|
Beat (filmmaking)
In filmmaking, a beat is a small amount of action resulting in a pause in dialogue. Beats usually involve physical gestures like a character walking to a window or removing their glasses and rubbing their eyes. Short passages of internal monologue can also be considered a sort of internal beat. Beats are also known as "stage business". The word "beat" is industry slang that was derived from a famous Russian writer who told someone that writing the script was just a matter of putting all the bits together. In his heavy accent he pronounced bits as "beats". A beat sheet is a document with all the events in a movie script to guide the writing of that script. Beats as pacing elements Beats are specific, measured, and spaced to create a pace that moves the progress of the story forward. Audiences feel uneven or erratic beats. Uneven beats are the most forgettable or sometimes tedious parts of a film. Erratic beats jolt the audience unnecessarily. Every cinematic genre has a beat that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action (narrative)
In literature, action is the physical movement of the Character (arts), characters. Action as a literary mode "Action is the Mode (literature), mode [that] fiction writers use to show what is happening at any given moment in the story," states Evan Marshall (agent), Evan Marshall, who identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background. Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition. Peter Selgin refers to ''methods'', including action, dialogue, thoughts, summary, scene, and description. While Dialogue in writing, dialogue is the element that brings a story and its characters to life on the page, and Narration, narrative gives the story its depth and substance, action creates the movement within a story. Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character (arts)
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Monologue
Intrapersonal communication is the process by which an individual communicates within themselves, acting as both sender and receiver of messages, and encompasses the use of unspoken words to consciously engage in self-talk and inner speech. Intrapersonal communication, also referred to as internal monologue, autocommunication, self-talk, inner speech, or internal discourse, is a person's inner voice which provides a running monologue of thoughts while they are conscious. It is usually tied to a person's sense of self. It is particularly important in planning, problem solving, self-reflection, self-image, critical thinking, emotions, and subvocalization (reading in one's head). As a result, it is relevant to a number of mental disorders, such as depression, and treatments like cognitive behavioral therapy which seek to alleviate symptoms by providing strategies to regulate cognitive behaviour. It may reflect both conscious and subconscious beliefs. Intrapersonal communication i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Film
Action film is a film genre in which the protagonist is thrust into a series of events that typically involve violence and physical feats. The genre tends to feature a mostly resourceful hero struggling against incredible odds, which include life-threatening situations, a dangerous villain, or a pursuit which usually concludes in victory for the hero. Advancements in computer-generated imagery (CGI) have made it cheaper and easier to create action sequences and other visual effects that required the efforts of professional stunt crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed, as some films use CGI to create unrealistic, highly unbelievable events. While action has long been a recurring component in films, the "action film" genre began to develop in the 1970s along with the increase of stunts and special effects. This genre is closely associated with the thriller film, thriller and adventure film, adventure genres and ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (filming)
In film, a sequence is a series of scenes that form a distinct narrative unit, which is usually connected either by a unity of location or a unity of time. For example, a heist film might include an extended recruitment sequence in which the leader of the gang collects together the conspirators, a robbery sequence, an escape sequence, and so on. Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on. The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more acts; acts include one or more sequences; sequences are divided into one or more scenes; and scenes may be thought of as being built out of shots (if one is thinking visually) or ''beats'' (if one is thinking in narrative terms). The sequence paradigm of screenwriting was developed by Frank Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Shawshank Redemption
''The Shawshank Redemption'' is a 1994 American drama film written and directed by Frank Darabont, based on the 1982 Stephen King novella ''Rita Hayworth and Shawshank Redemption''. It tells the story of banker Andy Dufresne (Tim Robbins), who is sentenced to life in Shawshank State Penitentiary for the murders of his wife and her lover, despite his claims of innocence. Over the following two decades, he befriends a fellow prisoner, contraband smuggler Ellis "Red" Redding (Morgan Freeman), and becomes instrumental in a money-laundering operation led by the prison warden Samuel Norton (Bob Gunton). William Sadler, Clancy Brown, Gil Bellows, and James Whitmore appear in supporting roles. Darabont purchased the film rights to King's story in 1987, but development did not begin until five years later, when he wrote the script over an eight-week period. Two weeks after submitting his script to Castle Rock Entertainment, Darabont secured a $25 million budget to produce ''The Shaw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert McKee
Robert McKee (born January 30, 1941) is an author, lecturer and story consultant who is known for his "Story Seminar", which he developed when he was a professor at the University of Southern California. McKee is the author of ''Story: Substance, Structure, Style and the Principles of Screenwriting'', ''Dialogue: the Art of Verbal Action for Stage, Page and Screen'', ''Storynomics: Story-Driven Marketing in the Post-Advertising World'' and ''Character: The Art of Role and Cast Design for Page, Stage, and Screen''. McKee also has the blog and online writers' resource "Storylogue". Robert McKee's "Story Seminars" have been held around the globe including Boston, Moscow, Amsterdam, Beijing, Mumbai, Paris, Rio de Janeiro, Sydney and annually in New York City, Los Angeles, and London. The three-day seminar teaches writers the principles of storytelling. McKee's one-day "Genre Seminars" teach writers the conventions of different styles of storytelling including thriller, comedy, ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unit Of Action
In acting, units of action, otherwise known as bits or beats, are sections that a play's action can be divided into for the purposes of dramatic exploration in rehearsal. The concept was propounded by the Russian actor, director and educator Konstantin Stanislavsky, who initially liked to use the term ''kusok'' ( rus, кусок, p=kʊˈsok, a=ru-кусок.ogg) an ordinary Russian word that can be translated as bit – as in a bit, or slice, of bread or meat. This was the term Stanislavsky preferred in the original drafts of his books. Stanislavsky also referred to these bits of action as episodes, events and facts. The term, unit, was introduced in the standard early translations of Stanislavsky's writings. Use of beat in the place of bit has become mainstream in American method acting. This historic mistranslation may have helped spawn the common metaphor of the dramatic script as a musical score. Stanislavsky used the same metaphor to refer to detailed production plan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Dialogue")
.jpg "Click for more on -> Unit Of Action")