Bentheim Castle (Dublin)
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Bentheim Castle (Dublin)
''Bentheim Castle'' (1653) is an oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the National Gallery of Ireland in Dublin. This work is considered the most impressive of a dozen depictions Ruisdael made of Bentheim Castle. In the early 1650s he travelled with Nicolaes Berchem Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre ... to Bentheim, in western Germany, just over the border. This work, called the Dublin version to distinguish it from the others, all with similar titles and all depicting the castle at various heights of hilltop, is significant in the series in that it puts the castle on top of a wooded mountain. In reality, the castle is on a low hill. These variations showcase Ruisdael's creative power. Despite the high ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Dutch Golden Age Painting
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many o ...
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Jacob Van Ruisdael
Jacob Isaackszoon van Ruisdael (;  1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. Ruisdael's only registered pupil was Meindert Hobbema, one of several artists who painted figures in his landscapes. Hobbema's work has at times been confused with Ruisdael's. Ruisdael ...
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National Gallery Of Ireland
The National Gallery of Ireland ( ga, Gailearaí Náisiúnta na hÉireann) houses the national collection of Irish and European art. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on Clare Street. It was founded in 1854 and opened its doors ten years later. The gallery has an extensive, representative collection of Irish paintings and is also notable for its Italian Baroque and Dutch masters painting. The current director is Caroline Campbell. History In 1853 an exhibition, the Great Industrial Exhibition, was held on the lawns of Leinster House in Dublin. Among the most popular exhibits was a substantial display of works of art organised and underwritten by the railway magnate William Dargan. The enthusiasm of the visiting crowds demonstrated a public for art, and it was decided to establish a permanent public art collection as a lasting monument of gratitude to Dargan. The moving spirit behind the proposal was th ...
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Bentheim Castle
Bentheim Castle (german: Burg Bentheim) is an early medieval hill castle in Bad Bentheim, Lower Saxony, Germany. The castle is first mentioned in the 11th century under the name ''binithem''. Situation The castle is built on a protrusion of Bentheim sandstone, which not only provided building materials for the castle itself, but was also a valued export product. This ''Bentheimer Höhenrücken'' is the last protusion of the nearby Teutoburger forest. Its elevated position in an otherwise very flat landscape, provides an excellent view and thus a strategic location to build a castle. History Until 1500 The earliest history of the castle, which was erected on the remains of an earlier refuge castle is largely unknown. In the registries of Werden Abbey (1050) the castle is mentioned, as ''Binedheim'', in and contributes grain, honey and 2 solidi. A document from 1020 names Otto von Northeim as the owner of the castle. In 1116 the castle is completely destroyed in the war ...
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Nicolaes Berchem
Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van ...
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Bad Bentheim
Bad Bentheim (; nds-nl, Beantem) is a town in the southwestern part of Lower Saxony, Germany, in the district of Grafschaft Bentheim on the borders of North Rhine-Westphalia and the Netherlands roughly 15 km south of Nordhorn and 20 km northeast of Enschede. It is a state-recognized thermal brine and sulphur spa town, hence the designation ''Bad'' (“Bath”). Also to be found in Bad Bentheim is the castle Burg Bentheim, the town's emblem. Geography Extent of the municipal area The town limit is 49 km, with a north–south reach of 14 km and an east–west reach of 12 km. The area under Bad Bentheim's jurisdiction, along with all its constituent communities, has a total area of 100.16 km2. Neighbouring communities Bad Bentheim, a town shaped by the Evangelical Church, belongs to Lower Saxony's district of Bentheim. It borders on two other towns in Lower Saxony, Schüttorf and Nordhorn as well as on the more characteristically Catholic towns of ...
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View Of Bentheim Castle
''View of Bentheim Castle'' (c. 1650s) is an oil on canvas painting of Burg Bentheim by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Rijksmuseum. This painting was documented by Hofstede de Groot in 1911, who wrote; "21. THE CASTLE OF BENTHEIM. Sm. 16. The castle stands in the left middle distance on the rocky summit of a hill. To the right is a valley through which runs a road. In front are masses of rock between which flows a stream forming a little waterfall. On the left bank a shattered tree-trunk, beside the stump, lies diagonally across the stream. Farther back the stream widens; on the left bank a shepherd drives his sheep forward. A fine picture, full of light. endant to 319. Signed in full to the right on a rock; canvas, 27 inches by 21 inches. Engraved by W. Unger. Sales. G. G. Baron Taets van Amerongen, Amsterdam, July 3, 1805, No. 35 (750 florins, Josi). p. de Smeth van Alphen, A ...
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1660s Paintings
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 '' Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * ...
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Paintings By Jacob Van Ruisdael
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Collection Of The National Gallery Of Ireland
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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