Berlin Sinfonietta
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Berlin Sinfonietta
The Berlin Sinfonietta, founded in 1974, is the chamber orchestra of the " Berlin Symphony Orchestra" (now known as the "Konzerthausorchester Berlin"). The founder of the orchestra, Hans Peter Franck, was for many years the second conductor of the Berlin Symphony Orchestra .Since 2009, the director has been Sebastian Nordmann.''Nordmann bleibt für weitere fünf Jahre Konzerthaus-Intendant'' , 17. Juli 2013berlin.edl' The orchestra plays regularly in the concert halls in Berlin, such as the Philharmonie and the Konzerthaus Berlin. It plays not just the standard repertoire, but includes contemporary music and 20th-century music. Repertoire Along with renaming the chamber orchestra in 1987 to “Berlin Sinfonietta" the orchestra expanded its repertoire and its capacity to a symphony orchestra and started to cooperate with big choir and other musical institutes. Then followed numerous concerts and recordings of works including Mozart's ''Requiem'', Brahms' ''Requiem'', Ha ...
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Berliner Symphoniker
The Berliner Symphoniker (''Berlin Symphony Orchestra'') is a German symphony orchestra based in Berlin, Germany. History The orchestra began its performing activity on 1 September 1967 as ''Symphonisches Orchester Berlin'', under the auspices of the ''Berliner Orchestervereinigung e.V.'', after the merger of two independent orchestras, the ''Berliner Symphonisches Orchester'' and the ''Deutsches Symphonie-Orchester''. Carl August Bünte, who had been chief conductor of the ''Berliner Symphonisches Orchester'', was the first chief conductor of the newly formed ensemble, and held the position until 1973. From 1967 to 1990, the orchestra performed as the ''Symphonisches Orchester Berlin''. In 1990, the orchestra was renamed the ''Berliner Symphoniker''. In 2004, the Berlin Senate withdrew its support of the orchestra, which subsequently entered bankruptcy proceedings. Subsequently, the ''Berolina Orchester eV'' association took over management of the orchestra. Since 2019, th ...
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Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ...
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1974 Establishments In Germany
Major events in 1974 include the aftermath of the 1973 oil crisis and the resignation of President of the United States, United States President Richard Nixon following the Watergate scandal. In the Middle East, the aftermath of the 1973 Yom Kippur War determined politics; following List of Prime Ministers of Israel, Israeli Prime Minister Golda Meir's resignation in response to high Israeli casualties, she was succeeded by Yitzhak Rabin. In Europe, the Turkish invasion of Cyprus, invasion and occupation of northern Cyprus by Turkey, Turkish troops initiated the Cyprus dispute, the Carnation Revolution took place in Portugal, and Chancellor of Germany, Chancellor of West Germany Willy Brandt resigned following an Guillaume affair, espionage scandal surrounding his secretary Günter Guillaume. In sports, the year was primarily dominated by the 1974 FIFA World Cup, FIFA World Cup in West Germany, in which the Germany national football team, German national team won the championshi ...
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German Orchestras
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * ...
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Music In Berlin
Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century. History 1700–1900 When in 1701 Frederick III declared himself Frederick I, "King in Prussia", Berlin became a royal residence and subsequently attained more musical prestige. Under his successor Frederick William I (1713–1740), musical life in Berlin lost part of its splendor, due to his focus on the military strengthening of Prussia. At that time the court orchestra was abandoned and music events at the court played only a decorative role. W ...
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Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig" (D. 328), the Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the "Great" Symphony No. 9 in C major, D. 944, the String Quintet (D. 956), the three last piano sonatas (D. 958–960), the opera ''Fierrabras'' (D. 796), the incidental music to the play ''Rosamunde'' (D. 797), and the song cycles ''Die schöne Müllerin'' (D. 795) and ''Winterreise'' (D. 911). Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin l ...
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Elijah (oratorio)
''Elijah'' (german: Elias), Op. 70, MWV A 25, is an oratorio by Felix Mendelssohn depicting events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Testament. It premiered on 26 August 1846. Music and its style This piece was composed in the spirit of Mendelssohn's Baroque predecessors Bach and Handel, whose music he greatly admired. In 1829 Mendelssohn had organized the first performance of Bach's '' St Matthew Passion'' since the composer's death and was instrumental in bringing this and other Bach works to widespread popularity. By contrast, Handel's oratorios never went out of fashion in England. Mendelssohn prepared a scholarly edition of some of Handel's oratorios for publication in London. ''Elijah'' is modelled on the oratorios of these two Baroque masters; however, in its lyricism and use of orchestral and choral colour the style clearly reflects Mendelssohn's own genius as an early Romantic composer. The work is scored for eigh ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ...
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Stabat Mater (Rossini)
Stabat Mater is a work by Gioachino Rossini based on the traditional structure of the Stabat Mater sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841. Composition In 1831 Rossini was traveling in Spain in the company of his friend the Spanish banker, Alexandre Aguado, owner of Château Margaux. In the course of the trip, Fernández Varela, a state councillor, commissioned a setting of the traditional liturgical text, the Stabat Mater. Rossini managed to complete part of the setting of the sequence in 1832, but ill health made it impossible for him to complete the commission. Having written only half the score (nos. 1 and 5–9), he asked his friend Giovanni Tadolini to compose six additional movements. Rossini presented the completed work to Varela as his own. It was premiered on Holy Saturday of 1833 in the Chapel of San Felipe el Real in Madrid, but this ...
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Stabat Mater (Dvořák)
Antonín Dvořák's Stabat Mater, Op. 58 ( B. 71), is an extended setting for vocal soloists, choir and orchestra of the 20 stanzas of the Stabat Mater sequence. Dvořák sketched the composition in 1876 and completed it in 1877. It has been characterized as a sacred cantata and as an oratorio, and consists of ten movements of which only the first and the last are thematically connected. Its total performance time is around 85 minutes. The work was first performed in Prague in 1880. N. Simrock published Dvořák's Op. 58 in 1881. In 1882, Leoš Janáček conducted a performance of the work in Brno. The work was performed in London in 1883, and again, in the Royal Albert Hall, in 1884, and thus played a crucial role in Dvořák's international breakthrough as a composer. In the 21st century the Stabat Mater continues to be Dvořák's best known, and most often performed, sacred work. History How Dvořák started to compose his Stabat Mater in February ...
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Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours,
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The Seasons (Haydn)
''The Seasons'' (German: ''Die Jahreszeiten'', Hob. XXI:3) is a secular oratorio by Joseph Haydn, first performed in 1801. History Haydn was led to write ''The Seasons'' by the great success of his previous oratorio '' The Creation'' (1798), which had become very popular and was in the course of being performed all over Europe. Libretto The libretto for ''The Seasons'' was prepared for Haydn, just as with ''The Creation'', by Baron Gottfried van Swieten, an Austrian nobleman who had also exercised an important influence on the career of Mozart (among other things commissioning Mozart's reorchestration of Handel's ''Messiah''). Van Swieten's libretto was based on extracts from the long English poem " The Seasons" by James Thomson (1700–1748), which had been published in 1730. Whereas in ''The Creation'' Swieten was able to limit himself to rendering an existing (anonymous) libretto into German, for ''The Seasons'' he had a much more demanding task. Olleson writes, "Even when Th ...
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