Basilica Di Sant'Elia
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Basilica Di Sant'Elia
The Basilica di Sant'Elia is a basilica in Castel Sant'Elia, northern Latium, central Italy. History The church originates from a monastery founded here in 520 by Anastasius, a notary in the Roman court. In the early 11th century the abbot Elia built here a basilica which was mentioned, among the others, by Pope Gregory VII in 1176 and by Innocent III in 1211. In 1607 a fallen tuff rock damaged the left side wall, and the church was subsequently restored at the expenses of the Farnese family, who owned the basilica from 1540 and 1649. In 1740 a period of decline began, due to the construction of a parish church in the town, which ended in the 19th century when Pius IX had architect Virginio Vespignani restore the edifice. Other restorations date to 1960 (frescoes and ceiling), 1997 (mosaic pavement) and 2003 (apse and crypt pavement). Description The basilica of Sant'Elia is a Romanesque structure with a nave and two aisles, and a transept. The columns separating the nave's b ...
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Castel Sant'Elia - Basilica Di Sant'Elia 1
Castel may refer to the following places: in France Castel is the Occitan word for the Latin '' Castrum'' (small caserna military castrum) and occurs very often in southern France toponyms especially mixed with the adjective ''nau'' (which means ''new'' written ''nòu'' in Occitan). * , a village and former commune in Picardy, since 1965 part of Moreuil * Belcastel (other), ''Great Castle'' * Castelnaudary, ''Newcastle of Arry'' *Castelnau-le-Lez, ''Newcastle upon Lez'' *Castelsagrat, ''Holy castle'' * Castelsarrasin, ''Sarracen castle'' in Italy Castel, a short form of castello (''castle''), is a very common component in Italian place names: * Castel Baronia, in the province of Avellino *Castel Boglione, in the province of Asti * Castel Bolognese, in the province of Ravenna * Castel Campagnano, in the province of Caserta *Castel Castagna, in the province of Teramo *Castel Colonna, in the province of Ancona * Castel Condino, in the province of Trento *Castel d'Aiano, ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ...
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12th-century Roman Catholic Church Buildings In Italy
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Pope Alexander IV
Pope Alexander IV (1199 or 1185 – 25 May 1261) was head of the Catholic Church and ruler of the Papal States from 12 December 1254 to his death in 1261. Early career He was born as Rinaldo di Jenne in Jenne (now in the Province of Rome), he was, on his mother's side, a member of the family de' Conti di Segni, the counts of Segni, like Pope Innocent III and Pope Gregory IX. His uncle Gregory IX made him cardinal deacon and Protector of the Order of Franciscans in 1227, Camerlengo of the Holy Roman Church from 1227 until 1231 and Bishop of Ostia in 1231 (or 1232). He became Dean of the College of Cardinals in 1244 (or 1240). On the death of Pope Innocent IV in 1254 he was elected pope at Naples on 12 December 1254. Pontificate Alexander's pontificate was signaled by efforts to reunite the Eastern Orthodox churches with the Catholic Church, by the establishment of the Inquisition in France, by favours shown to the mendicant orders, and by an attempt to organize a crusade aga ...
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Santo Spirito In Sassia
Church of the Holy Spirit in the Saxon District (Italian: ''La chiesa di Santo Spirito in Sassia'') is a 12th-century titular church in Rome, Italy. It is in '' Borgo Santo Spirito'', a street which got its name from the church, placed in the southern part of Rione Borgo. The current holder of the ''titulus'' is Cardinal-Deacon Dominique Mamberti. It has been the official sanctuary of Divine Mercy since 1994. History The church stands on the site of King Ine of Wessex's ''Schola Saxonum'', or "Saxon School", a charitable institution for West Saxon pilgrims. According to Roger of Wendover, Ine founded the Schola Saxonum in AD 727. It included a hostel and a chapel dedicated to Santa Maria. In mediaeval times a substantial number of pilgrims from Wessex, including fighting men, traveled the Via Francigena from Canterbury to Rome.Merkle, Benjamin R. (2009-11-02). ''The White Horse King: The Life of Alfred the Great'' (Kindle Locations 266-275 and 366-370). Thomas Nelson. Kindle ...
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Ambon (liturgy)
The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structu ...
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Schola Cantorum
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Magnard, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the ''Quartier Latin''. Notable tea ...
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Cosmatesque
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and Cathedra, bishop's thrones. The name derives from the Cosmati, the leading family workshop of craftsmen in Rome who created such geometrical marble decorations. The style spread across Europe, where it was used in the most prestigious churches; the high altar of Westminster Abbey, for example, is decorated with a Cosmatesque marble floor. Description and early history The Cosmatesque style takes its name from the family of the Cosmati, which flourished in Rome during the twelfth and thirteenth centuries and practiced the art of mosaic. The Cosmati's work is peculiar in that it consists of glass mosaic in combination with marble. At times it is inlaid on the white marble architraves of doors, on t ...
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Ciborium (architecture)
In ecclesiastical architecture, a ciborium ("ciborion": in Greek) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a basilica or other church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. Really a baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or at least, as at Saint Peter's in Rome, imitate one. There are exceptions; Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise i ...
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Lamb Of God
Lamb of God ( el, Ἀμνὸς τοῦ Θεοῦ, Amnòs toû Theoû; la, Agnus Dei, ) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world." It appears again in John 1:36. Christian doctrine holds that a divine Jesus chose to suffer crucifixion at Calvary as a sign of his full obedience to the will of his divine Father, as an "agent and servant of God" in carrying away the sins of the world. In Christian theology the ''Lamb of God'' is viewed as both foundational and integral to the message of Christianity. A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline writings; 1 Corinthians 5:7 suggests that Saint Paul intends to refer to the death of Jesus, who is the Paschal Lamb, using the theme found in Johannine writings. In Genesis 22, the bindi ...
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Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ...
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Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ...
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