Washington Benson (born March 22, 1943) is an American guitarist, singer, and songwriter. He began his professional career at the age of 19 as a jazz guitarist. A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album ''Breezin''' was certified triple-platinum, hitting no. 1 on the ''Billboard'' album chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. Benson has won ten Grammy Awards and has been honored with a star on the Hollywood Walk of Fame. Biography Early career Benson was born and raised in the Hill District of Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday ...
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Jack McDuff
Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break. Career Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell's group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson's group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukes on drums. McDuff recorded many classic albums on Prestige, including his debut solo ''Brother Jack'' in 1960; ''The Honeydripper'' (1961), with tenor saxophonist Jimmy Forrest and gu ...
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". It is also known as shuffle. The term swing, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Brian Morton (Scottish Writer)
Brian Morton (born 1954) is a Scottish writer, journalist and former broadcaster, specialising in jazz and modern literature. Early life and education Born in Paisley, near Glasgow and raised in Dunoon, Morton was educated at the University of Edinburgh and taught in the late 1970s at the University of East Anglia (under Malcolm Bradbury) and the University of Tromsø in Norway. Writing and broadcasting From 1992 to 1997, Morton was the main presenter of ''Impressions''Brian Morton
, Penguin author page
for Radio 3, a fortnightly jazz and improvised music programme. For more than a decade Morton was a familiar voice on music programmes and features on other arts related subjects on the London-based BBC networks. For some year ...
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Richard Cook (journalist)
Richard David Cook (7 February 1957 – 25 August 2007) was a British jazz writer, magazine editor and former record company executive. Sometimes credited as R. D. Cook, Cook was born in Kew, Surrey, and lived in west London as an adult. A writer on music from the late 1970s until he died, Cook was co-author, with Brian Morton, of ''The Penguin Guide to Jazz Recordings'', which lasted for ten editions until 2010. ''Richard Cook's Jazz Companion'' and ''It's About That Time: Miles Davis On and Off the Record'' were published in 2005. Cook began as a staff writer for ''NME'' in the early 1980s. The editor at the time, Neil Spencer, commented that he "would take on the pieces that the fashion-oriented shunned - a Roxy Music review, an audience with a fading star, a piece on the emergent sounds of Africa". He was later the jazz critic for ''The Sunday Times'' and a music writer for the ''New Statesman''. Cook was formerly editor of ''The Wire'', when it was a jazz-centred perio ...
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Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ...
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Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ...
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Kind Of Blue
''Kind of Blue'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans. Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album ''Milestones'' (1958). Basing ''Kind of Blue'' entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane later expande ...
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