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Before Time Began
''Before Time Began'' is the eleventh studio album and thirteenth album overall by the country rock group the New Riders of the Purple Sage. It was released in 1986 on the Relix Records label. The first half of the album contains very early recording sessions by the New Riders. Some of the songs are performed by the original lineup of the band, which consisted of John "Marmaduke" Dawson, David Nelson, and three members of the Grateful Dead — Jerry Garcia, Phil Lesh, and Mickey Hart. The second half of the album contains experimental music created by David Nelson, called "The Backwards Tapes". Early New Riders The first four songs on ''Before Time Began'' are from the New Riders' first studio session, at Pacific High Recording in San Francisco, California, in November 1969. This is the only known studio recording made by the band's original lineup. In the following two years, NRPS often performed as the opening act at Grateful Dead concerts. In 1970, Dave Torbert replaced P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Riders Of The Purple Sage
New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead. The band is sometimes referred to as the New Riders or as NRPS. History Origins: early 1960s – 1969 The roots of the New Riders can be traced back to the early 1960s Peninsula folk/ beatnik scene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's Internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Rowan
Peter Rowan (born July 4, 1942) is an American bluegrass musician and composer. Rowan plays guitar and mandolin, yodels and sings. Biography Rowan was born in Wayland, Massachusetts to a musical family. From an early age, he had an interest in music and learned to play the guitar from his uncle. He formed the rockabilly band the Cupids 1956.Goldsmith 2004, p. 263.Von Schmidt, Rooney 1994, p. 64. Influenced by the blues musician Eric Von Schmidt, Rowan traded his electric guitar for an acoustic and began to play the blues. He was also influenced by the folk sound of Joan Baez. In college, he discovered bluegrass after hearing The Country Gentlemen and The Stanley Brothers. He soon discovered the music of Bill Monroe, and with some help from banjo player Bill Keith, he was invited to Nashville to audition for Monroe. Accompanied by Keith, Rowan went to Nashville and was hired in 1963 or 1964 as songwriter, rhythm guitarist and lead vocalist of Monroe's Bluegrass Boys.Golds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Adventures Of Panama Red
''The Adventures of Panama Red'' is the fourth country rock album by the New Riders of the Purple Sage, released in 1973. It is widely regarded as one of the group's best efforts, and reached number 55 on the Billboard charts. The album includes two songs written by Peter Rowan — "Panama Red", which became a radio hit, and "Lonesome L.A. Cowboy". Another song, "Kick in the Head", was written by Robert Hunter. Donna Jean Godchaux and Buffy Sainte-Marie contribute background vocals on several tracks. Track listing #"Panama Red" (Peter Rowan) – 2:47 #"It's Alright With Me" (Dave Torbert) – 2:43 #"Lonesome L.A. Cowboy" (Rowan) – 4:05 #"Important Exportin Man" ( Tim Hovey, Torbert) – 2:26 #"One Too Many Stories" ( John Dawson) – 2:54 #"Kick in the Head" ( Robert Hunter) – 2:30 #"You Should Have Seen Me Runnin" (Dawson) – 3:01 #"Teardrops in My Eyes" (Red Allen, Tommy Sutton) – 2:15 #"L.A. Lady" (Troy Seals, Don Goodman, Will Jenning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Recorder
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Beauty (album)
''American Beauty'' is the fifth studio album by rock band the Grateful Dead. Released November 1, 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album ''Workingman's Dead'', issued earlier in the year. Upon release, ''American Beauty'' entered the ''Billboard'' 200 chart, ultimately peaking at number 30 during a nineteen-week stay in January 1971. On July 11, 1974, the album was certified Gold by the Recording Industry Association of America, and it later reached Platinum and Double Platinum certification in 1986 and 2001, respectively. In 2003, the album was ranked number 258 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, 261 in a 2012 revised list, and 215 in a 2020 revised list. Recording ''American Beauty'' was the result of a prolific period of the songwriting partnership of Jerry Garcia and Robert Hunter – one that yielded two studio albums in one year for the Grateful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live/Dead
''Live/Dead'' is the first official live album released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. In 2005 the tracks "Dark Star", "St. Stephen", "Death Don't Have No Mercy", "Feedback" and "We Bid You Goodnight" were released, in their original sequence and with a new mix, on the respective February 27, 1969 and March 2, 1969 discs of the '' Fillmore West 1969: The Complete Recordings'' box set (the first 1:34 of "Dark Star" can be found on the previous track, "Mountains of the Moon"). "Feedback" and "We Bid You Goodnight" were also released on the triple disc, highlights release '' Fillmore West 1969''. Recording To assuage debt accrued with their record label from their recent album ''Aoxomoxoa'', as well as fulfill their record contract, the band decided to record a live album. They were also interested in releasing an album more representative o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betty Cantor
Betty Cantor-Jackson (born 1948) is an American audio engineer and producer. She is best known for her work recording live concerts for the Grateful Dead from the late 1960s to the early 1980s, including the '' Cornell 5/8/77'' album. She is noted for her ear for recording and her long tenure with the band. Early life Growing up in Martinez, California, Cantor-Jackson developed an interest in electronics, saying "I used to take things like radios, other little electronic devices if they didn't work, open them up, mess with them, put them back together and they worked." She started booking shows for her high school, which led her to promote and help with shows across the bay in San Francisco. Through this, she met people in the underground music scene who taught her how to do sound engineering. Her involvement in the music scene and interest in LSD led her to meet and subsequently start working with the Grateful Dead. Grateful Dead era In 1968, she landed an apprenticeship re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Steel Guitar
The pedal steel guitar is a Console steel guitar, console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than any previous steel guitar design. Like all steel guitars, it can play unlimited glissando, glissandi (sliding notes) and deep vibrato, vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Music of Hawaii, Hawaiian music. Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the Steel bar, bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added. From its first use in Hawaii in the 19th century, the steel guitar sound became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Sahm
Douglas Wayne Sahm (November 6, 1941 – November 18, 1999) was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with " She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s. Sahm began singing at age five and learned to play the steel guitar at age six. He was considered a child prodigy on the instrument. By the age of eight, he had appeared on the ''Louisiana Hayride''. He made his recording debut as "Little Doug" in 1955, and was influenced by rock and roll during his teenag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
