Beethoven Concert Of 22 December 1808
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Beethoven Concert Of 22 December 1808
The Beethoven concert of 22 December 1808 was a benefit concert held for Ludwig van Beethoven at the Theater an der Wien in Vienna that featured the public premieres of Beethoven's Fifth and Sixth Symphonies, the Fourth Piano Concerto and the Choral Fantasy. This concert, then called an ''Akademie'', occurred in a very cold hall and lasted for approximately four hours. Its featured performers were an orchestra, chorus, vocal soloists, and the composer was featured as soloist at the piano. Beethoven biographer Barry Cooper refers to the concert, in terms of its content, as the "most remarkable" of Beethoven's career. Background Conditions for the performance of symphonic music in the Vienna of 1808 were hardly optimal, as Robert Kahn explains: In Vienna, the theaters were either under government sponsorship (the Burgtheater and the Kärntnertortheater, both in central Vienna) or were private enterprises located in the outer districts of the city. Beethoven's chosen venue, ...
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Beethoven (Mähler, 1804–05)
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively ta ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Il Ritorno Di Tobia
' (''The Return of Tobias'') is an oratorio in two parts composed in 1775 by Joseph Haydn ( Hob. XXI:1). The work is the first oratorio the composer wrote and, according to Jones, was "his most extended and ambitious composition up to that time".Jones (2009:166) The Italian-language libretto of the work is by , brother of the composer Luigi Boccherini. This libretto is harshly criticized by Olleson, who notes that the author de-dramatizes vivid episodes in the source (the story of Tobit in the Apocrypha), depriving Haydn of the opportunity for highly dramatic musical utterance. The work was premiered in Vienna on 2 April 1775, under the sponsorship of the Tonkünstler-Societät, a musician's benevolent society. The musical forces were substantial: Smither writes: "characteristic of the large forces used for the Tonkünstler-Societät concerts, the orchestra, chorus, and soloists possibly numbered more than 180 performers." He adds that the premiere was "enormously successful."Sm ...
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Tonkünstler-Societät
The Tonkünstler-Societät ("Society of Musicians") was a benevolent society for musicians in Vienna, which lasted from the mid-18th century to the mid-20th. Its purpose was "to support retired musicians and their families". Beginning in 1772, the Society mounted a series of benefit concerts, often with large forces of performers, at which were performed works by leading Classical-period composers, including Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. History The Society was founded by Florian Gassmann in 1771. It was also known as the "Gesellschaft der Wiener Tonkünstler zum Unterhalte ihrer Witwen und Waisen"; i.e. "Society of Viennese Musicians for the Support of their Widows and Orphans."http://www.wien.gv.at/kultur/archiv/geschichte/zeugnisse/haydnverein.html(in German) Until 1811 (the year that the Gesellschaft der Musikfreunde was founded), it was the only private organization offering concerts in Vienna. The Society was strongly supported by the ari ...
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Master Of Arts
A Master of Arts ( la, Magister Artium or ''Artium Magister''; abbreviated MA, M.A., AM, or A.M.) is the holder of a master's degree awarded by universities in many countries. The degree is usually contrasted with that of Master of Science. Those admitted to the degree have typically studied subjects within the scope of the humanities and social sciences, such as history, literature, languages, linguistics, public administration, political science, communication studies, law or diplomacy; however, different universities have different conventions and may also offer the degree for fields typically considered within the natural sciences and mathematics. The degree can be conferred in respect of completing courses and passing examinations, research, or a combination of the two. The degree of Master of Arts traces its origins to the teaching license or of the University of Paris, designed to produce "masters" who were graduate teachers of their subjects. Europe Czech Republic a ...
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Nikolaus II, Prince Esterházy
Nicholas II, Prince Esterházy ( hu, Esterházy II. Miklós, german: Nikolaus II Esterházy; 12 December 176524 November 1833) was a wealthy Hungarian prince. He served the Austrian Empire and was a member of the famous Esterházy family. He is especially remembered for his art collection and for his role as the last patron of Joseph Haydn. After the Congress of Vienna, his family was considered one of the mediatised houses for their former Sovereign (Bavarian after 1806) Principality of Edelstetten ( Edelstetten Abbey), Life Nikolaus was born in Vienna on 12 December 1765, the son of Prince Anton Esterházy and his first wife, Maria Theresia, Countess Erdödy de Monyorokerek et Monoszlo (1745–1782). His father Anton was the son of Nikolaus I, whom he succeeded as reigning prince on the latter's death in 1790. In 1783, the younger Nikolaus, aged 17, married the 15-year-old Maria Josepha, Princess von und zu Liechtenstein (1768–1845). According to Mraz (2009b), the m ...
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Eisenstadt
Eisenstadt (; hu, Kismarton; hr, Željezni grad; ; sl, Železno, Bavarian language, Austro-Bavarian: ''Eisnstod'') is a city in Austria, the state capital of Burgenland. It had a recorded population on 29 April 2021 of 15,074. In the Habsburg monarchy, Habsburg Empire's Kingdom of Hungary, Kismarton (Eisenstadt) was the seat of the House of Esterházy, Eszterházy Hungarian nobility, Hungarian noble family. The composer Joseph Haydn lived there as ''Hofkapellmeister'' under Esterházy patronage. Geography Eisenstadt lies on a plain leading down to the river Wulka, at the south foot of the Leitha Mountains, about from the Hungary, Hungarian border. It is the 38st largest city in Austria. Subdivisions Eisenstadt is divided into three districts ''(Stadtbezirke)'': *Eisenstadt-Stadt * Kleinhöflein im Burgenland ( hu, Kishöflány; hr, Mala Holovajna) – a town that lies to the west of Eisenstadt proper * St. Georgen am Leithagebirge (''Lajtaszentgyörgy''; ''Svetojurje' ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Wiener Zeitung
''Wiener Zeitung'' is an Austrian newspaper. It is one of the oldest, still published newspapers in the world. It is the official publication used by the Government of the Republic of Austria for legally-required announcements, such as company registrations,§ 10 (1) UGB, dRGBl. S 219/1897 as amended by BGBl. I Nr. 63/2019 and was also the official publishing body for laws and executive orders until 2004.Bundesgesetz über das Bundesgesetzblatt 2004, BGBl. I Nr. 100/2003 As of 2002, ''Wiener Zeitung'' was among the four Austrian newspapers of record beside the right-liberal ''Die Presse'', the left-liberal ''Der Standard'' and the Christian-liberal and conservative ''Salzburger Nachrichten''. History and profile The newspaper, founded in 1703 under the name ''Wiennerisches Diarium'', was considered the official mouthpiece of the Imperial Court due to its being supplied information directly and exclusively by the Court. The paper was published bi-weekly, usually running around e ...
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Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remainde ...
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