Beat Control
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Beat Control
"Beat Control" is a Music download, digital Extended play, EP by indie pop group Tilly and the Wall, and the name of its title track. The EP was released via Team Love Records to online music stores on March 4, 2008. A limited edition 7" vinyl was also released. "Beat Control" is not on the band's third album ''o (Tilly and the Wall album), o'', but "Cacophony" is. The EP debuted on the UK Singles Chart at #153. Music video The music video for "Beat Control" premiered on February 25. The band perform in fluorescent clothing with a neon glow surrounding them, against patterned backgrounds. Track listing *Digital EP: # "Beat Control" – 2:53 # "Cacophony" – 2:27 # "L3t Teh B34t C0ns013 Yov" (Pewep Merix) – 3:24 *7" Vinyl: # "Beat Control" – 2:53 # "L3t Teh B34t C0ns013 Yov" (Pewep Merix) – 3:24 *CD single: # "Beat Control" – 2:47 # "Too Excited" – 3:18 References External linksTilly and the Wall official website
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Tilly And The Wall
Tilly and the Wall was an indie pop group from Omaha, Nebraska. Their name originated from a children's book called ''Tillie and the Wall'', written by Leo Lionni. They are particularly noted for having a tap dancer, Jamie Pressnall, provide percussion, instead of a drummer. History Formation and ''Wild Like Children'' The group formed in 2001 after the demise of several Omaha groups, including Conor Oberst's Park Ave., of which Neely Jenkins and Jamie Pressnall (then Jamie Williams) were members. Jamie brought along Kianna Alarid from another band that broke up called Magic Kiss. Derek Pressnall and Nick White, natives of Dunwoody, Georgia were drawn to the music scene in Omaha, Nebraska and moved. Nick White was also one of the few constants for Bright Eyes in 2005, appearing on ''I'm Wide Awake, It's Morning'' and ''Digital Ash in a Digital Urn'', as well as touring worldwide with the band. Their first show was an open-mic night at the now defunct Ranch Bowl. Their first r ...
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Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ...
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Team Love Records
Team Love is an independent record label based in New Paltz, New York, founded by Conor Oberst and Nate Krenkel in 2003. It has released albums by several other recording artists. Team Love also released the documentary film by Roy Germano, The Other Side of Immigration. A distinguishing marketing tactic of Team Love has been complete albums for download in unprotected mp3 format at no cost on their website in addition to traditional record and CD sales. This practice evolved into what is now known as The Team Love Library. History Formation The label was founded in 2003 in part due to Oberst's frustration at not being able to sign and showcase talent quickly enough through the record label on which his own Bright Eyes albums are released, Saddle Creek Records. Saddle Creek was a label his brother helped co-found but was operated and managed by various individuals. Team Love, while once distributed through Saddle Creek, is now distributed directly through Alternative Distri ...
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Bottoms Of Barrels
''Bottoms of Barrels'' is the second album by Omaha, Nebraska's Tilly and the Wall. It was released on 2006-05-23 on Team Love Records. The album was the ninth release of Team Love Records; its Australian release was June 2, 2007 by Dew Process. Singles to date nationally: "Bad Education," "Rainbows in the Dark," "Sing Songs Along," and "The Freest Man." Track listing # "Rainbows in the Dark" # "Urgency" # " Bad Education" # "Lost Girls" # "Love Song" # "Sing Songs Along" # "Black and Blue" # "Brave Day" # "The Freest Man" # "Coughing Colors" The enhanced CD version comes with behind-the-scenes footage of the band recording the album. There was a bonus 7" record for " Bad Education" that came along with the purchase of the album. U.K. Edition # "Patience, Babe" # "Sing Songs Along" # "Black and Blue" # "Lost Girls" # "Urgency" # " Bad Education" # "The Freest Man" # "Rainbows in the Dark" # "Love Song" # "Coughing Colors" # "Brave Day" The U.K. edition featured a bonus track, " ...
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O (Tilly And The Wall Album)
''o'' is Tilly and the Wall's third studio album, released on June 17, 2008 through Team Love Records. The album was engineered and produced by Mike Mogis. The album was released on August 30, 2008 in Australia by Dew Process. Content ''o'' was preceded by the ''Beat Control'' EP, which featured the title track and "Cacophony". "Beat Control" is not included on the album, although "Cacophony" is. The first single, " Pot Kettle Black", was available to download for free from the band's official website and the ''Spin'' website. The music video premiered on Stereogum. "Chandelier Lake" and "Too Excited" were performed at various live shows prior to the album's release, including Daytrotter. The track listings initially announced for ''o'' had "Jumbler" as the title for "Alligator Skin". Title and artwork The album's track listing and release date was announced on March 21, 2008. However, the album was untitled. Tilly and the Wall leaned towards naming the album ''o'', due to its ...
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Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78
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Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ...
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Online Music Store
A digital music store is a business that sells digital audio files of music recordings over the Internet. Customers gain ownership of a license to use the files, in contrast to a music streaming service, where they listen to recordings without gaining ownership. Customers pay either for each recording or on a subscription basis. Online music stores generally also offer partial streaming previews of songs, with some songs even available for full length listening. They typically show a picture of the album art or of the performer or band for each song. Some online music stores also sell recorded speech files, such as podcasts, and video files of movies. History Early years The first free, high-fidelity online music archive of downloadable songs on the Internet was the Internet Underground Music Archive (IUMA), which was started by Rob Lord, Jeff Patterson and Jon Luini from the University of California, Santa Cruz in 1993. Sony Music Entertainment Japan launched the first digi ...
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7" Vinyl
In music, a single is a type of Art release#Music, release, typically a song Sound recording, recording of fewer tracks than an LP record or an album. One can be released for record sales, sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and B-side, A- ...
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O (Tilly And The Wall Album)
''o'' is Tilly and the Wall's third studio album, released on June 17, 2008 through Team Love Records. The album was engineered and produced by Mike Mogis. The album was released on August 30, 2008 in Australia by Dew Process. Content ''o'' was preceded by the ''Beat Control'' EP, which featured the title track and "Cacophony". "Beat Control" is not included on the album, although "Cacophony" is. The first single, " Pot Kettle Black", was available to download for free from the band's official website and the ''Spin'' website. The music video premiered on Stereogum. "Chandelier Lake" and "Too Excited" were performed at various live shows prior to the album's release, including Daytrotter. The track listings initially announced for ''o'' had "Jumbler" as the title for "Alligator Skin". Title and artwork The album's track listing and release date was announced on March 21, 2008. However, the album was untitled. Tilly and the Wall leaned towards naming the album ''o'', due to its ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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