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Bert Van Den Brink Invites Clare Fischer
''Bert van den Brink Invites Clare Fischer'' is a live album featuring the impromptu Dutch/American piano duo of and Clare Fischer, released in October 2001 on the Dutch Challenge label. Reception Allmusic awarded the album 4½ stars, with reviewer Judith Schlesinger applauding the players' resourcefulness: Due to a minor road mishap, there was no time for rehearsal or even a definitive set list -- but with musicians of this caliber, this is more opportunity than disadvantage. The result is an extraordinary evening of musical spontaneity, fellowship, and wit, which is even more remarkable because van den Brink is totally blind, and visual cues were impossible... You can hear the delight of discovery in the players' comments, the general laughter, and -- above all -- in the music. Track listing # "Hoaky Blues" (Clare Fischer) – 5:43 # "Improvisation on: Eine Kleine Nacht Music/Dance of the Flutes/Silent Movie Chase Music/In the Hall of the Mountain King" (Wolfgang Amadeus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morning (Clare Fischer Composition)
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, '' Manteca!'', Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century. Form "Morning" was Fischer's first - and, to this day, his most famous - contribution to the then recently evolved cha-cha-chá genre. Its structure is the standard A-A-B-A, 32 measures in length. In practice, however, the song's debut recording does take one significant detour, paying unashamed homage to one of its composer's primary musical influences in the process, when, halfway through trombonist Gil Falco's solo, instead of proceeding to the bridge, "Morning" morphs into a 16-bar development of the principal 2-measure motif of " Spring Rounds," the fourth section from Stravinsky's ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphemia Allen
"Chopsticks" (original name "The Celebrated Chop Waltz") is a simple, widely known waltz for the piano. Written in 1877, it is the only published piece by the British composer Euphemia Allen (under the pen name Arthur de Lulli). Allen—whose brother, Mozart , was a music publisher—was sixteen when she composed the piece, with arrangements for solo and duet. The title "Chop Waltz" comes from Allen's specification that the melody be played in two-part harmony with both hands held in a vertical orientation, little fingers down and palms facing each other, striking the keys with a chopping motion. The similar "The Coteletten Polka" also was first heard in 1877, with the piano collection ''Paraphrases'' elaborating on the theme by 1879. Tati-tati and ''Paraphrases'' An equivalent of this rudimentary two-finger piano exercise was known in Russia in duple meter as "tati-tati" or the "Cutlet Polka". This version alternates the notes between the hands, rather than playing them at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopsticks (music)
"Chopsticks" (original name "The Celebrated Chop Waltz") is a simple, widely known waltz for the piano. Written in 1877, it is the only published piece by the British composer Euphemia Allen (under the pen name Arthur de Lulli). Allen—whose brother, Mozart , was a music publisher—was sixteen when she composed the piece, with arrangements for solo and duet. The title "Chop Waltz" comes from Allen's specification that the melody be played in two-part harmony with both hands held in a vertical orientation, little fingers down and palms facing each other, striking the keys with a chopping motion. The similar "The Coteletten Polka" also was first heard in 1877, with the piano collection ''Paraphrases'' elaborating on the theme by 1879. Tati-tati and ''Paraphrases'' An equivalent of this rudimentary two-finger piano exercise was known in Russia in duple meter as "tati-tati" or the "Cutlet Polka". This version alternates the notes between the hands, rather than playing them at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Burke (lyricist)
John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. His work is considered part of the Great American Songbook. His song "Swinging on a Star", from the Bing Crosby film ''Going My Way'', won an Academy Award for Best Song in 1944. Early life Burke was born in Antioch, California, United States, the son of Mary Agnes (Mungovan), a schoolteacher, and William Earl Burke, a structural engineer. When he was still young, his family moved to Chicago, Illinois, where Burke's father founded a construction business. As a youth, Burke studied piano and drama. He attended Crane College and then the University of Wisconsin–Madison, where he played piano in the orchestra. After graduating from the University of Wisconsin–Madison in 1927, Burke joined the Chicago office of the Irving Berlin Publishing Company in 1926 as a pianist and song salesman. He also played piano in dance bands and vaudeville. Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Johnston (composer)
Arthur James Johnston (January 10, 1898 – May 1, 1954) was an American composer, conductor, pianist and arranger. Life and career Born in New York City, he began playing piano in movie houses, and went to work for Fred Fisher's music publishing company at the age of 16. He met, and was soon hired by, Irving Berlin, becoming Berlin's personal arranger, and director of early '' Music Box Revues''. His first hit song was "Mandy Make Up Your Mind", co-written with George W. Meyer, Roy Turk and Grant Clarke for Florence Mills to sing in the show ''Dixie to Broadway''. Biography by Jason Ankeny, ''Allmusic.com'' Retrieved 12 January 2021 In 1929, he moved to Hollywood, where he o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lennie Tristano
Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano's innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded. Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pennies From Heaven (song)
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke. It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name. Background It was recorded in 1936 by Billie Holiday and afterwards performed by Doris Day, Arthur Tracy, Tony Bennett, Dinah Washington, Clark Terry, Big Joe Turner, Lester Young, Dean Martin, Gene Ammons, The Skyliners (a hit in 1960), Legion of Mary, Guy Mitchell, and Harry James. The July 24, 1936, recording by Bing Crosby and the Georgie Stoll Orchestra topped the charts for ten weeks in 1936 and was inducted into the Grammy Hall of Fame in 2004. He recorded another version on August 17, accompanied by Louis Armstrong, Frances Langford and the Jimmy Dorsey Orchestra. Crosby recorded the song again for his 1954 album '' Bing: A Musical Autobiography''. The recording by Louis Prima on the soundtrack of the 2003 movie ''Elf'' helped bring the song to promine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yesterdays (1933 Song)
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for ''Roberta'', a musical based on the novel ''Gowns by Roberta'' by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra. Other recordings *Billie Holiday - 1939 and 1952 recordings *Larry Coryell – ''Shining Hour'' (1989) * Lee Konitz and Miles Davis -- ''1949'' * Dorothy Donegan * Clifford Brown -- ''Clifford Brown with Strings'' (1955) * Ella Fitzgerald -- '' Ella Fitzgerald Sings the Jerome Kern Song Book'' (1963) * Erroll Garner – ''Magician'' (1973) * Gordon Goodwin's Big Phat Band – '' Act Your Age'' (2008) * Stevie Holland (''More Than Words Can Say'', 2006) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody N' You
"Woody 'n' You", is a 1942 jazz standard written by Dizzy Gillespie as an homage to Woody Herman. It was one of three arrangements Gillespie made for Herman's big band, although it was not used at the time; the other two were "Swing Shift" and "Down Under". It was introduced on record in 1944 by Coleman Hawkins initiated by Budd Johnson, Hawkins' musical director of his 12-man orchestra that included the bebop pioneers Oscar Pettiford, Max Roach and Gillespie. Structure The 32-bar composition is in AABA form. The A section "consists of three two-measure sequences on ii-V chords, ending on the tonic (D)": Gm7(5) – C7(9) – Fm7(5) – B7(9) – Em7(5) – A7(9) – Dmaj9 Covers *Miles Davis recorded the song three times, '' Miles Davis Volume 1'', '' Relaxin' with the Miles Davis Quintet'', and the rare ''Amsterdam Concert''. *Hampton Hawes played it in 1956 in his '' All Night Session! Vol. 2''. * Sonny Rollins played the song on his '' A Night at the Village Vanguard'' live alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
