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Beloved (1934 Film)
''Beloved'' is a 1934 American pre-Code drama film directed by Victor Schertzinger and written by Paul Gangelin and George O'Neil. The film stars John Boles, Gloria Stuart, Morgan Farley, Ruth Hall, Albert Conti and Dorothy Peterson. The film was released on January 22, 1934, by Universal Pictures. Plot An aristocratic violin prodigy, Carl Hausmann (Boles), escapes revolution in Vienna in 1848 and flees with his mother Irene (Peterson) to Charleston, North Carolina, where he is drawn to the music of the slaves. He meets a young woman, Lucy Tarrant (Stuart), whom he takes on as a piano student. The couple fall in love but Lucy's father, Major Tarrant (Breese) refuses his permission to marry. Carl emerges from the Civil War a hero, and in the meantime both Irene and Major Tarrant have died, and the Tarrants are now destitute, Carl and Lucy marry and move to New York, where they survive on a meager income from Carl's piano lessons. Meanwhile he dreams of writing a great "American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Schertzinger
Victor L. Schertzinger (April 8, 1888 – October 26, 1941) was an American composer, film director, film producer, and screenwriter. His films include ''Paramount on Parade'' (co-director, 1930 in film, 1930), ''Something to Sing About (1937 film), Something to Sing About'' (1937 in film, 1937) with James Cagney, and the first two "Road" pictures ''Road to Singapore'' (1940 in film, 1940) and ''Road to Zanzibar'' (1941 in film, 1941). His two best-known songs are "I Remember You (1941 song), I Remember You" and "Tangerine (1941 song), Tangerine", both with lyrics by Johnny Mercer and both featured in Schertzinger's final film, ''The Fleet's In'' (1942 in film, 1942). Life and career Schertzinger was born in Mahanoy City, Pennsylvania, the child of musical parents of Pennsylvania Dutch descent, and attracted attention as a violin Child prodigy, prodigy at the age of four. As a child of eight, he appeared as a violinist with several orchestras, including the Victor Herbert Orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Butler (actor)
Jimmy Butler (February 20, 1921February 18, 1945) was an American, juvenile, motion-pictures actor, active in the 1930s and early 1940s. Butler was the son of Mr. and Mrs. Merrill W. Butler. He gained early acting experience at the Pasadena Community Playhouse. Butler earned acclaim for his role in the 1933 film '' Only Yesterday'', his screen debut, and in 1934 his career got another significant boost when the actor earned lavish critical plaudits for his portrayal of Jim Wade in ''Manhattan Melodrama''. Later he played one of the young protagonists, Boka, in ''No Greater Glory''. On February 15, 1941, Butler married singer Jean Fahrney. They initially kept the marriage secret, but it became known in March 1941. They remained wed until his death. In 1945, Butler died in World War II combat in the town of Theding, France. Filmography *'' Only Yesterday'' (1933) - Jim Jr. *''Beloved'' (1934) - Charles Hausmann, as a boy *''No Greater Glory'' (1934) - Boka *''Manhattan M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mae Busch
Mae Busch (born Annie May Busch; 18 June 1891 – 20 April 1946) was an Australian-born actress who worked in both silent and sound films in early Hollywood. In the latter part of her career she appeared in many Laurel and Hardy comedies, frequently playing Hardy's shrewish wife. Early life and career Busch was born in Melbourne, Victoria to popular Australian vaudeville performers Elizabeth Maria Lay and Frederick William Busch. Her mother had been active since 1883 under the stage names Dora Devere and then Dora Busch; she toured India with Hudson's Surprise Party and toured New Zealand twice. They continued to tour with various companies with short breaks when their two children were born, Dorothy in 1889 (who lived for only four months) and Annie May in 1891. Following a concert tour of New Zealand, the family left for the United States via Tahiti. They departed on 8 August 1896 and arrived in San Francisco at the end of 1896 or in early 1897. While her parents were touri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucile Gleason
Lucile Gleason ( Webster; February 6, 1888 – May 18, 1947) was an American stage and screen actress. Gleason was also a civic worker who was active in film colony projects. Early life Lucile Webster was born on February 6, 1888, in Pasadena, California. Career Stage Lucile Webster went on stage as a teen working with her father's stock company. After she married actor James Gleason, she realized stage success in New York City in a production of ''The Shannons of Broadway'' (1927), written by her husband. The play was adapted for a 1929 film of the same name, and was later made into the film ''Goodbye Broadway'' (1938). Film Gleason's motion picture career started with several movies in 1929 and continued until 1945. The Gleasons continued to perform together in Hollywood. In 1929 they co-starred in ''The Shannons of Broadway''. In 1945, they made '' The Clock'', with Lucile playing the role of Mrs. Al Henry, the wife of her husband's character. Higgins Family films T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Carle
Richard Carle (born Charles Nicholas Carleton, July 7, 1871 – June 28, 1941) was an American stage and film actor as well as a playwright and stage director. He appeared in more than 130 films between 1915 and 1941. Carle was born in Somerville, Massachusetts. He was on the stage for many years, appearing in important roles in London, New York and Chicago including as J. Offenbach Gaggs in ''The Casino Girl'' (1900)'The Polite Lunatic at Close Quarters' - ''The Sketch'' 12 September 1900, pg. 327 and Algy Cuffs in ''The Belle of Bohemia'' in London in 1901 before making his screen debut. In 1941 he died in North Hollywood, California from a heart attack. Selected filmography * ''Mary's Lamb'' (1915) - Leander Lamb * '' The Mad Marriage'' (1925) * ''Zander the Great'' (1925) - Mr. Pepper * ''The Coming of Amos'' (1925) - David Fontenay * ''Eve's Leaves'' (1926) - Richard Stanley * ''The Understanding Heart'' (1927) - Sheriff Bentley * ''Soft Cushions'' (1927) - The Slave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anderson Lawler
Anderson Lawler (May 5, 1902 – April 6, 1959) was an American actor and producer in film and theatre who had a career lasting from the 1920s through the 1950s. He began on Broadway before moving to featured and supporting roles in Hollywood over a ten-year career at the very beginning of the talking-picture era. After the end of his acting career, Lawler moved to the production end of the film industry as well as becoming a producer of legitimate theater in the late 1940s and 1950s. Early life Lawler was born Sidney Lawler on May 5, 1902, in Russellville, Alabama, to Earnest H. and Dona C. Lawler. Prior to 1927, Lawler moved to New York City and changed his professional name to Anderson Lawler. Career In 1927 he had a featured role in the Broadway production ''Her First Affaire'', which premiered at the Nora Bayes Theatre in August 1927. In 1929 he moved to Los Angeles, where he began his career in the film industry. His first role was in 1929's ''River of Romance''. While in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Carter
Louise Carter (born Betty-Lee Carter; March 17, 1875 – November 10, 1957) was an American stage and film actress. She appeared in 48 films between 1924 and 1940, mostly in maternal supporting roles. Among her roles were the mother of Paul Muni in ''I Am a Fugitive from a Chain Gang'' (1932), the wife of Lionel Barrymore in '' Broken Lullaby'' (1932) and the wife of W. C. Fields in '' You're Telling Me!'' (1934). Early years Carter was born Betty-Lee Carter on March 17, 1875, in Denison, Iowa. Her parents, Lawrence "Louis" J. Carter and Philomine Richards Carter, were French-Canadian. She had five younger siblings, and she was a graduate of Denison High School. Career By 1902, Carter had acted in Boston, New London, and New York City. She became the leading lady of the Gotham Stock Company in New York City in 1911. The company performed in Orpheum Company vaudeville houses owned by Percy G. Williams, who often had the cast of a play present it in one theater, then hurry to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Breese
Edmund Breese (June 18, 1871 – April 6, 1936) was an American stage and film actor of the silent era. Biography Breese was born in Brooklyn, New York. His parents were Renshaw Breese and Josephine Busby. The Opera House in Eureka Springs, Arkansas, was the site of Breese's stage debut in the summer of 1895. He portrayed Adonis Evergreen in ''My Awful Dad''. Long on the stage with a varied Broadway career before entering films, Breese appeared with James O'Neill in ''The Count of Monte Cristo'' (1893), ''The Lion and the Mouse'' (1906) with Richard Bennett, ''The Third Degree'' (1909) with Helen Ware, ''The Master Mind'' (1913) with Elliott Dexter, the popular World War I era play ''Why Marry?'' (1917) with Estelle Winwood & Nat C. Goodwin and ''So This Is London'' (1922) with Donald Gallaher. He also acted in a stock company at the Castle Square Theatre in Boston. Breese's film career began in 1914 with the Edison Studios. He appeared in more than 120 films between 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plagiarism
Plagiarism is the fraudulent representation of another person's language, thoughts, ideas, or expressions as one's own original work.From the 1995 '' Random House Compact Unabridged Dictionary'': use or close imitation of the language and thoughts of another author and the representation of them as one's own original work qtd. in From the Oxford English Dictionary: The action or practice of taking someone else's work, idea, etc., and passing it off as one's own; literary theft. While precise definitions vary, depending on the institution, such representations are generally considered to violate academic integrity and journalistic ethics as well as social norms of learning, teaching, research, fairness, respect and responsibility in many cultures. It is subject to sanctions such as penalties, suspension, expulsion from school or work, substantial fines and even imprisonment. Plagiarism is typically not in itself a crime, but like counterfeiting, fraud can be punished in a court f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiritual (music)
Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature (but not continuation) of slavery for many. Many new derivative music genres emerged from the spirituals songcraft. Prior to the end of the US ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
