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Bernard Addison
Bernard Sylvester Addison (April 15, 1905 – December 18, 1990) was an American jazz guitarist. Career Addison was born in Annapolis, Maryland. At an early age, he learned mandolin and violin. Career After moving to Washington, D.C. in 1920, Addison played banjo, first with Claude Hopkins. He then moved to New York City and worked with Sonny Thompson and recorded for the first time in 1924. During the 1920s, he dropped banjo for acoustic guitar. In the 1920s and 1930s, he played with Louis Armstrong, Adelaide Hall, Fletcher Henderson, Bubber Miley, Art Tatum, and Fats Waller and recorded with Red Allen, Coleman Hawkins, Horace Henderson, Freddie Jenkins, Sara Martin, Jelly Roll Morton, and Mamie Smith. In 1936, John Mills of the Mills Brothers died, and Addison replaced him on guitar. For two years he toured and recorded with the Mills Brothers, increasing his popularity. After departing the Mills Brothers, he had little trouble finding work. He recorded with Benny Carte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annapolis, Maryland
Annapolis ( ) is the capital city of the U.S. state of Maryland and the county seat of, and only incorporated city in, Anne Arundel County. Situated on the Chesapeake Bay at the mouth of the Severn River, south of Baltimore and about east of Washington, D.C., Annapolis forms part of the Baltimore–Washington metropolitan area. The 2020 census recorded its population as 40,812, an increase of 6.3% since 2010. This city served as the seat of the Confederation Congress, formerly the Second Continental Congress, and temporary national capital of the United States in 1783–1784. At that time, General George Washington came before the body convened in the new Maryland State House and resigned his commission as commander of the Continental Army. A month later, the Congress ratified the Treaty of Paris of 1783, ending the American Revolutionary War, with Great Britain recognizing the independence of the United States. The city and state capitol was also the site of the 1786 An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Allen
Henry James "Red" Allen, Jr. (January 7, 1908 – April 17, 1967) was an American jazz trumpeter and vocalist whose playing has been claimed by Joachim-Ernst Berendt and others as the first to fully incorporate the innovations of Louis Armstrong. Life and career Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the bandleader Henry Allen Sr. He took early trumpet lessons from Peter Bocage and Manuel Manetta. Allen's career began in Sidney Desvigne's Southern Syncopators. He was playing professionally by 1924 with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to Chicago in 1927 to join King Oliver's band. Around this time he made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans, where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ink Spots
The Ink Spots were an American pop vocal group who gained international fame in the 1930s and 1940s. Their unique musical style presaged the rhythm and blues and rock and roll musical genres, and the subgenre doo-wop. The Ink Spots were widely accepted in both the white and black communities, largely due to the ballad style introduced to the group by lead singer Bill Kenny. In 1989, the Ink Spots (Bill Kenny, Charlie Fuqua, Deek Watson, Jerry Daniels and Orville Jones) were inducted into the Rock and Roll Hall of Fame, and in 1999 they were inducted into the Vocal Group Hall of Fame. Since the Ink Spots disbanded, in 1954, there have been well over a hundred vocal groups calling themselves "The Ink Spots", with and without any original members of the group. It has often been the case that these groups claimed to be "second generation" or "third generation" Ink Spots.Goldberg, Marv (1998). ''More Than Words Can Say: The Ink Spots And Their Music''. Scarecrow Press 1930s Early ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuff Smith
Hezekiah Leroy Gordon Smith (August 14, 1909 – September 25, 1967), better known as Stuff Smith, was an American jazz violinist. He is well known for the song "If You're a Viper" (the original title was "You'se a Viper"). Smith was, along with Stéphane Grappelli, Michel Warlop, Svend Asmussen, Ray Nance and Joe Venuti, one of jazz music's preeminent violinists of the swing era. Biography He was born in Portsmouth, Ohio, United States in 1909, and studied violin with his father. Smith cited Louis Armstrong as his primary influence and inspiration to play jazz, and like Armstrong, was a vocalist as well as instrumentalist. In the 1920s, he played in Texas as a member of Alphonse Trent's band. After moving to New York City he performed regularly with his sextet at the Onyx Club starting in 1935, and also with Coleman Hawkins, Charlie Parker, Dizzy Gillespie, and later, Sun Ra. After being signed to Vocalion Records in 1936, he had a hit with "I'se a Muggin'" and was bill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezz Mezzrow
Milton Mesirow (November 9, 1899 – August 5, 1972), better known as Mezz Mezzrow, was an American jazz clarinetist and saxophonist from Chicago, Illinois. He is remembered for organizing and financing recording sessions with Tommy Ladnier and Sidney Bechet. He recorded with Bechet as well and briefly acted as manager for Louis Armstrong. Mezzrow is equally known as a colorful character, as portrayed in his autobiography, ''Really the Blues'' (which takes its title from a Bechet composition), co-written with Bernard Wolfe and published in 1946. Music career According to one biographer: "As a juvenile delinquent, ezzrowwas in and out of reformatory schools and prisons where he was exposed to jazz and blues music. He began to play the clarinet and decided to adopt the African American culture as his own. He became a ubiquitous figure on the Chicago jazz scene of the 1920s and ran in the circles of musicians that included King Oliver, Louis Armstrong, Sidney Bechet, Jimmy Noon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mills Brothers
The Mills Brothers, sometimes billed the Four Mills Brothers, and originally known as the Four Kings of Harmony, were an American jazz and traditional pop vocal quartet who made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records. The Mills Brothers were the first African-American artists to have their own show on national network radio (on CBS in 1930); they made appearances in film; and were the first to have a No. 1 hit on the ''Billboard'' singles chart, with "Paper Doll" in 1943. They were inducted into the Vocal Group Hall of Fame in 1998. Early years The Mills Brothers were born into a family of nine in Piqua, Ohio, United States. The quartet consisted of Donald (lead tenor vocals, April 29, 1915 – November 13, 1999), Herbert (tenor vocals, April 2, 1912 – April 12, 1989), Harry (baritone vocals, August 9, 1913 – June 28, 1982), and John Jr. (guitar, double bass, vocals; October 19, 1910 – January 23, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamie Smith
Mamie Smith (née Robinson; May 26, 1891 – September 16, 1946) was an American vaudeville singer, dancer, pianist, and actress. As a vaudeville singer she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African American artist to make vocal blues recordings. Willie "The Lion" Smith (no relation) described the background of that recording in his autobiography, ''Music on My Mind'' (1964). Early life Robinson was born in Cincinnati, Ohio, in 1891. The year of her birth has previously been given as 1883, but in 2018, researcher John Jeremiah Sullivan discovered her birth certificate stating she was born in Cincinnati in 1891. When she was around 10 years old, she found work touring with a white act, the Four Dancing Mitchells. As a teenager, she danced in Salem Tutt Whitney's ''Smart Set''. In 1913, she left the Tutt Brothers to sing in clubs in Harlem and married William "Smitty" Smith, a singer. Musical career On February ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Martin
Sara Martin (June 18, 1884 – May 24, 1955) was an American blues singer, in her time one of the most popular of the classic blues singers. She was billed as "The Famous Moanin' Mama" and "The Colored Sophie Tucker". She made many recordings, including a few under the names Margaret Johnson and Sally Roberts. Biography Martin was born Sara Dunn in Louisville, Kentucky, and was singing on the African-American vaudeville circuit by 1915.Harris 1994, p. 350. She was the daughter of William T. Dunn and Mary Katherine "Katie' Pope. She was married three times, the first marriage to Christopher Wooden when she was 16. Christopher Wooden died in 1901. Her second marriage was to Abe Burton. At the time of her death she was married to Hayes Buford Withers. She began a successful recording career when she was signed by Okeh Records in 1922. Through the 1920s she toured and recorded with such performers as Fats Waller, Clarence Williams, King Oliver, and Sylvester Weaver. She was among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
