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Beethoven's Mandolin Music
Ludwig van Beethoven composed at least six works for mandolin, four of which survive. None were published during his lifetime. Though known better as a pianist, Beethoven possessed a Milanese mandolin, which was hung beside his piano. He was friends with two prominent mandolinists, both of whom were linked to his surviving mandolin music. Krumpholz Beethoven cultivated a relationship with Wenzel Krumpholz, a Bohemian violinist and mandolin virtuoso who played the violin in the opera orchestra in Vienna. Carl Czerny wrote of Krumpholz that he was one of the first to recognize Beethoven's genius. Beethoven had met Krumpholz in Vienna in 1795, after the release of Beethoven's Three Trios for Piano, Op. 1. Beethoven took violin lessons from Krumpholz and "the close relationship between Beethoven and Krumpholz may have led to the composition of two pieces for mandolin and harpsichord" (WoO 43, Numbers 1 and 2). As these were likely first attempts, Beethoven never published the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Tsalka
Michael Tsalka is a Dutch-Israeli pianist and early keyboard performer. He performs solo and chamber music from the Baroque to the Contemporary periods on the modern piano, harpsichord, fortepiano, clavichord, square piano and positive organ. Michael Tsalka, who is the oldest son of Israeli writer Dan Tsalka, performs throughout Europe, the U.S., Canada, Asia, and Latin America. Recent engagements include the Boston Early Music Festival, the Gasteig in Münich, the Metropolitan Museum in New York, the Forbidden City Concert Hall in Beijing, the Bellas Artes Theater in Mexico City, the Beethoven-Haus in Bonn, the Hermitage Festival in St. Petersburg, and full programs and interviews for radio stations in Hong Kong, Brussels, Amsterdam, Paris, Chicago, Berlin, Auckland, Buenos Aires, Mexico City, and Jerusalem. Career Michael Tsalka graduated in 1995 with a bachelor's degree in piano performance from the Rubin Academy of Music at the Tel Aviv University. He then continued studying in G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alon Sariel
Alon Sariel (born 11 May 1986 in Beersheba, Israel) is an Israeli mandolinist, lutenist and conductor. Early musical education Alon Sariel was born in Beersheba, Israel, the youngest of five siblings. He started playing the mandolin at the age of eight as student of Dora Bartik at the Beersheba Conservatory. Due to a sabbatical year of his father at the University of Caltech, Pasadena, Alon spent a year in Los Angeles with his family, where he was exposed to the Bluegrass mandolin style. Returning to Israel at the age of 13, he continued his musical education in the mandolin class of Lev Khaimovich at the Beersheba Conservatory, as well as music literature and theory with Mila Kosorovitzky, Gila Wolfson and Larisa Smoliar. For some years he also attended piano and percussion classes from Fania Eisenberg and Vadim Galil at the conservatory. At this stage, Sariel received a mandolin made by Arik Kerman, an instrument which would accompany him for almost 20 years. Musical higher edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Fasolis
Diego Fasolis (born 19 April 1958) is a Swiss classical organist and conductor, the leader of the ensemble I Barocchisti. He has conducted operas in historically informed performance at major European opera houses and festivals, and has made award-winning recordings. Career Born in Lugano, Fasolis studied in Zurich, at both the Zurich Conservatory and the Musikhochschule, organ with Erich Vollenwyder, piano with Jürg Wintschger, voice with Carol Smith, and conducting with Klaus Knall, achieving all four diplomas with distinction. He further studied organ and organ improvisation with Gaston Litaize in Paris, and historically informed performance (HIP) with Michael Radulescu. In 1985 and 1986, he performed the complete organ works by Johann Sebastian Bach, Felix Mendelssohn and Franz Liszt. He received several international awards such as the Stresa first prize, the first prize and scholarship of the Migros-Göhner Foundation, the Hegar Prize, the Traetta Prize 2020, and he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sándor Falvai
Sándor Falvai (born in Ózd, 1949) is a Hungarian pianist. Falvai graduated in 1972 at the Ferenc Liszt Academy of Music, where he was appointed a teacher after spending a year at the Moscow Conservatory. He has performed and recorded internationally, and served as soloist for the Budapest Symphony Orchestra in concert tours. References Naxos Records Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 1 ... Hungarian classical pianists Hungarian male classical pianists 1949 births Living people 21st-century classical pianists 21st-century Hungarian male musicians {{classical-pianist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide (Beethoven)
''Adelaide'', Op. 46, () is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831). Composition and publication During the period he created ''Adelaide'', Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. He had only recently completed his studies with Joseph Haydn. A. Peter Brown suggests that in writing ''Adelaide'', Beethoven was strongly influenced by Haydn's song ''O Tuneful Voice'' ( Hob. XXVIa:42, c. 1795), written by the elder composer shortly before. Like "Adelaide", "O Tuneful Voice" sets a love poem, is in moderate tempo with a steady triplet accompaniment, and wanders from key to key in its middle section. In composing ''Adelaide'' Beethoven made many sketches.Cooper (2008, 64) Barry Cooper assigns the work of composition to "an unusually long time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Trio, Op
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
