Beach Boys Concert
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Beach Boys Concert
''Beach Boys Concert'' is the first live album by American rock band the Beach Boys, released on October 19, 1964. It is their seventh album in all, and their third alone in the same year. It was their first of two chart-topping albums in the US (the other was their 1974 greatest hit compilation, '' Endless Summer''), as well as the first live album to top pop music record charts, maintaining its position for four weeks during a sixty-two-week chart stay, and becoming another gold seller. The album was recorded live at the Memorial Auditorium in Sacramento, California, though it received heavy post-production treatment. Because Brian Wilson was about to vacate his position in the live group, and would only perform sporadically with them over the course of the next three decades, it is one of the few live documents of the original line up of the Beach Boys in officially released LP form. In 2014, '' Live in Sacramento 1964'' was released, containing additional performances from ...
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The Beach Boys In Concert
''The Beach Boys in Concert'' is the third live album by the American rock band the Beach Boys, released in November 1973. It was their first live album since '' Live in London'' (1970), as well as the only live album and the final album on which Blondie Chaplin and Ricky Fataar appeared as official members. Reception ''The Beach Boys in Concert'' gave the band their best chart peak since 1967's '' Wild Honey'' by reaching number 25, and earning them their first gold record since 1966's ''Best of The Beach Boys''. Track listing Personnel The Beach Boys *Carl Wilson – lead guitar, electric piano, vocals *Dennis Wilson – electric piano, vocals *Al Jardine – rhythm guitar, vocals *Mike Love – vocals *Blondie Chaplin – guitar, vocals *Ricky Fataar – drums, vocals Additional personnel *Ed Carter – bass *Billy Hinsche – guitar, keyboards *Robert Kenyatta – percussion *Mike Kowalski – drums, percussion *Carli Muñoz Carli Muñoz, better known as Carli M ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ...
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Roger Christian (songwriter)
Roger Christian (July 3, 1934 – July 11, 1991) was an American radio personality and songwriter from Buffalo, New York. After moving to California in 1959, he became a lyricist for the Beach Boys' Brian Wilson. From the early to mid-1960s, they wrote many songs together, mostly about cars, including the singles "Little Deuce Coupe" (1963), " Shut Down" (1963), and " Don’t Worry Baby" (1964). Biography Christian was born in Buffalo, New York, United States. Roger Christian began his radio career in Rochester, New York at WSAY and later worked in Buffalo under the name Mike Melody. While working as a lifeguard, Christian got his break in radio after saving a radio executive's wife from drowning in a New York lake in the mid-1950s. In 1959, he moved to California, where he initially worked for a radio station in San Bernardino, KFXM-590AM. Christian worked as a radio personality in Los Angeles in the 1960s, 1970s and 1980s. He was one of the original "Boss Jocks" when 93/KHJ ...
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Jan Berry
Jan and Dean was an American rock duo consisting of William Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's " Surf City", the first surf song ever to reach the #1 spot. Their other charting top 10 singles were " Drag City" (1963), "Dead Man's Curve" (1964; inducted into the Grammy Hall of Fame in 2008), and "The Little Old Lady from Pasadena" (1964). In 1972, Torrence won the Grammy Award for Best Album Cover for the psychedelic rock band Pollution's first eponymous 1971 album, and was nominated three other times in the same category for albums of the Nitty Gritty Dirt Band. In 2013, Torrence's design contribution of the Surf City Allstars' ''In Concert'' CD was named a Silver Award of Distinction at the Communicator Awards competition. Early lives William Jan Berry ...
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The Little Old Lady (from Pasadena)
"The Little Old Lady (from Pasadena)" is a song written by Don Altfeld, Jan Berry and Roger Christian, and recorded by 1960s American pop singers, Jan and Dean. Singer/songwriter P.F. Sloan sings the falsetto part usually sung by Dean Torrence, while Dean sings one of the backup parts. This was the first time P.F. sang the falsetto on a single, although P.F. had already sung some falsetto on the last album Dead Man’s Curve/The New Girl In School. Jan & Dean reworked the lyrics from "The Little Old Lady (from Pasadena)" in 1967, renaming the track "Tijuana" and releasing it as a single that same year. The lyrics now contained thinly-veiled references to marijuana use. "Tijuana" was to be included on the act's final album '' Carnival of Sound,'' completed in 1969, but the LP went unreleased for several decades. The record was circulated as a bootleg until it garnered official release in 2010. The song was performed live by The Beach Boys at Sacramento Memorial Auditorium on Au ...
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Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ...
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Fun, Fun, Fun
"Fun, Fun, Fun" is a song by the American rock band the Beach Boys from their 1964 album ''Shut Down Volume 2''. Written by Brian Wilson and Mike Love, it was released as a single in February, backed with " Why Do Fools Fall in Love". "Fun, Fun, Fun" is one of the Beach Boys' many songs that defined the California myth. The lyrics are about a teenage girl who deceives her father so she can go hot-rodding with his Ford Thunderbird. At the end, her father discovers her deception and takes the keys from her. Near the end of the song, the song's narrator suggests that the girl accompany him, so that they may 'have Fun, Fun, Fun' engaging in other activities, 'now that Daddy took the T-Bird away.' Background and inspiration The song was written by Brian Wilson and Mike Love. The lyrics are partly inspired by events from Dennis Wilson's life. Russ Titelman recalled that he visited Brian while he was working on the song, and that its original lyric was "Run, Run, Run". According to S ...
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Live In London (The Beach Boys Album)
''Live in London'' is a live album by American rock band the Beach Boys released by EMI in the UK in May 1970. When released in the US on November 15, 1976, the album was renamed ''Beach Boys '69 (The Beach Boys In London)'' via Capitol Records. Background 1968 was a difficult year for The Beach Boys in the USA, where their reputation had soured considerably. Yet enthusiasm for the group in Europe was still strong, as evidenced by these confident performances recorded while the group were making their ''20/20'' album. After the surprise success of the '' Endless Summer'' and '' Spirit of America'' hits packages in 1974 and 1975, the Beach Boys enjoyed a resurgence of popularity in America, especially on the concert circuit. It was during this time that Capitol decided to issue a renamed edition of the album for the first time in the US. The reissue had art by rock artist Jim Evans, and a new title, ''Beach Boys '69''. Besides the fact that the live performance was actually rec ...
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Pickwick Records
Pickwick Records was an American record label and British record distributor known for its budget album releases of sound-alike recordings, bargain bin reissues and repackagings under the brands Design, Bravo (later changing its name to International Award), Hurrah, Grand Prix, and children's records on the Cricket and Happy Time labels. The label is also known for distributing music by smaller labels like Sonny Lester's Groove Merchant, Gene Redd's De-Lite Records, Chart Records and the Swedish label Sonet Records (for which it distributed late-1960s recordings by Bill Haley & His Comets in Canada and the US). They also issued records from Britain's Hallmark Records label. History Pickwick Records (originally formed as Pickwick Sales Corporation, later Pickwick International) was founded in 1950 by Cy Leslie, whose first business was a prerecorded greeting-card service that in 1946 turned into Voco Records, a label of children's records. In 1957, after successfully marketing ...
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Jan & Dean
Jan and Dean was an American rock duo consisting of William Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's " Surf City", the first surf song ever to reach the #1 spot. Their other charting top 10 singles were " Drag City" (1963), "Dead Man's Curve" (1964; inducted into the Grammy Hall of Fame in 2008), and "The Little Old Lady from Pasadena" (1964). In 1972, Torrence won the Grammy Award for Best Album Cover for the psychedelic rock band Pollution's first eponymous 1971 album, and was nominated three other times in the same category for albums of the Nitty Gritty Dirt Band. In 2013, Torrence's design contribution of the Surf City Allstars' ''In Concert'' CD was named a Silver Award of Distinction at the Communicator Awards competition. Early lives William Jan Berry ...
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Live In Sacramento 1964
''Live in Sacramento 1964'' is a live album by The Beach Boys, released on December 2, 2014, exclusively through the iTunes Store. It was recorded in 1964, with some performances appearing on the band's first live album, ''Beach Boys Concert'', in 1964. Background The compilation's release was a result of revised European copyright laws, forcing some labels to publish unreleased archival material so that they would not lose their copyright. ''Live in Sacramento'' is one of two such releases by Capitol Records Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007) is an American record label distributed by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note ... in 2014; the other was '' Keep an Eye on Summer''. Track listing ;First Show #"Little Honda" #"Papa-Oom-Mow-Mow" #"The Little Old Lady from Pasadena" #"Hushabye" #"Hawaii" #"Let's Go Trippin'" #"The Wanderer" #"Surfer Girl" ...
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Endless Summer (Beach Boys Album)
''Endless Summer'' is a compilation album by American rock band the Beach Boys, released on June 24, 1974. A collection of hits from the band's 1962–65 period, ''Endless Summer'' was compiled by their old label, Capitol Records, following the success of the film ''American Graffiti'', in which several songs were featured. It revitalized the band's popularity after years of lukewarm sales, but also inspired nostalgia for the Beach Boys' early surfing and hot rod-themed music, repositioning the group as an oldies act. Four months after its release, the album reached number 1 in the United States and Canada. It was the group's second chart-topping album in the US and returned them to a level of commercial success they had not experienced since the mid-1960s. The compilation spent 155 weeks on the ''Billboard'' albums chart and was certified 3× platinum by the RIAA for shipping over three million copies. Capitol released a second themed compilation in 1975 titled '' Spirit of Ame ...
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