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Bastianino
Sebastiano Filippi (or Bastianino; ca. 1536 – 23 August 1602) was an Italian late Renaissance – Mannerist painter of the School of Ferrara. Biography He was born in Lendinara to a painter, Camillo Filippi, who had worked under Dosso Dossi. He initially likely apprenticed with his father and brother ( Cesare Filippi), and is thought to have worked with them when they painted a processional standard ''Gonfalone'' for the ''Oratorio dell'Annunziata'' in Ferrara. He left Ferrara, dominated by the likes of Dosso Dossi, Il Garofalo, and Girolamo da Carpi, as a young man to find work in Rome. In Rome, he is said to have been recommended by Jacopo Bonacossi, the Ferrarese doctor of the Pope, to enter training with Michelangelo. He worked for seven years under the master in Rome, then returned to Ferrara in 1553, where he enjoyed the general patronage of the arts by Duke Alfonso I d'Este and subsequently his son Alfonso II. He painted a ''Madonna with Peter and Paul'' for the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastianino Giudizio Universale Cattedrale Ferrara
Sebastiano Filippi (or Bastianino; ca. 1536 – 23 August 1602) was an Italian late Renaissance – Mannerist painter of the School of Ferrara. Biography He was born in Lendinara to a painter, Camillo Filippi, who had worked under Dosso Dossi. He initially likely apprenticed with his father and brother ( Cesare Filippi), and is thought to have worked with them when they painted a processional standard ''Gonfalone'' for the ''Oratorio dell'Annunziata'' in Ferrara. He left Ferrara, dominated by the likes of Dosso Dossi, Il Garofalo, and Girolamo da Carpi, as a young man to find work in Rome. In Rome, he is said to have been recommended by Jacopo Bonacossi, the Ferrarese doctor of the Pope, to enter training with Michelangelo. He worked for seven years under the master in Rome, then returned to Ferrara in 1553, where he enjoyed the general patronage of the arts by Duke Alfonso I d'Este and subsequently his son Alfonso II. He painted a ''Madonna with Peter and Paul'' for the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castello Estense
The ' (‘ Este castle’) or ' (‘St. Michael's castle’) is a moated medieval castle in the center of Ferrara, northern Italy. It consists of a large block with four corner towers. History On 3 May 1385, the Ferrarese people, driven to desperation by taxes and flooding that had brought ruin upon them, took themselves to the Marquis Niccolò II d'Este’s palace to ask the advice of Tommaso da Tortona, the high official held to be responsible for this grave situation. Nicolò tried to calm the revolt all day, but by the evening it was clear that the people's spirits were getting more and more angry and that the very safety of the Estensi was endangered. The order was therefore given to summon the disgraced Tommaso, who was given confession and communion and then given to the crowd, who literally tore him to pieces. This episode, which resulted later in the death of the leaders of the revolt, convinced the Marquis that the family's palace (which is now the Palazzo Comunale) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Brescia
Leonardo Brescia (1520–1582) was an Italian painter of the Renaissance period. He was born and active in Ferrara, and worked with Bastianino Sebastiano Filippi (or Bastianino; ca. 1536 – 23 August 1602) was an Italian late Renaissance – Mannerist painter of the School of Ferrara. Biography He was born in Lendinara to a painter, Camillo Filippi, who had worked under Dosso Dossi. .... He painted an ''Assumption of the Virgin'' for the church of II Gesu, an ''Annunciation'' for the Madonna del Buon Amore; and a ''Resurrection'' for Santa Monica. He also painted the ''Virgin Mary'' for the church of III Gesu, which was an ''Annunciation'' for the ''Leonardo Da Vinci''. References * * External links * Census of Ferrarese Paintings and Drawing 1520 births 1582 deaths 16th-century Italian painters Italian male painters Painters from Ferrara Renaissance painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferrara Cathedral
Ferrara Cathedral ( it, Basilica Cattedrale di San Giorgio, ''Duomo di Ferrara'') is a Roman Catholic cathedral and minor basilica in Ferrara, Northern Italy. Dedicated to Saint George, the patron saint of the city, it is the seat of the Archbishop of Ferrara and the largest religious building in the city. The cathedral stands in the city centre, not far from the Palazzo Comunale and the famous Castello Estense and is connected to the Archbishop's Palace by a covered passage. History Construction of the present building began in the 12th century, when the city was being extended on the left bank of the ''Po di Volano'', a long right branch of Po River; the construction of the new cathedral started in 1135. Its main altar was consecrated on May 8 in 1177, which indicates that the cathedral or at least its eastern parts had almost been completed, 42 years after the first stone, for the construction of a large medieval church quite a good time. The former cathedral, also dedicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Ferrara (Painting)
The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well known for its patronage of the arts. Patronage was extended with the ascent of Ercole d'Este I in 1470, and the family continued in power till Alfonso II, Ercole's great-grandson, died without an heir in 1597. The duchy was then occupied in succession by Papal and Austrian forces. The school evolved styles of painting that appeared to blend influences from Mantua, Venice, Lombardy, Bologna, and Florence. The ties to Bolognese School were particularly strong. Much of the local collections, like those of the Gonzaga family in Mantua, were dispersed with the end of the Este line in 1598. Especially in the late 15th century Ferrara was also a main centre of engraving in Italy. The most famous prints it produced are the two sets traditionally, if inaccurately, known as the Mantegna Tarocchi, each by an unidentified master. A list ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Filippi
Camillo Filippi (died 1574) was an Italian painter who flourished about the middle of the 16th century. Biography Filippo was born in Ferrara. He was a disciple of Dosso Dossi, and painted historical works with some success. The ''Annunciation'' in the choir of the church of Santa Maria in Vado at Ferrara is attributed to Filippo; as is the ''Trinity'' in the Church of the Jesuits. He painted for the fresco cycle of Oratorio dell'Annunziata, Ferrara. His death took place in 1574. His son, Sebastiano Filippi (Il Bastianino), became a prominent local painter. His younger son Cesare Filippi was also a painter. Volume 1; author Cesare Cittadella; published by Francesco Pomatelli in Ferrara, 1782, Page 114-119. Not ...
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Certosa Di Ferrara
Ferrara Charterhouse ( it, Certosa di Ferrara), of which the present Church of San Cristoforo alla Certosa was previously the monastic church, is a former Charterhouse (monastery), charterhouse or Carthusian monastery built in Renaissance architecture, Renaissance style, located on Piazza Borso 50 in Ferrara, Region of Emilia-Romagna, Italy. The monastery was suppressed in the time of Napoleon, but the church was reconsecrated in 1813 and remains in use. The site also accommodates a large municipal cemetery, which was established in 1813. History In 1452, the Duke Borso d'Este sponsored the construction of a Charterhouse (monastery), charterhouse ( it, certosa) in Ferrara. As was the usual Carthusian practice, it was built outside the existing city walls, but ten years later new walls, the Addizione Erculea, brought it back within the city. The present church, dedicated to Saint Christopher (San Cristoforo), was built in 1498, next to the original monastic church. The layout is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rovigo
Rovigo (, ; egl, Ruig) is a city and ''comune'' in the Veneto region of Northeast Italy, the capital of the eponymous province. Geography Rovigo stands on the low ground known as Polesine, by rail southwest of Venice and south-southwest of Padua, and on the Adigetto Canal. The ''comune'' of Rovigo extends between the rivers Adige and Canal Bianco, west of the Adriatic Sea, except the ''frazione'' of Fenil del Turco that extends south of the Canal Bianco. Polesine is the name of the low ground between the lower courses of the rivers Adige and Po and the sea; the derivation of the name is much discussed, generally applied only to the province of Rovigo, but is sometimes extended to the near towns of Adria and Ferrara. History Rovigo (both ''Rodigium'' and ''Rhodigium'' in Latin script) appears to be first mentioned in a document from Ravenna dating April 24, 838; the origin of the name is uncertain. In 920 it was selected as his temporary residence by the bishop of Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1530s Births
Year 153 ( CLIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Rusticus and Rufinus (or, less frequently, year 906 ''Ab urbe condita''). The denomination 153 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Minor uprisings occur in Roman Egypt against Roman rule. Asia * Change of era name from ''Yuanjia'' (3rd year) to ''Yongxing'' of the Chinese Han Dynasty. Births * Didia Clara, daughter of Didius Julianus * Kong Rong, Chinese official and warlord (d. 208) * Zhang Hong, Chinese official and politician (d. 212) Deaths *Tiberius Julius Rhoemetalces Rhoemetalces, also known as Rhoimetalces ( el, Τιβέριος Ἰούλιος Ροιμητάλκης, fl. 2nd century AD; died 153), was a Roman client king of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scarsellino
Scarsellino or Ippolito Scarsella (1550 (or 1551) – 28 October 1620) was an Italian mid-to-late sixteenth century reformist painter and one of the most important representatives of the School of Ferrara. His landscapes of both sacred and secular themes strongly anticipate the landscape painting traditions of the 17th century.Scarsellino (Ippolito Scarsella), ''Nymphs at the Bath'' at the Life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
