Better Days (Susan Tedeschi Album)
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Better Days (Susan Tedeschi Album)
''Better Days'' is the debut album by American blues artist Susan Tedeschi, originally released in 1995 under the name Susan Tedeschi Band, but later re-released in 1998 after she found national success with ''Just Won't Burn''. Reception In a review for AllMusic, Erik Crawford stated that the album "finds Tedeschi's guitar prowess and eminent vocals proliferating the musical landscape in the same manner of blues legends who have gone before her," and wrote that she has "proven herself worthy of sharing the stage with the masters." The authors of ''The Penguin Guide to Blues Recordings'' praised Tedeschi's voice, describing it as "rich in volume, consistency and natural ease, with a use of melisma that hints at classic soul." However, they criticized her lyrics, noting that they "undermine the authority that heestablishes with her voice." Track listing #"It's up to You" (Lamond, Tedeschi) – 4:19 #"Gonna Write Him a Letter" (Tedeschi) – 3:05 #"Love Never Treats Me Right" (Ted ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Harmonica
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth (lips and tongue) to direct air into or out of one (or more) holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound. Reeds are tuned to individual pitches. Tuning may involve changing a reed’s length ...
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Annie Raines
Annie Raines (born July 3, 1969, in Boston, Massachusetts) is an American musician, best known as a harmonicist. She grew up in Newton, Massachusetts. She is Jewish. Raines took up the harmonica at the age of 17. As a freshman, she left Antioch College to pursue a musical career. Fascinated by the sounds of Muddy Waters, Little Walter Jacobs, and Sonny Boy Williamson, she spent time absorbing the music of the Chicago blues masters. She began to busk locally and played gigs at local Boston clubs, and later traveled to Chicago where she met and played with Pinetop Perkins, and James Cotton. While working regularly on the regional blues circuit, Raines taught harmonica and began developing her own style within the blues tradition. She met and began working with Paul Rishell, who lent musical support to her harmonica, piano, singing and songwriting skills. This gave her the opportunity to study country blues innovators such as Noah Lewis and Sonny Terry, and, more recently, to ta ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Everett Robbins
Everett "Happy" Robbins was a Chicago-based pianist,Frank Himpsl Archive "Everett Robbins"
Retrieved 15 May 2013.
and . Born in , he moved to Chicago in 1916 and studied at the . Lineups of his ban ...
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Porter Grainger
Porter Grainger ( Granger; October 22, 1891 − October 30, 1948) was an American pianist, songwriter, playwright, and music publisher. Biography When Grainger was born in Bowling Green, Kentucky, the Granger family name did not include an "i". Although the exact date at which Grainger changed his name is unknown, he registered for the World War I draft by signing his name "Grainger". At that time, he was living in Chicago, and by 1916, he had begun his professional career. In the spring of 1920 he left Chicago for New York City, and by 1924, he was living in Harlem. Working with another pianist and composer Bob Ricketts, in 1926, Grainger wrote and published the book ''How to Play and Sing the Blues Like the Phonograph and Stage Artists''. Though he would never really be known as an exceptional soloist in his own right, Grainger thrived as an accompanist, working with singers such as Fannie May Goosby, Viola McCoy, Clara Smith, and Victoria Spivey. From 1924 to 1928, he wor ...
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Ain't Nobody's Business
"Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five. Recordings by other classic female blues singers, including Sara Martin, Alberta Hunter, and Bessie Smith soon followed. In 1947, the song was revived by the jump blues singer Jimmy Witherspoon as "Ain't Nobody's Business". It was the best-selling race record of 1949 and inspired numerous adaptations of the song. In 2011, Witherspoon's rendition was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Composition and lyrics The early versions of "Ain't Nobody's Business" feature vocals with piano and sometimes horn a ...
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