|
Beauty And The Beard
''Beauty and the Beard'' is an album by Al Hirt and Ann-Margret released by RCA Victor in 1964. The album was arranged by Marty Paich and produced by Steve Sholes. The album reached No. 84 on the ''Billboard'' Top LPs chart in 1964 and #47 on the Cashbox Top 100 Albums. Billboard Magazine awarded the album 'Special Merit' in their review column, stating that the record was "a wild and woolly combination. Ann-Margret and Al Hirt dish out a togetherness-type swingers. Ann-Margret does the huffin' while Al Hirt does the puffin'...duo provides much listenable entertainment." In their review of the album, '' Cashbox'' praised the album as "delightfully entertaining...the trumpeter also turns singer here as he and the lark give good humoured readings of "My Baby Just Cares for Me", "Everybody Loves My Baby" and "The Best Man" and nine other lively tunes. Some brisk trumpet rides by Hirt add colour to the session." The album was reissued on compact disc in 2010 by Bear Family Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Hirt
Alois Maxwell "Al" Hirt (November 7, 1922 – April 27, 1999) was an American trumpeter and bandleader. He is best remembered for his million-selling recordings of "Java" and the accompanying album '' Honey in the Horn'' (1963), and for the theme music to ''The Green Hornet''. His nicknames included "Jumbo" and "The Round Mound of Sound". Colin Escott, an author of musician biographies, wrote that RCA Victor, for which Hirt had recorded most of his best-selling recordings and for which he had spent most of his professional recording career, had dubbed him with another moniker: "The King." Hirt was inducted into The Louisiana Music Hall of Fame in November 2009. He received 21 Grammy nominations during his lifetime, including winning the Grammy award in 1964 for his version of "Java". Biography Hirt was born in New Orleans, Louisiana, the son of a police officer. At the age of six, he was given his first trumpet, which had been purchased at a local pawnshop. He played in the Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Personality (1946 Song)
"Personality" is a popular song with lyrics by Johnny Burke and music by Jimmy Van Heusen. It was written for the 1946 film ''Road to Utopia'', and Dorothy Lamour performed it in the movie. Van Heusen said that he wrote the song with a limited vocal range to accommodate Lamour. In a slightly longer version, the song became a number one '' Billboard'' hit for Johnny Mercer and the Pied Pipers with Capitol Records in 1946. Dinah Shore also recorded it around that time. Lamour was between record contracts at the time of the film's release, so she did not record the song herself until years later. The song employs tongue-in-cheek, slightly bawdy lyrics and an ironic use of the word "personality." The lyrics suggest that men are often attracted to a woman because of her shapely figure (called euphemistically her “personality”) rather than other beauty traits or any other admirable qualities she might possess. Cover versions * Bing Crosby recorded the song with Eddie Condon and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Palmer (composer)
Jack Palmer (May 29, 1899 – March 17, 1976) was an American pianist and composer. He is best known for co-writing two jazz standards with Spencer Williams: "Everybody Loves My Baby" and "I've Found a New Baby". Born in Nashville, Tennessee, Palmer worked on New York City's Tin Pan Alley as a staff writer and wrote songs with many different co-authors. With Cab Calloway he wrote two film soundtrack hits, "Jumpin' Jive" (1939) and "Boog It" (1940). Notes External links Jack Palmer recordingsat the Discography of American Historical Recordings The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with .... 1899 births 1976 deaths American male composers 20th-century American composers 20th-century American pianists American male pianists 20th-century American male musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spencer Williams
Spencer Williams (October 14, 1889 – July 14, 1965) was an American jazz and popular music composer, pianist, and singer. He is best known for his hit songs " Basin Street Blues", "I Ain't Got Nobody", "Royal Garden Blues", "I've Found a New Baby", "Everybody Loves My Baby", "Tishomingo Blues", and many others. Biography Spencer Williams was born in Vidalia, Louisiana, United States. He was educated at St. Charles University in New Orleans. Williams was performing in Chicago by 1907, and moved to New York City about 1916. After arriving in New York, he co-wrote several songs with Anton Lada of the Louisiana Five. Among those songs was " Basin Street Blues", which became one of his most popular songs and is still recorded by musicians to this day. Williams toured Europe with bands from 1925 to 1928; during this time he wrote for Josephine Baker at the Folies Bergère in Paris. Williams then returned to New York for a few years. At the end of the 1920s, Williams was tried b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everybody Loves My Baby
"Everybody Loves My Baby", also known as "Everybody Loves My Baby, but My Baby Don't Love Nobody but Me", is a pop standard, popular and jazz standard song composed by Spencer Williams in 1924. Lyrics were written by Jack Palmer (composer), Jack Palmer. One important early recording was by the young Louis Armstrong with Clarence Williams (musician), Clarence Williams' Blue Five on November 6, 1924, New York, NY. Released as a single: "Everybody Loves My Baby (but My Baby Don't Love Nobody But Me)" (Palmer, Jack; Williams, Spencer) [master S-72-959-B] – Okeh 8181. Featuring: Williams, Clarence (Piano, Director); Eva Taylor, Taylor, Eva (Vocal); Armstrong, Louis (Cornet); Thompson, Aaron (Trombone); Buster Bailey, Bailey, Buster (Soprano Saxophone); and Buddy Christian, Christian, Buddy (Banjo). Before this recording, Armstrong won a vaudeville night at the Roseland Ballroom singing and playing this tune. Another popular recording in 1925 was by Aileen Stanley. The song remained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Donaldson (songwriter)
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. Although Walter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hughie Cannon
Hugo Cannon (April 9, 1877 – June 17, 1912) was an American songwriter and pianist whose best-known composition was the popular ragtime song " (Won't You Come Home) Bill Bailey". Biography Cannon was born in Detroit, Michigan in 1877. He began performing with Barlow's Minstrels in the 1890s, as a singer, dancer, and piano player, often working with actor John Queen and having several songs published. Bill Edwards, "Hugo "Hughie" Cannon", ''RagPiano.com'' Retrieved 5 April 2017 He occasionally worked as a bar pianist in , where he met local musician Willard "Bill" Bailey. Reportedly, on one occasion in 1902, Bailey was talking to Cannon about the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Won't You Come Home Bill Bailey
"(Won't You Come Home) Bill Bailey", originally titled "Bill Bailey, Won't You Please.... Come Home?" is a popular song published in 1902. It is commonly referred to as simply "Bill Bailey". Its words and music were written by Hughie Cannon, an American songwriter and pianist, and published by Howley, Haviland and Dresser. It is still a standard with Dixieland and traditional jazz bands. The simple 32-bar chord sequence of its chorus also underpins many other tunes played mainly by jazz bands, such as " Over the Waves", "Washington and Lee Swing", " Bourbon Street Parade", "My Little Girl", and the final themes of "Tiger Rag" and "The Beer Barrel Polka". Origin Cannon wrote the song in 1902 when he was working as a bar pianist at Conrad Deidrich’s Saloon in Jackson, Michigan. Willard "Bill" Bailey, also a jazz musician, was a regular customer and friend, and one night told Cannon about his marriage to Sarah (née Siegrist). Cannon "was inspired to rattle off a ditty about Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trummy Young
James "Trummy" Young (January 12, 1912 – September 10, 1984) was an American trombonist in the swing era. He established himself as a star during his 12 years performing with Louis Armstrong in Armstrong's All Stars. He had one hit with his version of "Margie", which he played and sang with Jimmie Lunceford's orchestra in 1937. During his years with Armstrong, Young modified his playing to fit Armstrong's approach to jazz. Biography Young was born in Savannah, Georgia, United States, and grew up Richmond, Virginia; he was originally a trumpeter, but by his professional debut in 1928 he had switched to trombone. From 1933 to 1937, he was a member of Earl Hines' orchestra; he then joined Jimmie Lunceford's orchestra in which he played from 1937 to 1943, scoring a hit on Decca Records with "Margie", which featured his vocal. With Sy Oliver he co-wrote " 'Tain't What You Do (It's the Way That You Do It)", a hit for both Lunceford and Ella Fitzgerald in 1939. His other compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sy Oliver
Melvin James "Sy" Oliver (December 17, 1910 – May 28, 1988) was an American jazz arranger, trumpeter, composer, singer and bandleader. Life Sy Oliver was born in Battle Creek, Michigan, United States. His mother was a piano teacher, and his father was a multi-instrumentalist, who demonstrated saxophones at a time when instrument was seldom played other than by marching bands. Oliver left home at 17 to play with Zack Whyte and his Chocolate Beau Brummels and later with Alphonse Trent. He sang and played trumpet with these bands, becoming known for his "growling" horn playing. He also began arranging with them. He continued singing for the next 17 years, making many recordings when he was with Jimmie Lunceford and with his own band. With Lunceford, from 1933 to 1939, he recorded more than two dozen vocals. From 1949 to 1951, he recorded more than a dozen with his band. With Tommy Dorsey, he recorded very few vocals. In 1941, he sang with Jo Stafford, on his own compositions " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Trummy Young")