Best Friend (The Beat Song)
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Best Friend (The Beat Song)
"Best Friend" is a song by British ska/ new wave band the Beat, released on 8 August 1980 as the fourth and final single from their debut studio album ''I Just Can't Stop It''. It was released as a double A-side single with a dub version of "Stand Down Margaret". The single wasn't as successful as the band's previous singles and only peaked at number 22 on the UK Singles Chart. The band raised 14 thousand pounds from the sales of the single, which went to the Anti-Nuclear Campaign and the CND. Meaning and reception Dave Wakeling said that he was "singing it to myself in the same mirror that " Mirror in the Bathroom" was written in" and that the song is about "singing a song to a reflection, you know, I just found I'm your best friend – you". Reviewing the song for ''Smash Hits'', David Hepworth wrote "more efficient than a Japanese watch factory, these boys continue to crank out hit product". This is another perfectly levelled 45, crisp, economical and punchy, the usual clev ...
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The Beat (British Band)
The Beat (known in the United States and Canada as the English Beat and in Australia as the British Beat) are a British band formed in Birmingham, England, in 1978. Their music fuses Latin, ska, pop, soul, reggae and punk rock. The Beat, consisting of Dave Wakeling (vocals, guitar), Ranking Roger (vocals), Andy Cox (guitar), David Steele (bass), Everett Morton (drums), and Saxa a.k.a. Lionel Augustus Martin (saxophone), released three studio albums in the early 1980s: ''I Just Can't Stop It'' (1980), ''Wha'ppen?'' (1981) and ''Special Beat Service'' (1982), and a string of singles, including "Mirror in the Bathroom", "Save It for Later", " I Confess", "Too Nice to Talk To", "Can't Get Used to Losing You", " Hands Off...She's Mine", and "All Out to Get You". Career 1978–1983 The Beat formed in Birmingham, England, in 1978, during a period of high unemployment and social upheaval in the United Kingdom. Ranking Roger, one of the band's vocalists, added a Jamaican vocal fl ...
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Dub Version
Dub is an electronic music, electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Os ...
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The Beat (British Band) Songs
The Beat may refer to: Film and television * ''The Beat'' (1988 film), an American drama starring William McNamara * ''The Beat'' (2003 film), an American drama starring Jazsmin Lewis * ''The Beat'' (TV series), a 2000s American drama series * ''The Beat'' (Philippine TV program), a current affairs and talk program * ''The !!!! Beat'', a 1966 American music series. * '' The Beat with Ari Melber'', a news and politics show on MSNBC Music * The Beat (British band), a British ska band, known in the United States as the English Beat and in Australia as the British Beat * The Beat (American band), a power-pop band, later known as Paul Collins Beat ** ''The Beat'' (American band album), their debut album * ''The Beat'' (Boney James album), 2013 album by Boney James * "The Beat", a song by Basshunter from his '' LOL '' album * "The Beat", a song by Elvis Costello from the album ''This Year's Model'' * "The Beat", a song by Ima Robot from the album '' Monument to the Masses'' * '' ...
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1980 Singles
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ...
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1980 Songs
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ...
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Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Hollywood film industry, and its sprawling metropolitan area. The city of Los Angeles lies in a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabriel Valley to it's east. It covers about , and is the county seat of Los Angeles County, which is the most populous county in the United States with an estim ...
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The Beat (American Band)
The Beat (soon renamed to Paul Collins' Beat) is an American Rock music, rock and power pop band from Los Angeles that formed in 1979. Paul Collins' Beat resurfaced in the 1990s and continues to tour and record new material. Front man Paul Collins (musician), Paul Collins has released several projects with his alternative country group The Paul Collins Band, who play Americana music inspired by country rock and folk rock. Early development The roots of The Beat lie in The Nerves, a seminal power pop combo featuring Paul Collins (musician), Paul Collins (born 1956, New York City), Peter Case (the future front man of The Plimsouls), and Jack Lee (musician), Jack Lee. Collins played drums; all three members composed and sang. Collins contributed several songs to the band including "Walking Out On Love," "Let Me Into Your Life" and one song, "Working Too Hard", to the group's only release, a 1976 self-titled four-song EP distributed by independent Bomp! Records. The Nerves are mos ...
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Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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David Hepworth
David Hepworth (born 27 July 1950) is a British music journalist, writer and publishing industry analyst who was instrumental in the foundation of a number of popular magazines in the 1980s, 1990s and 2000s. Along with the journalist, editor and broadcaster Mark Ellen, he turned the pop magazine ''Smash Hits'' into one of the most popular UK music magazines of the 1980s. He co-presented the BBC broadcast of Live Aid on 13 July 1985, when he was the presenter told by Bob Geldof to "fuck the address" when pleading with viewers to send in their money. Early life David Hepworth was born in Dewsbury, then in the West Riding of Yorkshire, and attended the Queen Elizabeth Grammar School, Wakefield, and Trent Park College of Education. He worked for HMV and Beserkley Records, before becoming a freelance journalist. Career His career in journalism began with contributions to ''NME'' and ''Sounds''. He joined the newly launched magazine ''Smash Hits'' in 1979, and two years later, after tu ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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