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Beautiful (The Reels Album)
''Beautiful'' is the third studio album by The Reels and was released in 1982 by special licence on the budget-priced K-tel label. The album was subsequently released on CD through RCA (BPCD5038). The Reels had just split in two, following the recent shock departures of bass player Paul Abrahams and keyboardist Karen Ansell (lead keyboardist Colin Newman had previously left in mid '81), forcing remaining members David Mason, Craig Hooper and Stephan Fidock to work out other concepts; eventually, they decided to shuffle on as a trio and use a tape recorder for live work. Nonetheless, ''Beautiful'' was the Reels' most successful album to date, mainly covering Middle of the Road classics with a synthesiser feel. The single taken from it, "This Guy's in Love With You" gave the Reels their biggest hit in Australia, reaching #6 around November, 1982. The album was later certified gold. In 2012 it was remastered and reissued on Compact Disc by Liberation Music. Track listing Side O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Reels
The Reels was an Australian rock band which formed in Dubbo, New South Wales in 1976. It disbanded in 1991, and reformed in 2007. Its 1981 song " Quasimodo's Dream" was voted one of the top 10 Australian songs of all time by a 100-member panel from Australasian Performing Right Association (APRA) in 2001. The Reels had top 10 Australian singles chart successes with covers of Herb Alpert's "This Guy's in Love with You" (No. 7, 1982) and Creedence Clearwater Revival's "Bad Moon Rising" (No. 11, 1986). Rock music historian Ian McFarlane described the group as "one of the most original and invigorating pop bands to emerge from the Australian new wave movement of the late 1970s."McFarlan'The Reels'entry. Retrieved 27 February 2010. Career 1976–1980: Early years Native Sons, consisting of John Bliss on drum kit, drums, Craig Hooper on lead guitar and synthesiser, and Dave Mason on vocals, formed in the regional centre of Dubbo, New South Wales in 1976. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Of The Road (music)
Middle of the road (also known by its acronym MOR) is a commercial radio format and popular music genre. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was eventually rebranded as soft adult contemporary. Etymology and usage According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by vocal harmony techniques, prominent melodies, and subtle orchestral arrangements. MOR is somewhat often used as a derogatory term for this type of music. Radio stations that played beautiful music during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them from related soft adult contemporary and smooth jazz stations. Soft rock groups like the Association, the 5th Dimension, and Simon & Garfunkel infil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Waltz (song)
"The Last Waltz" is a ballad, written by Barry Mason and Les Reed. It was one of Engelbert Humperdinck's biggest hits, spending five weeks at number 1 on the UK Singles Chart, from September 1967 to October 1967, and has since sold over 1.17 million copies in the United Kingdom. In Australia, Background The title of the song is something of a double entendre as it refers to both the narrator's first and last dances with the woman he loves: the first dance was the "last waltz" played at the party where the two met, and the final dance signified the end of their relationship after their romance had cooled. Chart performance "The Last Waltz" spent nine nonconsecutive weeks at number one. In the United States, "The Last Waltz" reached number 25 on the ''Billboard'' Hot 100 chart and made the top ten of the easy listening chart. Weekly charts Year-end charts Versions *French-language versions, titled "La Dernière Valse", were released by Mireille Mathieu and Petula Clar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He'll Have To Go
"He'll Have to Go" is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a hit in both genres early in 1960. Background The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The song was written by the husband-and-wife team of Joe and Audrey Allison, and was inspired by a phone conversation between them in which they had trouble making themselves understood. Because of background noise and Audrey Allison's naturally soft voice, her husband had to ask her to put her mouth very close to the receiver. That led her to pen the song's first line. Reeves recorded the song after listening to the original version of it by singer Billy Brown. When Brown's version attracted little attention, Reeves felt free to record his own. It was released to country radio as the B-side of "In a Mansion Stands My Love", which some music executives consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
True Love (Cole Porter Song)
"True Love" is a popular song written by American songwriter Cole Porter, published in 1956. The song was introduced by Bing Crosby and Grace Kelly in the musical film ''High Society.'' "True Love" was nominated for the Academy Award for Best Original Song. Kelly's contribution on the record is relatively minor, duetting with Crosby on only the final chorus. Nonetheless, the single is co-credited to her. Background The Crosby-Kelly version, accompanied by Johnny Green's MGM studio orchestra using a romantic arrangement by Conrad Salinger, was a hit single, peaking at number four in the United Kingdom, number three in Australia and number one in the Netherlands. Recordings that charted * Richard Chamberlain released a cover of the song as a single in 1963; it peaked at number 30 in the United Kingdom. * A version by Shakin' Stevens from his 1988 album '' A Whole Lotta Shaky'' reached number 23 in the UK. * In 1993, English musicians Elton John and Kiki Dee recorded the song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Macaulay
Tony Macaulay (born Anthony Gordon Instone; 21 April 1944) is an English author, composer for musical theatre, and songwriter. He has won the British Academy of Songwriters, Composers and Authors Award twice as 'Songwriter of the Year' (1970 and 1977). He is a nine time Ivor Novello Awards winning songwriter. In 2007, he became the only British person to win the Edwin Forrest Award for outstanding contribution to the American theatre. Macaulay's best-known songs include "Baby Now That I've Found You" and " Build Me Up Buttercup" with The Foundations, "(Last Night) I Didn't Get to Sleep at All," as well as "Love Grows (Where My Rosemary Goes)" and " Don't Give Up on Us". Career Macaulay was born in Fulham, London, England. In the early 1960s he worked as a song plugger for Essex Publishing, then moved to Pye Records as a record producer. It was here that he had his first major success with The Foundations, when they recorded, "Baby Now That I've Found You", a song he had co-wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(Last Night) I Didn't Get To Sleep At All
"(Last Night) I Didn't Get to Sleep at All" is a song written by Tony Macaulay and performed by The 5th Dimension with instrumental backing from L.A. session musicians from the Wrecking Crew. The song appeared on the band's album ''Individually & Collectively'', produced by Bones Howe and arranged by Bill Holman. The song was a top 10 hit for the group in the U.S., and their sixth and final platinum record. Composition and recording Tony Macaulay began work on the song while in Tokyo for the World Popular Song Festival of 1972. He met fellow attendees the Carpenters and was inspired to write a song emulating their hit "We've Only Just Begun" (Macaulay: "I liked the feel of that, the shuffle feel of it"). Macaulay recalls that due to changing time zones "I was awake all night and sleeping all day n Tokyo So I just got up in the night and I wrote it". Although he was having sleepless nights in Tokyo, it was the melody rather than the lyrics that he wrote there. The lyrics were com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Mer (song)
"La Mer" ("The Sea") is a song by the French composer, lyricist, singer and showman Charles Trenet. The song was first recorded by the French singer Roland Gerbeau in 1945. When Trenet's version was released in 1946, it became an unexpected hit, and has remained a chanson classic and jazz standard ever since. Background and history Trenet said that he had written an initial version of the song's lyrics as a poem at the age of 16, many years before he came up with a tune for it. The tune came to him while he was traveling by train in 1943 between Montpellier and Perpignan as he was gazing out of the window at the Étang de Thau, a lagoon in the south of France. He jotted it down on a piece of paper and in the afternoon he worked out the details with his pianist Léo Chauliac. That evening they performed it in front of an audience without much of an impact. The song was not recorded before the end of World War II. It was first offered to Suzy Solidor, who, however, declined it. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Is The Love (Roberta Flack And Donny Hathaway Song)
"Where Is the Love" is a popular song written by Ralph MacDonald and William Salter, and recorded by Roberta Flack and Donny Hathaway. Released in 1972 from their album, ''Roberta Flack & Donny Hathaway''. It peaked at number five on the ''Billboard'' Hot 100 singles chart and spent a week each at number one on the ''Billboard'' Easy Listening chart (July 1972) and R&B chart (August 1972). ''Billboard'' ranked it as the No. 58 song for 1972. The song won a Grammy Award for Best Pop Performance by a Duo or Group with Vocals. Chart performance Weekly charts Year-end charts Cover versions There have been numerous cover versions of this song: *The Ray Conniff Singers recorded a version in 1972 on their album ''Alone Again (Naturally)'' (not to be confused with the album by the same name by Andy Williams as mentioned below). *Helen Reddy recorded a version in 1972 on her Capitol album ''I Am Woman''. *South Vietnamese band The Dreamers recorded a cover version in 1972, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Guy's In Love With You
"This Guy's in Love with You" is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled "That Guy's in Love", which appears on his 1968 self-titled album. History The song appears to have originally been written by Hal David with lyrics to be sung by a female singer. A version was then released by Danny Williams, with lyrics about his female partner being in love with another man, some months before the Alpert version. Herb Alpert version As documented in an ''A&E Biography'' episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, "Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use?" Alper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Hooper
Craig Lincoln Hooper (born 23 November 1959) is an Australian musician who was a core member (with Dave Mason) of indie rock band The Reels (1977–1992), and was in bands The Mullanes (the initial incarnation of Crowded House), The Church (appears on their 1984 five-track extended play, ''Persia'') and The Crystal Set. As a keyboardist or guitarist, he was a session musician for Do-Ré-Mi, Rockmelons Rockmelons, often referred to as the Rockies, were an Australian pop/ dance/ R&B group formed in 1983 in Sydney. Primary members are Bryon Jones, his brother Jonathon Jones and Raymond Medhurst. They had two Australian top five hit singles in ... and Ross Wilson. Hooper was also involved in songwriting (co-writing with The Reels members) and record producing (with Mason and Bruce Brown). References Australian songwriters Crowded House members Living people 1959 births The Reels members {{australia-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |