Battōtai (song)
   HOME
*





Battōtai (song)
is a Japanese gunka composed by with lyrics by in 1885. Upon the request of the Japanese government, Leroux adapted it along with another gunka, , into the military march ' in 1912. Background The song references the ''Battōtai'' who fought in the Battle of Tabaruzaka during the 1877 Satsuma Rebellion. Because of supply problems and heavy rains, the Satsuma rebels were forced to engage with the Imperial Japanese Army in hand-to-hand combat. They inflicted heavy casualties against Imperial forces, who were mostly conscripts with no experience in wielding swords. Lieutenant General Yamagata Aritomo selected and deployed men from the surrounding area who were proficient with swords. He named this unit ''Battōtai ''or "Drawn-Sword regiment." Composition Charles Leroux, a bandmaster and composer born in Paris, arrived in Japan in 1884 as part of a French military advisory group. He composed his "Battōtai" in 1885, while serving as bandmaster of the Imperial Japanese Army Ban ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Section (music)
In music, a section is a complete, but not independent, musical idea. Types of sections include the introduction or intro, exposition, development, recapitulation, verse, chorus or refrain, conclusion, coda or outro, fadeout, bridge or interlude. In sectional forms such as binary, the larger unit (form) is built from various smaller clear-cut units (sections) in combination, analogous to stanzas in poetry or somewhat like stacking Lego. Some well known songs consist of only one or two sections, for example "Jingle Bells" commonly contains verses ("Dashing through the snow...") and choruses ("Oh, jingle bells..."). It may contain "auxiliary members" such as an introduction and/or outro, especially when accompanied by instruments (the piano starts and then: "Dashing..."). A section is, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena." An episode may also refer to a section. This term is particularly ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Gunka
is the Japanese term for military music. While in standard use in Japan it applies both to Japanese songs and foreign songs such as "The Battle Hymn of the Republic", as an English language category it refers to songs produced by the Empire of Japan in between roughly 1885 and 1943. History Meiji Restoration period During the Meiji Restoration Period, Western composers and teachers taught Japanese people to write and make music in the Western classical tradition. Military marches were adopted in Japan, as part of a trend of Western customs integrating into the Japanese culture. ''Gunka'' was one of the major Western-influenced musical forms that emerged in this period and were used to encourage patriotism in the post-restoration era. Empire of Japan In 1871, Japan founded the Imperial Japanese Army and Navy band. During the late nineteenth century, Japanese conductors japanized the band repertoire. In the period of imperialist expansion of Japan in Asia and the Pacific, ''g ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Fusang
Fusang () refers to various entities, most frequently a mythical tree or location east of China, described in ancient Chinese literature. In the ''Classic of Mountains and Seas'' and several contemporary texts, the term refers to a mythological tree of life, alternatively identified as a mulberry or a hibiscus, allegedly growing far to the east of China, and perhaps to various more concrete territories which are located to the east of the mainland. A country which was named Fusang was described by the native Buddhist missionary Hui Shen (, also called Hwui Shan) in 499 AD, as a place which is located 20,000 Chinese '' li'' to the east of Da-han, and it is also located to the east of China (according to Joseph Needham, Da-han corresponds to the Buriat region of Siberia). Hui Shen arrived in China from Kabul in 450 AD and went by ship to Fusang in 458 AD, and upon his return in 499 reported his findings to the Chinese Emperor. His descriptions are recorded in the 7th-century text ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Battōtai
were a special police squad formed in Japan by the Meiji government in 1877 during the Satsuma Rebellion. The detachment was armed with Japanese swords. The members of Battotai defeated the rebels in the Battle of Tabaruzaka. Their success in sword fighting led to a renewed interest in the art of kenjutsu, which had been abandoned after the Meiji restoration, and, as a result, the formation of modern kendo.''Cornelia Niekus Moore, Raymond A. Moody.'' Comparative Literature - East and West: Traditions and Trends : Selected Conference Papers. — University of Hawaii Press, 1989. — p. 172, p. 219 — . History During the multi-day siege by the government forces of Tabaruzaka, where the rebels of Saigo Takamori were entrenched, it turned out that the troops were suffering heavy damage from the attacks of the rebels in close combat. This was due to the fact that most of the government forces were conscripted "common people", peasants and townspeople who had never learned ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Battle Of Tabaruzaka
The Battle of Tabaruzaka was a major battle of the Satsuma Rebellion. It took place in March 1877, on the island of Kyushu, Japan, concurrently to the Siege of Kumamoto Castle. Summary The Battle of Tabaruzaka began on March 3, 1877 when troops loyal to the Imperial Meiji government seeking to break the Siege of Kumamoto Castle met rebel Satsuma samurai forces seeking to capture the main road out of Kumamoto. The battle eventually spread across a 6.5 mile line from Tabaruzaka to the Ariake Sea. Skirmishes occurred for the first of several days of the battle, as both sides continued to bring additional support troops to the area. In the end, Saigō Takamori's forces would number 15,000, and the Imperial Japanese Army, led by Arisugawa Taruhito and Yamagata Aritomo, numbered 90,000. The first days of the battle were marked by heavy rain, which hampered the rebel's ability to resupply. As a result of low ammunition supplies, and water damage to their antiquated muzzle-loading ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Satsuma Rebellion
The Satsuma Rebellion, also known as the was a revolt of disaffected samurai against the new imperial government, nine years into the Meiji Era. Its name comes from the Satsuma Domain, which had been influential in the Restoration and became home to unemployed samurai after military reforms rendered their status obsolete. The rebellion lasted from January 29, 1877, until September of that year, when it was decisively crushed, and its leader, Saigō Takamori, was shot and mortally wounded. Saigō's rebellion was the last and most serious of a series of armed uprisings against the new government of the Empire of Japan, the predecessor state to modern Japan. The rebellion was very expensive for the government, which forced it to make numerous monetary reforms including leaving the gold standard. The conflict effectively ended the samurai class and ushered in modern warfare fought by conscript soldiers instead of military nobles. Background Although Satsuma had been one of the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Imperial Japanese Army
The was the official ground-based armed force of the Empire of Japan from 1868 to 1945. It was controlled by the Imperial Japanese Army General Staff Office and the Ministry of the Army, both of which were nominally subordinate to the Emperor of Japan as supreme commander of the army and the Imperial Japanese Navy. Later an Inspectorate General of Aviation became the third agency with oversight of the army. During wartime or national emergencies, the nominal command functions of the emperor would be centralized in an Imperial General Headquarters (IGHQ), an ad hoc body consisting of the chief and vice chief of the Army General Staff, the Minister of the Army, the chief and vice chief of the Naval General Staff, the Inspector General of Aviation, and the Inspector General of Military Training. History Origins (1868–1871) In the mid-19th century, Japan had no unified national army and the country was made up of feudal domains (''han'') with the Tokugawa shogunate (''bakufu ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Yamagata Aritomo
''Gensui (Imperial Japanese Army), Gensui'' Prince , also known as Prince Yamagata Kyōsuke, was a senior-ranking Japanese people, Japanese military commander, twice-elected Prime Minister of Japan, and a leading member of the ''genrō'', an élite group of senior statesmen who dominated Japan after the Meiji Restoration. As the Imperial Japanese Army's inaugural Imperial Japanese Army General Staff Office, Chief of Staff, he was the chief architect of the Empire of Japan's military and its reactionary ideology. For this reason, some historians consider Yamagata to be the “father” of Japanese militarism. During the latter part of the Meiji (era), Meiji Era, Yamagata vied against Marquess Itō Hirobumi for control over the nation's policies. After Itō was assassinated in 1909, he became the most powerful figure in Japan save for Emperor Meiji, the Emperor himself. Henceforth, Prince Yamagata oversaw all policymaking within the empire until a falling-out with the Imperial fa ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bandmaster
A bandmaster is the leader and conductor of a band, usually a concert band, military band, brass band or a marching band. British Armed Forces In the British Army, bandmasters of the Royal Corps of Army Music now hold the rank of staff sergeant, warrant officer class 2 or warrant officer class 1. A commissioned officer who leads a band is known as the director of music. Directors of music are all former bandmasters who have been commissioned. All bandmasters initially joined the Army as musicians and were selected for bandmaster training from non-commissioned rank (usually having reached the rank of at least corporal). However, unlike most NCOs, bandmasters are promoted directly to staff sergeant on completion of their bandmaster training and have not necessarily worked their way through all the intervening ranks. British Army line infantry and cavalry regimental bands were led by bandmasters until the reorganisation of bands and the creation of the Corps of Army Music ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Rokumeikan
The was a large two-story building in Tokyo, completed in 1883, which became a controversial symbol of Westernisation in the Meiji period. Commissioned for the housing of foreign guests by the Foreign Minister Inoue Kaoru, it was designed by British architect Josiah Conder, a prominent Western adviser working in Japan. Although the ''Rokumeikans heyday was brief, it became famous for its parties and balls, which introduced many high-ranking Japanese to Western manners for the first time, and it is still a fixture in the cultural memory of Japan. It was, however, largely used for the accommodation of guests of the government, and for meetings between Japanese who had already lived abroad. Its reputation as a center of dissipation is largely exaggerated. History Background The site of the Rokumeikan was in Hibiya, near the Imperial Palace on land which had formerly been used as an arsenal for the Satsuma domain. After the Meiji restoration, in 1872 the land became the headquarte ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]