Berliner Ensemble
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Berliner Ensemble
The Berliner Ensemble () is a German theatre company established by actress Helene Weigel and her husband, playwright Bertolt Brecht, in January 1949 in East Berlin. In the time after Brecht's exile, the company first worked at Wolfgang Langhoff's Deutsches Theater and in 1954 moved to the Theater am Schiffbauerdamm, built in 1892, that was open for the 1928 premiere of ''The Threepenny Opera'' (''Die Dreigroschenoper''). Bertolt Brecht's Berliner Ensemble Brecht's students Benno Besson, Egon Monk, Peter Palitzsch, and Manfred Wekwerth were given the opportunity to direct plays by Brecht that had not yet been staged. The stage designers Caspar Neher and Karl von Appen, the composers Paul Dessau and Hanns Eisler, as well as the dramaturge Elisabeth Hauptmann, were among Brecht's closest collaborators. After her husband died in 1956, Weigel continued managing the Berliner Ensemble until her death in 1971. The Berliner Ensemble achieved success through long and meticulous rehears ...
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Peter Palitzsch
Peter Palitzsch (11 September 1918 – 18 December 2004) was a German theatre director. He worked with Bertolt Brecht in his Berliner Ensemble from the beginning in 1949, and was in demand internationally as a representative of Brecht's ideas. He was a theatre manager at the Staatstheater Stuttgart and the Schauspiel Frankfurt. Many of his productions were invited to the Berliner Theatertreffen festival. He worked internationally from 1980. Life Born in Deutmannsdorf near Löwenberg, Silesia, the son of a merchant, Palitzsch grew up in Dresden. After gymnasium, he attended a to become a graphic artist for advertisement. He ran an advertising agency together with his brother . He served in the military for five years and was a prisoner of war for a short time. When he returned to the destroyed Dresden, he was among the founders of the local chapter of the Red Cross. He began his career at the theatre in 1945 as a dramaturge for the Dresdner Volksbühne. Bertolt Brecht called ...
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Theater Am Schiffbauerdamm
The ''Theater am Schiffbauerdamm'' () is a theatre building at the ''Schiffbauerdamm'' riverside in the Mitte district of Berlin, Germany, opened on 19 November 1892. Since 1954, it has been home to the Berliner Ensemble theatre company, founded in 1949 by Helene Weigel and Bertolt Brecht. The original name of the Neo-baroque construction by the architect Heinrich Seeling was ''Neues Theater''. The first performance was Johann Wolfgang von Goethe's play '' Iphigenie auf Tauris''. ''Die Weber'', a naturalistic drama by Gerhart Hauptmann, had its premiere in a private audience at the theatre on 26 February 1893. From 1903 to 1906, the ''Neues Theater'' was under the management of Max Reinhardt; it later became the site of numerous operetta performances. With the premiere of the comedy ''Der fröhliche Weinberg'' by Carl Zuckmayer on 22 December 1925, the theatre returned to dramatic art, followed by the first performances of ''The Threepenny Opera'' (''Die Dreigroschenoper'') on ...
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Hainer Hill
Hainer Hill (born Heinrich Hill; 28 July 191320 August 2001) was a German scenic designer, costume designer, painter, graphic artist and theatre photographer who was based in Berlin and worked internationally. After studying painting in Frankfurt, he worked at the Oper Frankfurt, assisting Caspar Neher. Together they moved to Brecht's Berliner Ensemble where Hill created an iconic stage for ''Mother Courage and Her Children, Mutter Courage'' and took hundreds of scene photographs now archived at the Akademie der Künste. When the Berlin Wall was erected, Hill, who lived in the West and had worked in the East, began to work freelance, including at the Royal Opera House. In 1966 he became director of scenery (''Ausstattunggsleiter'') at Opernhaus Dortmund, and there he created the stage for the world premiere of ''Eli (opera), Eli'' by Walter Steffens, which was followed by 45 other productions. Hill is best remembered for his focus on light projection. Life and work 1913–1945 ...
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Berlin Senate
The Senate of Berlin (german: Berliner Senat) is the executive body governing the city of Berlin, which at the same time is a state of Germany. According to the the Senate consists of the Governing Mayor of Berlin and up to ten senators appointed by the governing mayor, two of whom are appointed (deputy) mayors. The Senate meets weekly at the (Red Town Hall).Virtueller Rundgang: 7. Senatssitzungssaal
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German Reunification
German reunification (german: link=no, Deutsche Wiedervereinigung) was the process of re-establishing Germany as a united and fully sovereign state, which took place between 2 May 1989 and 15 March 1991. The day of 3 October 1990 when the German Reunification Treaty entered into force dissolving the German Democratic Republic (GDR; german: link=no, Deutsche Demokratische Republik, DDR, or East Germany) and integrating its recently re-established constituent federated states into the Federal Republic of Germany (FRG; german: link=no, Bundesrepublik Deutschland, BRD, or West Germany) to form present-day Germany, has been chosen as the customary ''German Unity Day'' () and has thereafter been celebrated each year from 1991 as a national holiday. East and West Berlin were united into a single city and eventually became the capital of reunited Germany. The East Germany's government led by the Socialist Unity Party of Germany (SED) (a communist party) started to falter on 2 May 1 ...
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Ernst Busch (actor)
Friedrich Wilhelm Ernst Busch (22 January 1900 – 8 June 1980) was a German singer and actor. Biography Busch originated from a Kiel worker family. He started in life as a shipyard worker before he decided to make use of his acting and singing talent. Busch first rose to prominence as an interpreter of political songs, particularly those of Kurt Tucholsky, in the Berlin Kabarett scene of the 1920s. He starred in the original 1928 production of Bertolt Brecht's ''Threepenny Opera'', as well as the subsequent 1931 film by Georg Wilhelm Pabst. He also appeared in the movie ''Kuhle Wampe''. A lifelong communist, Busch fled Nazi Germany in 1933, accompanied by his wife, Eva Busch, and with the Gestapo on his heels, initially settling in the Netherlands. By 1938 they had divorced, without acrimony, as their lives diverged. Eva settled in Paris while Ernst initially made his home in the Soviet Union where he worked with Gustav von Wangenheim on the 1935 film "Kämpfer" (''"Fighte ...
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Therese Giehse
Therese Giehse (; 6 March 1898 – 3 March 1975), born Therese Gift, was a German actress. Born in Munich to German-Jews, Jewish parents, she first appeared on the stage in 1920. She became a major star on stage, in films, and in political cabaret. In the late 1920s through 1933, she was a leading actress at the Munich Kammerspiele. Early career When the Nazism, Nazis came to power in 1933, Giehse left Germany for Zürich, Switzerland, where she continued to act in exile, playing leading roles in Zürich, including in Erika Mann's acclaimed political cabaret, (which was itself also an exile, having been transported from Munich to Zürich in 1933 as well). During her exile, she traveled throughout central Europe with . On 20 May 1936, she married the homosexual English writer John Hampson (novelist), John Hampson to obtain a British passport and avoid capture by the Nazis. She returned to Germany after World War II, and performed in theaters on both sides of the Iron Curtain, but ...
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Ruth Berghaus
Ruth Berghaus (2 July 1927 – 25 January 1996) was a German choreographer, opera and theatre director, and artistic director. Life and career Berghaus was born in Dresden and studied Expressionist dance and Dance direction with Gret Palucca there and was an advanced student at the German Academy of Arts in Berlin, at least part of the time under Walter Felsenstein – associated with the Komische Oper East Berlin he founded – along with his two other first leading protégés, Götz Friedrich and Joachim Herz (1924–2010). All three would mark a departure from Felsenstein's insistence on textual accuracy in favor of Brechtian interpretation, but were in part inspired by also his insistence on maintaining an even balance between the musical and dramatic aspects of an opera being staged. From 1951 to 1964, Berghaus worked as choreographer on many stages, including the Deutsches Theater Berlin, the Deutsche Staatsoper Berlin and the Berliner Ensemble. Her work as a director be ...
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Bundesarchiv Bild 183-T0927-019, Berliner Ensemble, Probe Mutter Courage
The German Federal Archives or Bundesarchiv (BArch) (german: Bundesarchiv) are the National Archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media (Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior (Germany), Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents i ...
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The Visions Of Simone Machard
''The Visions of Simone Machard'' (german: Die Gesichte der Simone Machard, links=no) is a play by the German modernist playwright Bertolt Brecht. Written in 1942, the play is the second of three treatments of the Joan of Arc story that Brecht created (after ''Saint Joan of the Stockyards'' (written 1929–1931) and before '' The Trial of Joan of Arc at Rouen, 1431'' (1952)). The play was jointly written with Lion Feuchtwanger and was completed during their exile in Los Angeles. Set in France in 1940, it portrays Joan as the patron saint of the resistance movement against the Germans. It was first staged in Frankfurt am Main, in 1957. In the play, an adolescent girl named Simone works at a gas station in central France. Her older brother is a soldier in the army, and the Wehrmacht The ''Wehrmacht'' (, ) were the unified armed forces of Nazi Germany from 1935 to 1945. It consisted of the ''Heer'' (army), the ''Kriegsmarine'' (navy) and the ''Luftwaffe'' (air force). The desig ...
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Schweik In The Second World War
''Schweyk in the Second World War'' (''Schweyk im Zweiten Weltkrieg'') is a play by German dramatist and poet Bertolt Brecht. It was written by Brecht in 1943 while in exile in California, and is a sequel to the 1923 novel ''The Good Soldier Švejk'' by Jaroslav Hašek. Background ''Schweyk in the Second World War'' is set in Nazi-occupied Prague and on the Russian Front during World War II. In a summary written for potential composer Kurt Weill, it was written: "The Good Soldier Schweyk, after surviving the First World War, is still alive. Our story shows his successful efforts to survive the Second as well. The new rulers have even more grandiose and all-embracing plans than the old, which makes it even harder for today's Little Man to remain more or less alive." Hanns Eisler, ultimately, became Brecht's chief musical collaborator for the work. Plot As Schweyk is forced into war, he manages to survive while overcoming dangerous situations in Gestapo Headquarters, a militar ...
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The Resistible Rise Of Arturo Ui
''The Resistible Rise of Arturo Ui'' (german: Der aufhaltsame Aufstieg des Arturo Ui, links=no), subtitled "A parable play", is a 1941 play by the German playwright Bertolt Brecht. It chronicles the rise of Arturo Ui, a fictional 1930s Chicago mobster, and his attempts to control the cauliflower racket by ruthlessly disposing of the opposition. The play is a satirical allegory of the rise of Adolf Hitler and the Nazi Party in Germany prior to World War II. History and description Fearing persecution and blacklisted from publication and production, Brechtwho in his poetry referred to Adolf Hitler as ''der Anstreicher'' ("the housepainter")left Germany in February 1933, shortly after the appointment of Hitler as Chancellor by President Paul von Hindenburg on the instigation of former Chancellor Franz von Papen. After moving aroundPrague, Zürich, ParisBrecht ended up in Denmark for six years. While there, c. 1934, he worked on the antecedent to ''The Resistible Rise of Art ...
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