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Benjamin Bernheim
Benjamin Bernheim (9 June 1985) is a French lyric tenor known for his interpretation of Italian and French roles. Education Born in Paris, Benjamin Bernheim grew up in Geneva, where he studied violin and piano, before starting singing lessons at age 10 at the local conservatory. At age 18, he began his studies at the Lausanne Conservatory, under the tutelage of Gary Magby. Following the completion of his studies, he was accepted into the Opera Studio at Opernhaus Zürich for the 2008/2009 season. Career Bernheim's repertoire currently includes: Rodolfo in ''La Bohème'', Des Grieux (''Manon)'', Alfredo in ''La traviata'', title role in ''Faust'', Nemorino in ''L'elisir d'amore'', Verdi's Requiem, Puccini's Messa di Gloria, and Lenski in ''Eugene Onegin''. He is now a frequent guest of the Opernhaus Zürich, the Royal Opera House in London, the Staatsoper Berlin, Deutsche Oper, the Semperoper Dresden, the Wiener Staatsoper, the Opéra national de Paris, the Théâtre des Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lausanne Conservatory
The Haute école de musique de Lausanne (HEMU, known as Institute of Advanced Musical Studies prior to 2010, founded in 1861 as Conservatoire de Lausanne) is a Swiss music school located in Romandy, the French-speaking western part of Switzerland. It is a constituent institution of the University of Applied Sciences Western Switzerland. History ; Name change in 2010 Until the summer of 2010, the name, "Conservatoire de Lausanne", referred to two schools with different objectives and faculties. The Music School was public institution for educating children and young adults. The Institute of Advanced Musical Studies, based in Lausanne, Sion, and Fribourg, offered a comprehensive higher education for aspiring professional musicians. To mitigate the ensuing confusion, administrators in 2010 launched two new distinct identities. The School of Music became the Lausanne Conservatory and the Lausanne Institute of Advanced Musical Studies adopted the acronym HEMU for Haute école de musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Théâtre De Bordeaux
The Grand Théâtre de Bordeaux is an opera house in Bordeaux, France, first inaugurated on 17 April 1780. It was in this theatre that the ballet ''La fille mal gardée'' premiered in 1789, and where a young Marius Petipa staged some of his first ballets. The theatre was designed by the architect Victor Louis (1731–1800). Louis later designed the galleries surrounding, the gardens of the Palais Royal, and the Théâtre Français in Paris. The Grand Theatre of Bordeaux was conceived as a temple of the Arts and Light, with a neo-classical facade. It has a portico of 12 Corinthian style colossal columns which support an entablature on which stand 12 statues that represent the nine Muses and three goddesses (Juno, Venus and Minerva). Pierre-François Berruer made four of the statues, and his assistant Van den Drix carved the others from Berruer's models. The interior grand staircase served as a model for the grand staircase of the Opéra Garnier in Paris. On the ceiling of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fierrabras (opera)
''Fierrabras'', 796, is a three-act German opera with spoken dialogue written by the composer Franz Schubert in 1823, to a libretto by Joseph Kupelwieser, the general manager of the Theater am Kärntnertor (Vienna's Court Opera Theatre). Along with the earlier ''Alfonso und Estrella'', composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition. It had to wait until 1897 for a (relatively) complete performance. Composition history and background The commission The Kärntnertor Theater in 1822 commissioned operas from Schubert and Carl Maria von Weber in a drive to increase the number of German operas in repertoire. Schubert fulfilled his commission with ''Fierrabras'', Weber his with ''Euryanthe''. The Italian theatre director Domenico Barbaja, who had taken over the theatre in 1821, at the same time brought Rossini to Vienna to oversee production of several of his operas at the Kärntnertor Theater. Rossini's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cléopâtre
''Cléopâtre'' is an opera in four acts by Jules Massenet to a French libretto by Louis Payen. It was first performed at the Opéra de Monte-Carlo on 23 February 1914, nearly two years after Massenet's death. ''Cléopâtre'' is one of three operas by Massenet to be premiered posthumously; the others are ''Panurge (opera), Panurge'' (1913) and ''Amadis (Massenet), Amadis'' (1922). The piece has seen limited revival since its premiere and has a modest modern recording history. Performance history Though the opera was written for the mezzo Lucy Arbell, the role of Cléopâtre was created by the soprano Maria Nikolaevna Kuznetsova. The Chicago Opera Association presented the first American performance on 10 January 1916 with Kuznetsova. The first New York City, New York performance was on 23 January 1919 with Mary Garden. It was revived at the Massenet Festival in Saint-Étienne in 1990 with Kathryn Harries in the title role. This production yielded a live recording (''Koch Schwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera. < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called '' Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Christie (musician)
William Lincoln Christie (born December 19, 1944) is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants. Biography Christie studied art history at Harvard University, where he was briefly assistant conductor of the Harvard Glee Club. From 1966, he began studies at Yale University in music, where he was a student of harpsichordist Ralph Kirkpatrick. He was opposed to the Vietnam War, and served in a reserve officers course to avoid the draft. He subsequently taught at Dartmouth College. When his Dartmouth post was not renewed, Christie moved first to the United Kingdom (1970), and in 1971 to France. He was one of a number of young men who left the United States at this time because of disagreement with the Vietnam War, and in order to avoid the draft. In France, he became known for his interpretations of Baroque music, particularly French Baroque music, workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Re Pastore
' (''The Shepherd King'') is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg in the Rittersaal (knight's hall) of the Residenz-Theater in the palace of the Archbishop Count Hieronymus von Colloredo. In 1775 the opera was commissioned for a visit by the Archduke Maximilian Francis of Austria, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs for approximately 107 minutes. Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called ''Aminta''. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini – Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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