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Beyond Any Form
''Beyond Any Form'' ( fa, نه فرشتهام نه شیطان; lit. ''I am neither Angel nor Devil'') is a collaborative studio album by Persian traditional musicians Homayoun Shajarian and Tahmoures Pournazeri, as vocalist and composer respectively. The album was unveiled on March 11, 2014, in a ceremony held in Vahdat Hall. ''Beyond Any Form'' includes eight songs in Persian language based on lyrics from renowned Persian classical poet Mowlana Jalaleddin Rumi and contemporary poets Shafiei Kadkani, Simin Behbahani and Hossein Monzavi. Composer Tahmoures Pournazeri describes the album as an " Iranian contemporary music" album, lacking Radif and inspired by classical, Tanbur, Flamenco and Kurdish music. The 5th track, is based on a melody from Paco de Lucía and the 7th track is played improvisationally. The album also features American composer David K. Garner, Indian Sitar virtuoso Shujaat Khan, Venezuelan flautist Pedro Eustache and American blues guitarist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homayoun Shajarian
Homayoun Shajarian ( fa, همايون شجريان, born May 21, 1975) is an Iranian singer. He is the son of Mohammad-Reza Shajarian. Early life Shajarian was born in Tehran and is the son of Mohammad-Reza Shajarian, a grand master vocalist of Persian traditional music. At a young age, he began studying the tombak, a Persian hand drum, and Persian traditional vocal Avaz. Shajarian attended Tehran Conservatory of Music choosing Kamancheh as his professional instrument and was tutored by Ardeshir Kamkar. In 1991, he accompanied his father in concerts of Ava Music Ensemble in the United States, Europe and Iran, playing Tombak and from 1999 on, he started accompanying his father also on vocals. In 1995 he got married to Guitta Khansari, they have a child called Yasmine Shajarian who is born in 2007 in Tehran, Iran. They got divorced in 2015. His first independent work ''Nassim-e Vasl'', composed by Mohammad Javad Zarrabian, was released on his 28th birthday, on 21 May 2003. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Iran
The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music influenced other cultures in West Asia, building up much of the musical terminology of the neighboring Turkic and Arabic cultures, and reached India through the 16th-century Persianate Mughal Empire, whose court promoted new musical forms by bringing Iranian musicians. History Earliest records Music in Iran, as evidenced by the "pre-Iranian" archaeological records of Elam, the oldest civilization in southwestern Iran, dates back thousands of years. Iran is the birthplace of the earliest complex instruments, which date back to the third millennium BC. A number of trumpets made of silver, gold, and copper were found in eastern Iran that are attributed to the Oxus civilization and date back between 2200 and 1750 BC. The use of both vertical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Republic News Agency
The Islamic Republic News Agency ( fa, خبرگزاری جمهوری اسلامی, ''Xebergâzari-ye Jimhuri-ye Eslâmi-ye''), or IRNA, is the official news agency of the Islamic Republic of Iran. Founded on 13 November 1934 as Pars News Agency during the time of the Shah, it is government-funded and controlled under the Iranian Ministry of Culture and Islamic Guidance. The agency also publishes the newspaper ''Iran''. , the Managing Director of IRNA is Ali Naderi. IRNA has 60 offices in Iran and 30 more in various countries around the world. History In 1934, Pars Agency was established by the Foreign Ministry of Iran (Persia) as the country's official national news outlet. For the next six years it operated under the Iranian Foreign Ministry working to disseminate national and international news. Pars Agency published a bulletin twice daily in French and Persian, which it circulated among government officials, international news agencies in Tehran and the local press. In May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Johnson (blues Guitarist)
James Earl Thompson (November 25, 1928 – January 31, 2022), known professionally as Jimmy Johnson, was an American blues guitarist and singer. Early life Johnson was born in Holly Springs, Mississippi, on November 25, 1928. Several of his brothers had careers in music, among them soul musician Syl Johnson and bassist Mack Thompson, who played with Magic Sam. In his younger years, he played piano and sang in gospel groups. He and his family moved to Chicago in 1950, where he worked as a welder and played guitar in his spare time. He began playing professionally with Slim Willis in 1959, changing his last name to Johnson, as did his brother Syl. As a guitarist he was influenced by Buddy Guy and Otis Rush. He played with Freddie King, Albert King, Magic Sam, Otis Rush, and Eddy Clearwater, among others. Career In the 1960s, Johnson began to focus on soul, working with Otis Clay, Denise LaSalle, and Garland Green. He had his own group from the early 1960s, and by the mid-196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Eustache
Pedro Eustache (born August 18, 1959) is a Venezuelan-born flautist, reed player, world woodwind player, composer, and instrument maker. He has more than seven years of symphonic experience and a collection of around 600 instruments from all over the world, many of which having been designed, built and/or modified by himself. Education Venezuelan-born Eustache studied first in Venezuela under Michel Eustache (his brother), Ernesto Santini, Antonio Jose Naranjo and Glenn Egner while a member of José Antonio Abreu's "Venezuelan Youth National Orchestra" (now known as ''El Sistema''). Upon graduation, he received a scholarship from the Venezuelan government to study in Europe, at the Hector Berlioz Conservatoire and L'Ècole de Musique d'Asnières, with Raymond Guiot & Pierre-Yves Artaud, respectively, with advanced studies with Aurèle Nicolet in Basel, Switzerland. He also has a M.F.A. in jazz from the California Institute of the Arts, U.S. Eustache is a devout Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shujaat Khan
Shujaat Husain Khan (born 19 May 1960) is one of the greatest North Indian musicians and '' sitar'' players of his generation. He belongs to the Imdadkhani ''gharana'' school of music. He has recorded over 100 albums and was nominated for a Grammy Award for Best World Music Album for his work with the band Ghazal with Iranian musician Kayhan Kalhor. He also sings frequently. His style of sitar playing, known as gayaki ang, is imitative of the subtleties of the human voice. Early life Born in Calcutta, Shujaat Khan is the son of legendary sitar player Ustad Vilayat Khan and Monisha Hazra. Shujaat Khan's musical career began at the age of three when he began practicing on a specially made small sitar. By the age of six, he was recognized as a child prodigy and began formal performances. He had privilege of being influenced by great artists like Ustaad Amir Khan (singer), Pandit Bhimsen Joshi, Vidushi Kishori Amonkar and many more. He has musical pedigree that extends back t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etemaad
''Etemad'' or ''Etemaad'' (in Persian ''اعتماد'' lit. ''Trust''; correct transcription: ettemād, because in pronunciation the letter "t" is duplicated) is a reformist newspaper in Iran that is published in Tehran. It is managed by Elias Hazrati, who was representative from Rasht and Tehran in the Parliament of Iran. Overview The first edition of ''Etemad'' was published in Tehran in 2002. Its chief editor is Behrooz Behzadi. The editorial board of Etemad include journalists, who worked previously in reformist Iranian magazines and newspapers, which were banned by the Iranian judiciary. The paper focuses on political, cultural, social and economic news. Temporary ban ''Etemad'' had published more than 2000 editions before temporarily banned by the Iranian judiciary system on 1 March 2010. it published a story on the reaction to the emergence of a film showing the police attack on Tehran university in June, just three days after the Iranian presidential election, 2009. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paco De Lucía
Francisco Sánchez Gómez (21 December 194725 February 2014), known as Paco de Lucía (;), was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of ''Guitar: Music, History, Players'', describe de Lucía as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of ''Guitar Atlas, Flamenco'', has referred to de Lucía as "one of history's greatest guitarists". De Lucía was noted for his fast and fluent picados (fingerstyle runs). A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurdish Music
Kurdish music refers to music performed in the Kurdish languages and Zaza-Gorani languages. The earliest study of Kurdish music was initiated by the renowned Armenian priest and composer Komitas in 1903, when he published his work ''" Chansons kurdes transcrites par le pere Komitas"'' which consisted of twelve Kurdish melodies which he had collected. The Armenian Karapetê Xaço also preserved many traditional Kurdish melodies throughout the 20th century by recording and performing them. In 1909, Scholar Isya Joseph published the work "''Yezidi works''" in which he documented the musical practice of the Yazidis including the role of the musician-like qawâl figures and the instruments used by the minority. Kurdish music appeared in phonographs in the late 1920s, when music companies in Baghdad began recording songs performed by Kurdish artists. Despite being secondary to vocals, Kurds use many instruments in traditional music. Musical instruments include the tembûr (see kurdish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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