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Beautiful (Mai Kuraki Song)
"Beautiful" is Mai Kuraki's thirty-second single, released on June 10, 2009. The single comes in two formats: limited CD+DVD edition and regular edition. It sold 29,446 copies in its first week and peaked at #2. Content The title song, "Beautiful", is being used in Kose Cosmeport's "Salon Style" commercials since early June 2009. To promote the single, Kuraki made her second appearance on TV Asahi's "Music Station" on June 12 as well as appearing on other TV programs such as NTV's "Music Fighter" and NHK's "Music Japan" on June 14. She also held four in-store events at Shinjuku's "Flags" (6/10), Tressa Yokohama (6/13), LaLaport Tokyo-Bay (6/13) and Nagoya's "Asunal Kanayama", entitled "Mai Kuraki 10th Anniversary Event: Beautiful", where Kuraki gave away postcard sets to audience members. "Beautiful" debuted on the daily Oricon charts at #1 and stayed at the top for four days, however it only managed to rank at #2 on the weekly charts due to the unexpected boost in sales of Girl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mai Kuraki
(born October 28, 1982) is a Japanese pop and R&B singer-songwriter and record producer. After releasing her US debut single " Baby I Like" in 1999, Kuraki signed with Giza Studio and released her Japanese debut single " Love, Day After Tomorrow" in 1999. In 2000, she released her debut album, '' Delicious Way'', which debuted at number-one and sold over 2.2 million copies in its first week. The album has spawned four top-three singles, "Love, Day After Tomorrow", " Stay by My Side", " Secret of My Heart", and "Never Gonna Give You Up". Eventually, the album sold over 3.5 million copies nationwide and became the best-selling album in Japan in 2000, and has been the ninth best-selling album in Japan of all-time. Her second album, ''Perfect Crime'' (2001) debuted atop in Japan and has sold over 1.3 million copies nationwide. After the success in Japan, Kuraki targeted the American market again, with the English-language studio album '' Secret of My Heart'' (2002), however it faile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girl Next Door (band)
Girl Next Door was a Japanese pop musical trio that debuted in 2008 on the Avex Trax label. The band consists of vocalist Chisa, guitarist Yuji Inoue and Daisuke Suzuki on keyboard. On September 3, 2013, the group's fifth anniversary, the band formally announced plans to dissolve Girl Next Door within the year. Their final performance as a group was held at SHIBUYA-AX on December 8, 2013. History Girl Next Door was formed in March, and subsequently made their official debut in September 2008. Originally a dancer in the Kansai area, Chisa entered the Avex Artist Academy in 2005, and met Daisuke Suzuki (keyboardist) who was a respectable songwriter. Chisa and Suzuki recorded many demo tracks which eventually caught the eye of Avex CEO, Max Matsuura. Yuji Inoue(Guitarist) then joined the two, and Girl Next Door was formed and debuted with their 1st single: in September 2008. Chisa was born on November 16, 1985 and grew up in Hyōgo Prefecture. Her full name is . Girl Next Doo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Songs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mai Kuraki Songs
Mai, or MAI, may refer to: Names * Mai (Chinese surname) * Mai (Vietnamese surname) * Mai (name) * Mai (singer), J-Pop singer * Iris Mai (born 1962), German chess master Places * Chiang Mai, largest city in northern Thailand * Ma-i, a pre-Hispanic Philippine state * Mai, Non Sung, Thailand Organisations * Manufacturers Association of Israel, an Israeli business organization * Marina Abramović Institute, a performance art organization * Market for Alternative Investment, a stock market for small/medium enterprises in Thailand * Montreal Arts Interculturels, a multidisciplinary cultural organization in Montreal, Canada * Moscow Aviation Institute, an engineering and aviation university in Russia * Motorsports Association of India, the FIA arm of Indian Motorsports Science and Technology * Machine augmented intelligence, use of technology to amplify and empower human thought and consciousness * Mean annual increment, a measure of the average growth per year a tree or stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
