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Bass On Top
''Bass on Top'' is the third studio album by American jazz bassist Paul Chambers recorded in 1957 and released on the Blue Note label in October 1957.Blue Note Records discography accessed January 2, 2011 It features Chambers in a quartet with guitarist , pianist Hank Jones and drummer Art Taylor. Reception The review by Stephen Thoma ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Chambers
Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's " first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68). Biography Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much". Bass playing Chambers switched to the double bass around 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yesterdays (1933 Song)
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for ''Roberta'', a musical based on the novel ''Gowns by Roberta'' by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra. Other recordings *Billie Holiday - 1939 and 1952 recordings *Larry Coryell – ''Shining Hour'' (1989) * Lee Konitz and Miles Davis -- ''1949'' * Dorothy Donegan * Clifford Brown -- ''Clifford Brown with Strings'' (1955) * Ella Fitzgerald -- '' Ella Fitzgerald Sings the Jerome Kern Song Book'' (1963) * Erroll Garner – ''Magician'' (1973) * Gordon Goodwin's Big Phat Band – '' Act Your Age'' (2008) * Stevie Holland (''More Than Words Can Say'', 2006) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Neiburg
Allen J. Neiburg (November 22, 1902—July 12, 1978) was an American lyricist. He was born on 22 November 1902 in St. Albans, Vermont and received his education at Boston University. He is known for writing lyrics for such songs as "I'm Confessin' (That I Love You)" (with Doc Dougherty and Ellis Reynolds), "It's the Talk of the Town" and "Under a Blanket of Blue" (with Jerry Livingston and Marty Symes). He also ran his own publishing company. Neiburg died in New Haven, Connecticut New Haven is a city in the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound in New Haven County, Connecticut and is part of the New York City metropolitan area. With a population of 134,02 ..., on 12 July 1978. Notes External links * American lyricists 1902 births 1978 deaths {{US-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confessin'
"(I'm) Confessin' (that I Love You)" (also known as "Confessin'", "I'm Confessin'" and "Confessin' that I Love You") is a jazz and popular standard that has been recorded many times. Background The song was first produced with different lyrics as "Lookin' For Another Sweetie", credited to Chris Smith and Sterling Grant, and recorded by Thomas "Fats" Waller & His Babies on December 18, 1929. In 1930 it was reborn as "Confessin'", with new lyrics by Al Neiburg, and with the music this time credited to Doc Daugherty and Ellis Reynolds. Louis Armstrong made his first, and highly influential, recording of the song in August 1930, and continued to play it throughout his career. Unlike the crooners, Armstrong did not try to deliver the original song's lyrics or melody; instead, he smeared and dropped lyrics and added melodic scat breaks. Cover versions Other important recorded versions in the United States were done by: *Chester Gaylord (1930) *Seger Ellis (1930) *Guy Lombardo (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dear Old Stockholm
"Ack Värmeland, du sköna" or "Värmlandsvisan" is a Swedish popular song, best known in the English-speaking world as "Dear Old Stockholm". "Ack Värmeland, du sköna" The Swedish title may be roughly translated as "Oh Värmland, you beautiful" and the song praises the historical province (landskap) Värmland. The lyrics were written by the Värmlandian Anders Fryxell in his 1822 musical ' (The Värmlandian Girl), and then expanded by Fredrik August Dahlgren for his 1846 work '. The song is sung by the young Nicolai Gedda in the 1952 film '' Eldfågeln''. The song was recorded, in Swedish, by Israeli folk duo Esther & Abi Ofarim for their 1968 LP ''Up To Date''. Text Anders Fryxell's version from ''Vermlands-Flickan'' (1822) Ack, Värmeland, du sköna, du härliga land! Du krona för Svea rikes länder! Ja, om jag komme mitt i det förlovade land, till Värmland jag ändå återvänder. Ja, där vill jag leva, ja, där vill jag dö. Om en gång ifrån Värmland jag tager ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chasin' The Bird (song)
"Chasin' the Bird" is a composition by Charlie Parker. The original version, by Parker's quintet, was recorded on May 8, 1947. It has become a jazz standard.Taylor, Chuck (September 4, 1999) "Tom Harrell: Time's Mirror". ''Billboard''. 111/36. p. 28. Composition "Chasin' the Bird" is an unusual composition for Parker. Its theme "contains two simultaneous and interlocking melodies played contrapuntally by alto and trumpet." The structure is AABA and the harmony is based on that of "I Got Rhythm", in the key of F. Original recording The composition was first recorded by Parker's quintet, which contained Parker (alto saxophone), Miles Davis (trumpet), Bud Powell (piano), Tommy Potter (bass), and Max Roach (drums). The recording session was in New York City on May 8, 1947, for Savoy Records Savoy Records is an American record company and label established by Herman Lubinsky in 1942 in Newark, New Jersey. Savoy specialized in jazz, rhythm and blues, and gospel music. In September ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
