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Battery Milk
''Battery Milk'' is the first album by Mike Dillon's Go-Go Jungle. The album includes experimental, funk and jazz. Musicians * Go-Go Ray - drums * JJ Jungle - bass, vocals * Ron Johnson - bass * Mike Dillon - vibraphone, tabla, percussion, vocals * Mark Southerland - saxophone, eight track, bent circuits Track listing # "Go-Go's Theme" # "Broc's Last Stand" # "The Blame Game" # "Robbing the Bank" # "Your Mother Was My Teacher" # "The Voyeur" # "Lunatic Express" # "Hercules" # "Lopsided Melon Ball" # "Stupid Americans" # "Bad Man" # "Harris County" References *Album's liner notes {{Authority control 2007 albums Jazz albums by American artists Go-go albums ...
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Mike Dillon (musician)
Mike Dillon (a.k.a. Mike D) is an American percussionist, vibraphonist, bandleader, and vocalist born in San Antonio, Texas. He is a member of Critters Buggin, Les Claypool's Fancy Band and Garage A Trois. He has performed with many musicians including Ani DiFranco, Galactic, Brave Combo, Karl Denson's Tiny Universe, Marco Benevento, Claude Coleman Jr., and New Orleans musicians Kevin O'Day, Johnny Vidacovich and James Singleton. Dillon's love of playing percussion was born out of his love for the band Rush as a teenager. He originally performed in the 80's with local Dallas and Denton favorites Ten Hands. At the time, he was a casual drug user. Later when he led the 1990s Dallas-based Billy Goat, he and his girlfriend (who he later married) became heroin addicts who began missing gigs and eventually were "on the verge of death". The band's management sent him to rehab, but he "only lasted three days". In the late 1990s, Billy Goat disbanded and he performed in the Kansas C ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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2007 Albums
The following is a list of albums, EPs, and mixtapes released in 2007. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2007 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2007 albums Albums An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records coll ... 2007 ...
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Jazz Albums By American Artists
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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