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Benson Orchestra Of Chicago
The Benson Orchestra of Chicago was an American musical ensemble that was popular during the 1920s. Founded by Edgar A. Benson, its members at different times included saxophonist Frankie Trumbauer, drummer Gene Krupa, and pianists Roy Bargy and, later, Don Bestor, who served as its musical directors. History The orchestra was established in 1920 by Edgar Archibald Benson (1878–1946), a St. Louis-born cellist who had become an impresario responsible for managing and booking many bands in Chicago after establishing himself there around 1897. The Benson Orchestra was initially directed by pianist Roy Bargy, and recorded for Victor Records from 1921. The band soon became one of the most popular dance bands of the early 1920s, and had its base at the Marigold Gardens, which had some notoriety as a gangster hang-out. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Groups From Chicago
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * '' Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giova ... * Musicality, the ability to perceive music or to create music * {{Music disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Bands
(; "dance band"), or in Norwegian and Danish, is a Swedish term for a band that plays ("dance band music"). ' is often danced to in pairs. Jitterbug and foxtrot music are often included in this category. The music is primarily inspired by swing, schlager, country, jazz, and rock. The main influence for rock-oriented bands is the rock music of the 1950s and 1960s. The terms ' and ' were coined around 1970, when Swedish popular music developed a signature style. The genre developed primarily in Sweden, but has spread to neighbouring countries Norway, Denmark and the Swedish-speaking regions of Finland. When the music came to Norway it was first called "" (from the Swedish radio music chart Svensktoppen, which was a major arena for dansband music before its rules changed in January 2003). A dansband often travels by bus, performing several times every week year-round, outdoors in the summertime and indoors in the wintertime. Performances are also often held on cruise shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discography Of American Historical Recordings
The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with access to the production catalogs of those same companies. DAHR is part of the American Discography Project (ADP), and is funded and operated in partnership by the University of California, Santa Barbara, the National Endowment for the Humanities, and the Packard Humanities Institute. Database catalog The database catalog is essentially based on physically accessible archive material, stored at the companies that still exist and others that succeeded the production companies that were active at the time. Catalog compilations created by specialist authors are also used, supplemented by newly acquired research knowledge. * Victor Talking Machine Company releases, including RCA-Victor recordings, were made in the United States and Central ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Stein
Jules C. Stein (April 26, 1896 – April 29, 1981) was an American physician and businessman who co-founded Music Corporation of America (MCA). Early life and education Stein was born in South Bend, Indiana, to Lithuanian Jewish immigrants, one of six children (three boys and three girls) of Louis Stein, a dry goods store owner, and Rosa Cohen (née Kahanaski). In 1915, he graduated from the University of Chicago. While in college, he supported himself by playing the violin and saxophone at weddings and bar mitzvahs; and later, realizing that he was not a very good musician, by organizing dance bands for the same events. In 1921, he graduated with a medical degree from Rush Medical College. He then went to the University of Vienna to study for a year and upon returning to Chicago, he was appointed chief resident at Cook County Hospital. Stein continued to book bands on the side and eventually left his secure life as an ophthalmologist for the entertainment industry. At the time, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea For Two (song)
"Tea for Two" is a 1924 song composed by Vincent Youmans, with lyrics by Irving Caesar. It was introduced in May 1924 by Phyllis Cleveland and John Barker during the Chicago pre- Broadway run of the musical '' No, No, Nanette''. When the show finally hit Broadway on September 16, 1925, Nanette was played by Louise Groody, and her duet with Barker of "Tea for Two" was a hit. The song went on to become the biggest success of Youmans' career. Background Youmans had written the basic melody idea of "Tea for Two" while he was in the navy during World War I, and he used it later on as an introductory passage for a song called "Who's Who with You?" While in Chicago, Youmans developed the idea into "a song that the hero could sing to the heroine" for the musical ''No, No, Nanette''. He soon after played his composition for Irving Caesar and insisted he write the lyrics then and there. Caesar quickly jotted down a mock-up lyric, fully intending to revise it later on. Youmans, though, lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Bestor
Don Bestor (September 23, 1889 - January 13, 1970) was an American bandleader, probably best known for directing the orchestra in the early years of ''The Jack Benny Program'' on old-time radio.DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . Pp. 32-33. Early years Bestor was born September 13, 1889, in Longford, South Dakota (although his birthplace also has been cited as Madison, Wisconsin). His mother was Mrs. Carrie Bestor. His brother, A.L. Bestor, was also a musician, directing the orchestra of the Orpheum Theater in Madison. Critical evaluations Jazz writer George T. Simon wrote that Bestor "led one of the best bands of the twenties, the Benson Orchestra of Chicago. Its music was rhythmic, crisp and clean."Simon, George T. (1974). ''The Big Bands''. Collier Books. P. 496. In September 1925, the trade publication ''Variety'' reported that the Don Bestor name appeared "by itse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wabash Blues
"Wabash Blues", with words by Dave Ringle and music by Fred Meinken, was the first major success for pianist, saxophonist and song composer Isham Jones (1894–1956). Recorded in 1921 by Isham Jones and his Orchestra, this million-seller stayed twelve weeks in the U.S. charts, six at No. 1. Other popular recordings were by Benson Orchestra of Chicago, Dolly Kay (both in 1922), Ted Lewis (1930) and Russ Morgan (1939). The author of the original melody of the "Wabash Blues" is unknown. Though the song was recorded by Isham Jones and his ensemble, the piece was arranged by Joseph E. Maddy. Prior to being called "Wabash Blues", the first name of this significant early jazz standard was called "The Trombone Jazz" and was orchestrated by Joseph E. Maddy in the summer of 1918 at Kansas City's Electric Park - a then summer proving ground for vaudeville artists. At the beginning of Jones' career in Chicago he played in the Edgewater Beach hotel dance band with Maddy and the ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't We Got Fun?
"Ain't We Got Fun" is a popular foxtrot published in 1921 with music by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn. It was first performed in 1920 in the Fanchon and Marco revue ''Satires of 1920'', then moved into vaudeville and recordings. "Ain't We Got Fun?" and its jaunty response to poverty and its promise of fun ("Every morning / Every evening," and "In the meantime, / In between time") have become symbolic of the Roaring Twenties, and it appears in some of the major literature of the decade, including ''The Great Gatsby'' by F. Scott Fitzgerald and in Dorothy Parker's award-winning short story of 1929, "Big Blonde." The song also contains variations on the phrase " The rich get richer and the poor get poorer" (substituting, ''e.g.'', "children" for "poorer"); though this phrase predates the song, its use increased with the song's popularity. Composition "Ain't We Got Fun" follows the structure of a foxtrot. The melody uses mainly quarter notes, and has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop-time
In tap dancing, jazz, and blues, stop-time is an accompaniment pattern interrupting, or stopping, the normal time and featuring regular accented attacks on the first beat of each or every other measure, alternating with silence or instrumental solos. Stop-time occasionally appears in ragtime music. The characteristics of stop-time are heavy accents, frequent rests, and a stereotyped cadential pattern. Stop-timing may create the impression that the tempo has changed, though it has not, as the soloist continues without accompaniment. Stop-time is common in African-American popular music including R&B, soul music, and led to the development of the break in hip hop.Ramsey, Guthrie Jr.Stop-Time! (Fall 1998), ''Colum.edu''. Stop-time is, according to Samuel A. Floyd Jr., "a musical device in which the forward flow of the music stops, or seems to stop, suspended in a rhythmic unison, while in some cases an improvising instrumentalist or singer continues solo with the forward f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
