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Battle Of The Centaurs (Michelangelo)
''Battle of the Centaurs'' is a relief sculpture by the Italian Renaissance artist Michelangelo, created around 1492. It was the last work Michelangelo created while under the patronage of Lorenzo de' Medici, who died shortly after its completion. Inspired by a classical relief created by Bertoldo di Giovanni, the marble sculpture represents the mythic battle between the Lapiths and the Centaurs. A popular subject of art in ancient Greece, the story was suggested to Michelangelo by the classical scholar and poet Poliziano. The sculpture is exhibited in the Casa Buonarroti in Florence, Italy. ''Battle of the Centaurs'' was a remarkable sculpture in several ways, presaging Michelangelo's future sculptural direction. Michelangelo had departed from the then current practices of working on a discrete plane to work multidimensionally. It was also the first sculpture Michelangelo created without the use of a bow drill and the first sculpture to reach such a state of completion with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Buonarroti
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non Finito
''Non finito'' is a sculpting technique meaning that the work is unfinished. Italian in etymology, it literally means "not finished". ''Non finito'' sculptures appear unfinished because the artist only sculpts part of the block, the figure sometimes appearing to be stuck within the block of material. It was pioneered by Donatello during the Renaissance and was also used by Michelangelo among others. The philosophic origins of ''non finito'' practice come from antiquity and the theories of Plato. Platonic philosophy states that any work of art, or otherwise, never completely resembles its heavenly counterpart. The act of leaving a work unfinished is sometimes a neo-Platonic Neoplatonism is a strand of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a chain of thinkers. But there are some ide ... homage to this. In the case of the ancient Romans, artists wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurytion
Eurytion (Ancient Greek: Εὐρυτίων, "widely honoured") or Eurythion (Εὐρυθίων) was a name attributed to several individuals in Greek mythology: *Eurytion, the king of Phthia. *Eurytion, a Centaur of Arcadia who demanded to marry the daughter of Dexamenus of Olenus, either Mnesimache or Deianira, or who threatened violence against his daughter Hippolyte on the day of her marriage to Azan. Her father was forced to agree, but Heracles intervened on her behalf and killed the wild horse-man. *Eurytion, another Centaur, of Thessaly, who attempted to carry off the bride of Peirithous, king of the Lapiths, on their wedding day. He and his fellows were killed in the fight with the Lapiths that followed, the Centauromachy. Ovid refers to him as "Eurytus", and by his Latinized Greek name "Eurytion". *Eurytion, and the two-headed dog Orthrus, were the guardians of the cattle of Geryon and were killed by Heracles. This Eurytion was also used as a character in the Percy Jackson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippodamia (wife Of Pirithous)
In Greek mythology, Hippodamia (; grc, Ἱπποδάμεια means 'she who masters horses' derived from ''hippos'' "horse" and ''damazein'' "to tame") was the daughter of Atrax or Butes Diodorus Siculus, ''Library of History'', 4. 70. 3 or Adrastus and the bride of King Pirithous of the Lapiths. She was also known as Deidamia (; Ancient Greek: ), Laodamia , Hippoboteia , Dia or Ischomache ). Mythology At their wedding, Hippodamia, the other female guests, and the young boys were almost abducted by the Centaurs. Pirithous and his friend Theseus led the Lapiths to victory over the Centaurs in a battle known as the Centauromachy. She gave birth to Pirithous's son Polypoetes, but died shortly afterwards. Diodorus Siculus, ''Library of History'', 4. 63. 1 The abduction of Hippodamia was not an uncommon subject of Western art in the classical tradition, including the sculpture '' The Abduction of Hippodameia'' by French artist Albert-Ernest Carrier-Belleuse and a painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirithous
Pirithous (; grc-gre, Πειρίθοος or , derived from ; also transliterated as Perithous), in Greek mythology, was the King of the Lapiths of Larissa in Thessaly, as well as best friend to Theseus. Biography Pirithous was a son of "heavenly" Dia, fathered either by Ixion or by Zeus. He married Hippodamia, daughter of Atrax or Butes, at whose wedding the famous Battle of Lapiths and Centaurs occurred. By his wife, he became the father of Polypoetes, one of the Greek leaders during the Trojan War. Peirithous was also the close friend of the hero Theseus. Early years According to Homer, Dia had sex with Zeus, who was disguised as a stallion, and gave birth to Pirithous; a folk etymology derived Pirithous' name from ''peritheein'' (), because that was what Zeus did to seduce Dia. His best friend was Theseus. In the ''Iliad'' I, Nestor numbers Pirithous and Theseus "of heroic fame" among an earlier generation of heroes of his youth, "the strongest men that Earth has b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ascanio Condivi
Ascanio Condivi (1525 – 10 December 1574) was an Italian painter and writer. Generally regarded as a mediocre artist, he is primarily remembered as the biographer of Michelangelo. Biography The son of Latino Condivi and Vitangela de' Ricci, Ascanio Condivi was a nobleman born in the town of Ripatransone in the Marche. He moved to Rome in , where he became an acquaintance of Michelangelo. In 1553 he published ''Vita di Michelagnolo ' Buonarroti'', an authorised account of Michelangelo's life over which his subject had complete control. The ''Vita'' was partly a rebuttal of hostile rumours that were being perpetuated about the artist, namely that he was arrogant, avaricious, jealous of other artists, and reluctant to take on pupils. It also served to correct inaccuracies Michelangelo found in the fawning biography of him in Giorgio Vasari's '' Vite de' più eccellenti pittori, scultori, ed architettori'' ("Lives of the most excellent painters, sculptors and architects"), wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitti Tondo
The ''Pitti Tondo'' ( Tondo Pitti) is a marble relief of the Virgin and Child by Michelangelo in round or tondo form. It was made between 1503 and 1504 and is now in the Museo nazionale del Bargello in Florence. History The tondo was made in the year in which Michelangelo sculpted his ''David'', having found the time to dedicate to some other paid private commissions. This work was made for Bartolomeo Pitti. His son Miniato, a monk at Monte Oliveto, donated it to Luigi Guicciardini (1487–1551). Benedetto Varchi saw the work in 1564, in the house of his nephew Piero. In 1823, the tondo was bought by the Florentine authorities for 200 scudi, from the shop of the dealer Fedele Acciai. Placed in the Galleria degli Uffizi, it finally came to the Museo nazionale del Bargello in 1873. Description and style In the tondo, Mary is visible, with an open book on her knees. With a distracted gaze, she looks into the distance as if meditating on the fate of her son in the scriptures. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taddei Tondo
The ''Taddei Tondo'' or ''The Virgin and Child with the Infant St John'' is a marble relief tondo (circular composition) of the Madonna and Child and the infant Saint John the Baptist, by the Italian Renaissance artist Michelangelo Buonarroti. It is in the permanent collection of the Royal Academy of Arts in London, it is the only marble sculpture by Michelangelo in Great Britain. A "perfect demonstration" of his carving technique, the work delivers a "powerful emotional and narrative punch". Physical history The tondo dates to Michelangelo's time in Florence before his move to Rome in 1505. According to Vasari, while working on his David, "also at this time he blocked out but did not finish two marble tondi, one for Taddeo Taddei, today in his house, and for Bartolomeo Pitti he began another... which works were considered outstanding and marvellous"."''et ancora in questo tempo abbozzò e non finì due tondi di marmo, uno a Taddeo Taddei, oggi in casa sua, et a Bartolomeo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France— Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of The Nudes (engraving)
The ''Battle of the Nudes'' or ''Battle of the Naked Men'', probably dating from 1465–1475, is an engraving by the Florentine goldsmith and sculptor Antonio del Pollaiuolo which is one of the most significant old master prints of the Italian Renaissance. The engraving is large at 42.4 x 60.9 cm, and depicts five men wearing headbands and five men without, fighting in pairs with weapons in front of a dense background of vegetation. All the figures are posed in different strained and athletic positions, and the print is advanced for the period in this respect. The style is classicizing, although they grimace fiercely, and their musculature is strongly emphasized. The two figures nearest the front of the picture space are in essentially the same pose, seen from in front and behind, and one purpose of the print may have been to give artists poses to copy. An effective and largely original return-stroke engraving technique was employed to model the bodies, with delic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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