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Be Young, Be Foolish, Be Happy
"Be Young, Be Foolish, Be Happy" is a soul song. It was first recorded in 1967 by the Sensational Epics and was originally released on Warner Bros. Records. The song has also been recorded by the Tams, Sonia, and others. The Tams version The Tams' version was released as a single in 1968, in the US, and was a moderate success, peaking at 26 on the R&B singles chart and No. 61 on the Hot 100. Sometime later, in March 1970, it peaked at No. 32 on the UK Singles Chart. It has since become one of the most popular beach music songs, especially in the American South, where the song and the group enjoy continued popularity and recognizability, as do all of the hits by the group. The song is also still popular in the United Kingdom amongst fans of Northern soul. Noddy Holder, lead singer with 70s British Glam rock band Slade, claimed in a newspaper interview that his band was playing the song live long before its Northern Soul success. Charts Sonia version Sonia Sonia, Sonja or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tams
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glam Rock
Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock.P. Auslander, ''Performing Glam Rock: Gender and Theatricality in Popular Music'' (Ann Arbor, MI: University of Michigan Press, 2006), , pp. 57, 63, 87 and 141. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock. The UK charts were inundated with glam rock acts from 1971 to 1975. The March 1971 appearance of T. Rex frontman Marc Bolan on the BBC's music show ''Top of the Pops'', wearing glitter and satins, is often cited as the beginning of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Singles Chart
The Canadian Singles Chart was a chart compiled by the American-based music sales tracking company, Nielsen SoundScan, which began publication in November 1996. It was published every Wednesday and also published on Thursday by '' Jam!''/Canoe. It was superseded by the '' Billboard''-published Canadian Hot 100 in 2007. History In the 1960s, the Canadian music industry was disparate and regionally focused, and English-speaking Canadian artists were often overlooked in favour of American acts. To encourage a more national focus and ensure that domestic artists were promoted across Canada, the Maple Leaf System (MLS) was set up in 1969. The MLS produced its own national singles chart, which '' Billboard'' magazine reproduced as Canada's entry in its weekly Hits of the World section. The MLS struggled to achieve widespread support in Canada, however, particularly as participating radio stations failed to give the nominated Canadian records the requisite national airplay. In November ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Singles Chart
The Irish Singles Chart is the Republic of Ireland's music industry standard singles popularity chart issued weekly by the Irish Recorded Music Association (IRMA) and compiled on their behalf by the Official Charts Company. Chart rankings are based on sales, which are compiled through over-the-counter retail data captured electronically each day from retailers' EPOS systems. All major record shops, digital retailers and streaming services contribute to the chart, accounting for over 95% of the market. A new chart is compiled and officially released to the public by the Irish Recorded Music Association on Friday at noon. Each chart is dated with the "week-ending" date of the previous Thursday (i.e., the day before issue). The singles chart was first published on 1 October 1962, and covered the top ten singles of the previous week by record label shipments. History The charts were first broadcast on RTÉ on 1 October 1962. Before this charts had been printed in the ''Evening Herald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You To Me Are Everything
In Modern English, ''you'' is the second-person pronoun. It is grammatically plural, and was historically used only for the dative case, but in most modern dialects is used for all cases and numbers. History ''You'' comes from the Proto-Germanic demonstrative base *''juz''-, *''iwwiz'' from PIE *''yu''- (second person plural pronoun). Old English had singular, dual, and plural second-person pronouns. The dual form was lost by the twelfth century, and the singular form was lost by the early 1600s. The development is shown in the following table. Early Modern English distinguished between the plural '' ye'' and the singular ''thou''. As in many other European languages, English at the time had a T–V distinction, which made the plural forms more respectful and deferential; they were used to address strangers and social superiors. This distinction ultimately led to familiar ''thou'' becoming obsolete in modern English, although it persists in some English dialects. ''Your ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Only Fools (Never Fall In Love)
"Only Fools (Never Fall in Love)" is a song by British singer Sonia. It was produced by Nigel Wright for Sonia's second studio album, ''Sonia'' (1991). The song was written by Tony Hiller, who had success in the 1970s as manager for Brotherhood of Man, and one-time member Barry Upton. This song was released in May 1991 as the album's first single, and was a top ten hit in the United Kingdom and Ireland. Background and writing Co-writer Barry Upton commented that he'd initially written the song with Diana Ross in mind, but Sonia's A&R man, Simon Cowell heard the song and took it for her. After the single's success, Upton was keen to work with her directly, but Cowell prevented this. Chart performance In United Kingdom, "Only Fools (Never Fall in Love)" debuted at number 28 on 1 June 1991, climbed to number ten in its fourth week, and fell off the top 100 after eight weeks. It was much aired on the national radios, reaching number two on the airplay chart. It also reached a peak of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Wright (record Producer)
Nigel Wright (born 13 June 1955, Bristol) is a record producer from England. His career as music producer, orchestrator and songwriter has scored five number one singles, 31 Top 20 singles and a string of platinum albums with recording artists as diverse as Madonna, Shakatak, Mezzoforte, Barbra Streisand, Boyzone, Sonia, Take That, Sinitta, José Carreras, Robson & Jerome, Michael Ball, Sarah Brightman, The Texas Tenors, Cliff Richard, Connie Fisher, Paul Potts, Andy Abraham and Ray Quinn. Wright's career in theatre and film include serving as the music producer for Andrew Lloyd Webber, in a successful partnership that had, as of May 2009, lasted more than eighteen years. Record production Wright first rose to prominence as producer of the jazz-funk group Shakatak. During the 1980s, he also produced medleys under various names. In 1981, Wright created "Ain't No Stopping", a rapid response to the success of Stars on 45 consisting of parts of recent disco hits and taking its nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonia (album)
''Sonia'' is the second album by British pop star Sonia, released in October 1991 on IQ Records, after parting company with Chrysalis Records and Stock Aitken Waterman. Sonia's second album was produced by Nigel Wright and for the first time Sonia co-wrote some of the songs. The album features the singles " Only Fools (Never Fall in Love)", "Be Young, Be Foolish, Be Happy" and "You to Me Are Everything", all of which were hits in the UK Singles Chart, while the album itself reached No.33. The album was repackaged and released as a debut album in the US in 1992, while the album was further repackaged and released in Japan, though both versions met with little success. Following this, Sonia was moved to BMG Eurodisc's Arista Records imprint and agreed to take part in the Eurovision Song Contest in 1993. Track listing # "Only Fools (Never Fall in Love)" (Tony Hiller, Barry Upton) 3:45 # "You to Me Are Everything" (Denne, Gold) 3:55 # "Breakdown" (Johnson, Pendse) 3:44 # "I'm N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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