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Basilica Di San Nicola A Tolentino
The Basilica of Saint Nicolas of Tolentino ( it, Basilica di San Nicola a Tolentino) is a Roman Catholic church and minor basilica that is part of the Augustinian monastery in the hill-town of Tolentino, province of Macerata, Marche, central Italy. The church is a former cathedral of the Roman Catholic Diocese of Tolentino, suppressed in 1586. Notably, it was the first minor basilica to be formally canonically created, by Pope Pius VI in the brief ''Supremus Ille'' in 1783. Prior to this, minor basilicas were created via immemorial custom. It contains architecture and art from the 14th through the 17th century. The imposing marble facade of the church was constructed over the centuries, and was completed in the 17th century. Interior Chapels *Cappellone of San Nicola The ''Cappellone di San Nicola'' is a Gothic chapel that opens to the cloister. The walls and ceiling are covered with early-14th century, Giottesque frescoes, attributed variously to the ''Master of Tolentino'', t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tolentino
Tolentino is a town and ''comune'' of about 19,000 inhabitants, in the province of Macerata in the Marche region of central Italy. It is located in the middle of the valley of the Chienti. History Signs of the first inhabitants of this favorable and fertile coastal zone, between the mountains and the Adriatic, date to the Lower Paleolithic. Numerous tombs, from the 8th to the 4th centuries BCE, attest to the presence of the culture of the Piceni at the site of today's city, Roman ''Tolentinum'', linked to Rome by the via Flaminia. Tolentinum was the seat of the diocese of Tolentino from the late 6th century, under the patronage of the local Saint Catervo. The urban commune is attested from 1099, assuming its mature communal form between 1170 and 1190, settling its boundaries through friction with neighboring communes like S. Severino and Camerino. From the end of the 14th century, the commune passed into the hands of the da Varano family and then the Sforza, before becoming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Stom
Matthias Stom or Matthias Stomer (c. 1600 – after 1652) was a Dutch, or possibly Flemish, painter who is only known for the works he produced during his residence in Italy. He was influenced by the work of non-Italian followers of Caravaggio in Italy, in particular his Dutch followers often referred to as the Utrecht Caravaggists, as well as by Jusepe de Ribera and Peter Paul Rubens.Matthias Stom, ''Woman counting coins by candlelight'' at the Kremer Collection He did not share the other Northern Caravaggisti's preference for humorous, and sometimes scabrous, genre scenes and elaborate decorative allegories but favored stories from the bible instead. He worked in various locations in Italy where he enjoyed the patronage of religious institutions as well as prominent members of the nobility. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Brandi
Giacinto Brandi (1621 – 19 January 1691) was an Italian painter from the Baroque era, active mainly in Rome and Naples. left, 250px, ''Christ in Gesthemane'', Pinacoteca Vaticana left, 250px, Dome of the church of San Carlo al Corso Biography Born in Rome, he was part of the studio of Alessandro Algardi, a noted sculptor who noted that Brandi was more suited to painting. He joined the studio of Giovanni Giacomo Sementi. He traveled to Naples from 1638, and by 1647 had returned to Rome to work under Giovanni Lanfranco, where Brandi befriended Mattia Preti. The two artists would later on, often collaborate. His works are well distributed among baroque Churches of Rome including San Carlo al Corso ceiling frescoes (1670–1671), San Silvestro in Capite, Sant'Andrea al Quirinale, a canvas of ''Sant'Andrea'' (1650) in Santa Maria in Via Lata, a painting of ''Martyrdom of the Forty'' (1660) for the Chiesa delle Santissima Stimmate di San Francesco, a ''Coronation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Agostino, Rome
it, Basilica di Sant'Agostino in Campo Marzio , image = Sant Agostino Fassade.jpg , caption = Façade from the Piazza di Sant’Agostino , coordinates = , image_size=270 , mapframe-frame-width=270 , mapframe=yes , mapframe-caption=Click on the map for a fullscreen view , mapframe-zoom=13 , mapframe-marker=religious-christian , mapframe-wikidata=yes , location = 80 Via della Scrofa (parish office), Rome , country = Italy , denomination = Catholic , religious institute = Order of Saint Augustine , website = , founder = Pope Boniface VIII Guillaume d'Estouteville , dedication = Augustine of HippoTryphon , cult = Saint AugustineSaint MonicaMadonna del Parto , relics = Saint MonicaSaint Tryphon , status = Minor basilica , functional status = Active , architect = Giacomo di Pietra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Gottardi
Giovanni Gottardi (Faenza, 27 December 1733 - Rome, 1812) was an Italian painter, mainly of religious subjects. He was active mainly in Rome, where he was a member of the Congregazione dei Virtuosi of the Pantheon. Some of his paintings were completed by his colleague Christopher Unterberger. He painted ''Escape from Prison by St Peter'' for the church of Sant'Antonio Abate, Parma. He painted a ''Saints Augustine an Monica, and the Madonna of the Belt'' (1765) for the church of Sant'Agostino, Rome The Basilica of St. Augustine in Campo Marzio ( it, Basilica di Sant'Agostino in Campo Marzio; la, Basilica Sancti Augustini in Campo Martio), commonly known as Basilica of St. Augustine and ''Sant'Agostino'', is a Roman Catholic Titular church, .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Fontana
Luigi Fontana (9 February 1827 – 27 December 1908) was an Italian sculptor, painter and architect. Biography He was born at Monte San Pietrangeli in the Marche. He first began training between 1838 and 1841 at Macerata under Gaetano Ferri; then moved to Fermo to work under Gaetano Palmaroli, and finally went to Rome and joined the studio of Tommaso Minardi and attended classes at the Accademia di San Luca. Fontana's uncle of the same name was a prominent architect in the Marche region. Luigi Fontana the painter had two sons: Tommaso, who was his pupil, and Margherita. Fontana painted religious subjects for the seminary of Fermo and the church of Santissimi Sacramento in Grottazzolina. In 1850, he returned to Rome to paint a canvas depicting ''Orazio Brancadoro sent by the Emperor Charles V to the Siege of Ratisbon''. Among his other paintings is a ''Ezekiel's Vision'' for the church of San Nicola da Tolentino, a copy of the ''Crucifixion'' by Lorenzo Lotto found in the church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Ghezzi
Giuseppe Ghezzi (November 6, 1634–1721) was an Italian painter of the Baroque period, active mainly in Rome. Biography Born in Comunanza, in the Marche (then part of the Papal States), he was the son of the painter Sebastiano Ghezzi, a painter and architect for the papacy of Pope Urban VIII. Sebastiano died when Giuseppe was only 11 years old, and he was sent to Fermo to study philosophy an letters, but took also painting instruction under Lorenzino da Fermo. He then moved to Rome where he chose painting over law studies. He painted in many Roman churches. He painted in the style of Pietro da Cortona. Giuseppe Ghezzi was the first ''secretary in perpetuity'' for the Accademia di San Luca in Rome. He was the father of the more prominent caricaturist Pier Leone Ghezzi (born June 28, 1674). Another son, Placido, was Apostolic Protonotary. Giuseppe was also a mentor to Pietro da Pietri (1634–1721). On December 10, 1676, he borrowed a number of privately owned works by Vene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Lucatelli
Giuseppe Lucatelli (1751-1828) was an Italian painter and architect, active in a Neoclassical style. Biography Born in Mogliano to a father who was a doctor, he studied in Rome, in circles dominated by Sebastiano Conca and Anton Raphael Mengs. He returned to Tolentino where he completed the decoration for the Nicola Vaccai Theater. These canvases are now collected in the Palazzo Comunale of Tolentino. They include a large canvas depicting ''Three Graces''. He taught design at the schools of Macerata, Tolentino and Fermo. In 1803 the French-dominated government sent him to make copies of the Correggio frescoes in the formerly cloistered Monastery of San Paolo San Paolo (Italian for "Saint Paul") is a ''comune'' in the Province of Brescia, in the Italian region Lombardy Lombardy ( it, Lombardia, Lombard language, Lombard: ''Lombardia'' or ''Lumbardia' '') is an administrative regions of Italy, region .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgilio Monti
Virgilio Monti (1852–1942) was an Italian painter, active mainly in Rome, painting sacred subjects. Biography Among his works are: *''Madonna and Child'' first chapel on right, Santa Brigida, Rome *''Holy Family'', main altarpiece, Santa Chiara, Rome *''Archangel Gabriel'' (1875) first chapel on right, Santa Maria dell'Orto, Rome *''San Giuseppe'' (1878) first chapel on right, Santa Maria dell'Orto, Rome *San Gioacchino ai Prati di Castello (1892), collaboration with Eugenio Cisterna *''Sant'Antonio M Zacaria'' (1900), San Carlo ai Catinari, Rome *''Sacred Heart of Jesus'', Chapel of the Sacred Heart, Basilica di San Nicola da Tolentino The Basilica of Saint Nicolas of Tolentino ( it, Basilica di San Nicola a Tolentino) is a Roman Catholic church and minor basilica that is part of the Augustinians, Augustinian monastery in the hill-town of Tolentino, province of Macerata, Marche, ..., Tolentino References 1852 births 1942 deaths 19th-century Italian painters It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margherita Maria Alacoque
Margaret Mary Alacoque, VHM (french: Marguerite-Marie Alacoque) (22 July 1647 – 17 October 1690), was a French Catholic Visitation nun and mystic who promoted devotion to the Sacred Heart of Jesus in its modern form. Summary She worked to prove the genuineness of her vocation and her visions of Jesus and Mary relating to the Sacred Heart. She was initially rebuffed by her mother superior and was unable to convince theologians of the validity of her visions and revelations. A noted exception was the Jesuit Claude de la Colombière, later a canonized saint, who supported her. The devotion to the Sacred Heart was officially recognized 75 years after Alacoque's death. Early life Alacoque was born in 1647 in L'Hautecour, Burgundy, France, now part of the commune of Verosvres, then in the Duchy of Burgundy, the only daughter of Claude and Philiberte Lamyn Alacoque, who also had several sons. From early childhood, Margaret was described as showing intense love for the Blessed Sac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Conca
Sebastiano Conca (8 January 1680 – 1 September 1764) was an Italian painter. Biography He was born at Gaeta, then part of the Kingdom of Naples, and apprenticed in Naples under Francesco Solimena. In 1706, along with his brother Giovanni, who acted as his assistant, he settled in Rome, where for several years he worked only in chalk, to improve his drawing. He was patronized by the Cardinal Ottoboni, who introduced him to Clement XI, who commissioned him a well-received ''Jeremiah'' painted for the church of St. John Lateran. He also painted an ''Assunta'' for the church of Santi Luca e Martina in Rome. Conca was knighted by the pope. He collaborated with Carlo Maratta in the ''Coronation of Santa Cecilia'' (1721–24) in the namesake church of Santa Cecilia in Trastevere. In 1718 he was elected to the Accademia di San Luca, and was its director in 1729–1731, replacing Camillo Rusconi as ''Principe'' in 1732. He was also elected Principe in 1739–1741. His painting wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Placido Costanzi
Placido Costanzi (1702–1759) was an Italian painter of the late- Baroque period. Placido Costanzi was born in 1702 to a family of gem-makers in Rome. He was exposed to art at a very young age, and became a pupil of Benedetto Luti and painted mainly historical and devotional subjects. He painted a ''St. Camillus'' in Santa Maria Maddalena in Florence, in which he has aspired to the imitation of Domenichino. Many of his works decorate Rome's churches. His ''Resuscitation of Tabitha'' in Santa Maria degli Angeli e dei Martiri replicates a mosaic in St. Peter's Basilica. He also painted in fresco the ceilings of the tribunes in Santa Maria in Vallicella and San Gregorio, and was much employed in painting figures in the landscapes of other artists, particularly in those of Jan Frans van Bloemen (also known as "Orizzonte", which means horizon in Italian). In Rome he became a member of the prestigious Academy of Saint Luke, in which he served also as director (''Principe'') si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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