Battle Of San Romano (Paolo Uccello)
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Battle Of San Romano (Paolo Uccello)
''The Battle of San Romano'' is a set of three paintings by the Florentine painter Paolo Uccello depicting events that took place at the Battle of San Romano between Florentine and Sienese forces in 1432. They are significant as revealing the development of linear perspective in early Italian Renaissance painting, and are unusual as a major secular commission. The paintings are in egg tempera on wooden panels, each over 3 metres long. According to the National Gallery, the panels were commissioned by a member of the Bartolini Salimbeni family in Florence sometime between 1435 and 1460. The paintings were much admired in the 15th century; Lorenzo de' Medici so coveted them that he purchased one and had the remaining two forcibly removed to the Palazzo Medici. They are now divided between three collections, the National Gallery, London, the Galleria degli Uffizi, Florence, and the Musée du Louvre, Paris. Subject The three paintings are: File:San Romano Battle (Paolo Uccello, ...
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Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italians, Italian (Florentine) Florentine painting, painter and mathematician who was notable for his pioneering work on visual Perspective (graphical), perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the The Battle of San Romano, three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the International Gothic, Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other a ...
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Tapestry
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other tradit ...
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1440s Paintings
144 may refer to: * 144 (number), the natural number following 143 and preceding 145 * AD 144, a year of the Julian calendar, in the second century AD * 144 BC, a year of the pre-Julian Roman calendar * ''144'' (film), a 2015 Indian comedy * ''144'' (video game), working title of ''The Path'', a psychological horror art game * 144 (New Jersey bus), a bus route in New Jersey, USA * Volvo 144, the main 4-door sedan model of the Volvo 140 Series * Worcestershire bus route 144 Worcestershire bus route 144 is a bus service connecting the Worcestershire areas of Catshill, Bromsgrove. Droitwich and Worcester, operated by First Worcestershire. The service dates back to 1914 and was one of the longest-running double-deck ... See also * List of highways numbered 144 * {{numberdis ...
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Paintings In The Louvre By Italian Artists
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Paintings In The Collection Of The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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100 Great Paintings
''100 Great Paintings'' is a British television series broadcast in 1980 on BBC 2, devised by Edwin Mullins.http://ftvdb.bfi.org.uk/sift/series/11652 13 January 2007 He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each.100 Meisterwerke, Vol. 3, Foreword The selection ranges from 12th-century China through the 1950s, with an emphasis on European paintings. He deliberately avoided especially famous paintings, such as Leonardo da Vinci's ''Mona Lisa'' or John Constable's '' The Haywain''.100 Meisterwerke, Vol. 1, Introduction of the Publisher The series is available on VHS and DVD.http://www.films.com/id/2067/100_Great_Paintings.htm 13 January 2007 On the basis of the series, Mullins published the book ''Great Paintings: Fifty Masterpieces, Explored, Explained and Appreciated'' (1981), which contained about half of the theme groups. A German translation of Mullins ...
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Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ...
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Seven Saints (Filippo Lippi)
''Seven Saints'' is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to , in the collection of the National Gallery, London. It is a pendant to Lippi's ''Annunciation'', also in the National Gallery. The lunettes were commissioned as part of the decoration of the Palazzo Medici in Florence, where they were likely placed above a door or a bed. There is general agreement on Lippi's authorship of the panels, but their dating is less certain; they were produced some time between Lorenzo the Magnificent's birth in 1449 and the completion of the palace's furnishing in 1459. That their patron belonged to the Medici family is testified by the presence of Piero di Cosimo de' Medici's coat of arms in the other lunette, and by the link between the saints depicted in this panel and the male members of the family. Piero di Cosimo lived in Palazzo Medici from 1456. In the center is Saint John the Baptist, patron saint of Florence, flanked by the Saints Cosmas ...
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Annunciation (Filippo Lippi, London)
''The Annunciation'' is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to , in the collection of the National Gallery, London. It is a pendant to Lippi's ''Seven Saints'', also in the National Gallery. The lunettes were commissioned as part of the decoration of the Palazzo Medici in Florence, where they were likely placed above a door or a bed. There is general agreement on Lippi's authorship of the panels, but their dating is less certain; they were produced some time between Lorenzo the Magnificent's birth in 1449 and the completion of the palace's furnishing in 1459. That their patron belonged to the Medici family is testified by the presence of Piero di Cosimo de' Medici's coat of arms (three feathers crossed by a ring with diamond and cartouche) at the base of the small column with a vase which divides the painting in two. The painting depicts the Annunciation of Mary with the archangel Gabriel (left) and Mary (right). God, whose hand can ...
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Equestrian Statue Of Niccolò Da Tolentino
The word equestrian is a reference to equestrianism, or horseback riding, derived from Latin ' and ', "horse". Horseback riding (or Riding in British English) Examples of this are: *Equestrian sports *Equestrian order, one of the upper classes in ancient Rome *Equestrian statue, a statue of a leader on horseback *Equestrian nomads, one of various nomadic or semi-nomadic ethnic groups whose culture places special emphasis on horse breeding and riding *Equestrian at the Summer Olympics, a division of Olympic Games competition Other *The ship ''Equestrian'', used to transport convicts from England to Australia, for example Alfred Dancey. See also *Equestria, Pretoria *Equestria Equestria () is the fictional setting of the fourth and fifth generations of the My Little Pony toy line and media franchise, including the animated television series '' My Little Pony: Friendship Is Magic'' and '' My Little Pony: Pony Life''. ...
, the fictional nation in which the television s ...
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Funerary Monument To Sir John Hawkwood
The ''Funerary Monument'' (or ''Equestrian Monument'') ''to Sir'' ''John Hawkwood'' is a fresco by Paolo Uccello, commemorating English '' condottiero'' John Hawkwood, commissioned in 1436 for Florence Cathedral. The fresco is an important example of art commemorating a soldier-for-hire who fought in the Italian peninsula and is a seminal work in the development of perspective. The politics of the commissioning and recommissioning of the fresco have been analyzed and debated by historians. The fresco is often cited as a form of " Florentine propaganda" for its appropriation of a foreign soldier of fortune as a Florentine hero and for its implied promise to other ''condottieri'' of the potential rewards of serving Florence.Caferro, 2006, p. 9. The fresco has also been interpreted as a product of internal political competition between the Albizzi and Medici factions in Renaissance Florence, due to the latter's modification of the work's symbolism and iconography during its recomm ...
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