Basílica De Santa Maria De Castelló D'Empúries
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Basílica De Santa Maria De Castelló D'Empúries
The Santa Maria Basilica (the Basílica de Santa Maria de Castelló d'Empúries, or the Catedral de l'Empordà or the Catedral de Castelló d'Empúries ), located in the municipality of Castelló d'Empúries in Girona, Catalonia, Spain, has for centuries been regarded as the Empordà Cathedral, although papal authorities have never granted it this rank. The building is the second largest in the Costa Brava, after the Girona Cathedral,Josep Pla, ''El meu país''. O. C. VII, 96. and is big enough to justify cathedral status. It is a Gothic building begun in the thirteenth century that replaced a primitive Romanesque church from the tenth century. A few vestiges of this building remain, such as the first floors of the bell tower and the grant baptismal. It was completed in the fifteenth century, when the marble facade and the alabaster altarpiece of the main altar were finished. It contains a museum known as ''El Tresor'', which contains a large collection of religious jewelry. The ...
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Castelló D'Empúries
Castelló d'Empúries is a town and municipality in the Alt Empordà in Girona, Catalonia, Spain. It lies 9 km east of Figueres. In 1079, Castelló d'Empúries became the capital of the Empúries county due to the previous capital, Sant Martí d'Empúries, being too easily sacked by pirates. 1325-1341 saw a period of large expansion of this capital town, which ultimately ceased being the capital once the county joined the Crown of Aragon in 1385. The old town is somewhat dwarfed by the neighboring urbanisation of Empuriabrava, on the coastline of the Costa Brava. See also *County of Empúries *Empúries *Empuriabrava Empuriabrava ( es, Ampuriabrava) is a community in the municipality of Castelló d'Empúries, in the Alt Empordà (Costa Brava, province of Girona, Catalonia, Spain). It is located in the Gulf of Roses, surrounded by the Natural Park of the ... References External links Castelló d'Empúries-Empuriabrava (espai web de l'Ajuntament)Government da ...
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Ponç Hug IV, Count Of Empúries
Pons V or Pons Hugh IVThe Central Convent of Hospitallers and Templars: History, Organization, and Personnel (1099/1120-1310)
Jochen Burgtorf, BRILL, 2008; accessed October 2018.
( es, Ponce V or ''Ponce Hugo IV'', oc, Pons Uc, ca, Ponç V or ''Ponç Hug IV'') (c.1264 – 1313) was the (Ampurias) from 1277 until his deathDynasties of the World
John Morby, Oxford University Press, Sep ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Archivolts
An archivolt (or voussure) is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings (or other architectural elements) surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself (more properly, the ''intrados''). Most commonly archivolts are found as a feature of the arches of church portals. The mouldings and sculptures on these archivolts are used to convey a theological story or depict religious figures and ideologies of the church in order to represent the gateway between the holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and the churches they were designed for. Etymology The word originate ...
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Portal (architecture)
A portal is an opening in a wall of a building, gate or fortification, especially a grand entrance to an important structure. Doors, metal gates, or portcullis in the opening can be used to control entry or exit. The surface surrounding the opening may be made of simple building materials or decorated with ornamentation. The elements of a portal can include the voussoir, tympanum, an ornamented mullion or ''trumeau'' between doors, and columns with carvings of saints in the westwork of a church. Examples File:Baroque portal in Brescia.jpg, Baroque portal of a private palace in Brescia File:Dülmen, St.-Viktor-Kirche, Eingangsportal -- 2021 -- 4504-10.jpg, Wooden portal of the Church of St. Victor in Dülmen File:Porto - Sant Martí de Cedofeita - Façana principal.JPG, Romanesque portal of the Church of São Martinho de Cedofeita, with nested arches File:Hronsky Benadik-Hlavny portal klastorneho kostola.jpg, Gothic portal of the church in Hronský Beňadik File:FI-Tampere-20 ...
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Bell Towers
A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church, and will contain church bells, but there are also many secular bell towers, often part of a municipal building, an educational establishment, or a tower built specifically to house a carillon. Church bell towers often incorporate clocks, and secular towers usually do, as a public service. The term campanile (, also , ), deriving from the Italian ''campanile'', which in turn derives from ''campana'', meaning "bell", is synonymous with ''bell tower''; though in English usage campanile tends to be used to refer to a free standing bell tower. A bell tower may also in some traditions be called a belfry, though this term may also refer specifically to the substructure that houses the bells and the ringers rather than the complete tower. The tallest free-standing bell tower in the world, high, is the Mortegliano Be ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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Keystone (architecture)
A keystone (or capstone) is the wedge-shaped stone at the apex of a masonry arch or typically round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults (such as quasi-domes) keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern. Keystones, as a hallmark of strength or good architecture, or their suggested form are sometimes placed in the centre of the flat top of doors, recesses and windows for decorative effect, so as to form an upward projection of a lintel. Although a masonry arch or vault cannot be self-supporting until the keystone is placed, the keystone experiences the least stress of any of the voussoirs, due to its position at the apex. Old keystones can decay due to vibration, a condition known as bald arch. Architecture In a rib-vaulted c ...
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Rib Vault
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows. It is a type of arcuated, or arched, vault in which the severies, or panels in the bays of the vault's underside are separated from one another by ribs which conceal the groins, or the intersections of the panels. Rib vaults are, like groin vaults, formed from two or three intersecting barrel vaults; the ribs conceal the junction o ...
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Cistercian Monks
The Cistercians, () officially the Order of Cistercians ( la, (Sacer) Ordo Cisterciensis, abbreviated as OCist or SOCist), are a Catholic religious order of monks and nuns that branched off from the Benedictines and follow the Rule of Saint Benedict, as well as the contributions of the highly-influential Saint Bernard of Clairvaux, known as the Latin Rule. They are also known as Bernardines, after Saint Bernard himself, or as White Monks, in reference to the colour of the "cuculla" or cowl (choir robe) worn by the Cistercians over their habits, as opposed to the black cowl worn by Benedictines. The term ''Cistercian'' derives from ''Cistercium,'' the Latin name for the locale of Cîteaux, near Dijon in eastern France. It was here that a group of Benedictine monks from the monastery of Molesme founded Cîteaux Abbey in 1098, with the goal of following more closely the Rule of Saint Benedict. The best known of them were Robert of Molesme, Alberic of Cîteaux and the English m ...
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Hall Church
A hall church is a church with a nave and aisles of approximately equal height, often united under a single immense roof. The term was invented in the mid-19th century by Wilhelm Lübke, a pioneering German art historian. In contrast to an architectural basilica, where the nave is lit from above by the clerestory, a hall church is lit by the windows of the side walls typically spanning almost the full height of the interior. Terms In English language, there are two problems of terminology on hall churches: * The term ''hall church'' is ambiguous because the term ''hall'' is ambiguous. In some cases, the church of a manor house ("hall") is called a hall church. Regarding the shapes of churches, ''hall church'' is also used for large aisleless churches, an entirely different type. Aisleless churches with a rectangular plan are called in Dutch and in German, ''/'', derived from French , marking large rooms of less extent than ''/''. * The obligatory distinction between ''nave'' ...
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Catalan Gothic
Catalan Gothic is an artistic style, with particular characteristics in the field of architecture. It occurred under the Crown of Aragon between the 13th and 15th centuries, which places it at the end of the European Gothic period and at the beginning of the Renaissance. The term ''Catalan Gothic'' is confined to Barcelona and its area of influence (Girona, Northern Catalonia, Balearic Islands, etc.), which has its own characteristics. Despite its name, Catalan Gothic differs from the Gothic styles from other parts of Europe. In architecture, it does not seek excessive height, or have highlights in its flying buttresses, and its decoration is sober. Historical context The style began because of the wealth generated by the expansion of the Counts of Barcelona and Crown of Aragon, first to the Languedoc and Balearic islands, then across the Mediterranean Sea to Sicily, Sardinia, the Kingdom of Naples and the Duchy of Athens. This resulted in a demand for an updating of existi ...
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