Bernard Dufour
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Bernard Dufour
Bernard Dufour (21 November 1922 – 21 July 2016) was a French painter. He was notable for abstract painting after the Second World War, and later for portraits and human figures. Life Dufour originally studied agricultural engineering. During the German Occupation, he was pressed into war labour. He was sent to Germany with Alain Robbe-Grillet and there they met Claude Ollier. In the winter of 1944–45, he went to the University of Heidelberg and studied Eugène Delacroix and Stéphane Mallarmé. After the war, he copied the works of Michelangelo and Tintoretto in the Louvre. His first solo exhibition was at the Galerie Maeght in 1948, followed by exhibitions in the Jeanne Bucher Gallery between 1951 and 1953. Motivated by these successes, he soon signed an exclusive contract with art dealer Pierre Loeb. He collaborated with many writers, including René de Solier, André Pieyre de Mandiargues, Georges Lambrichs, Paule Thévenin and Alain Jouffroy. In the later 1950 ...
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Abstract Painting
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery ...
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