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Basilica Della Vergine Assunta
Lodi Cathedral ( it, Duomo di Lodi, ''Basilica Cattedrale della Vergine Assunta'') is a Roman Catholic cathedral in Lodi, Lombardy, Italy. It is also a basilica minor. Dedicated to the Assumption of the Blessed Virgin Mary, it is the seat of the Bishop of Lodi. It is one of the largest churches in northern Italy. History The cathedral was founded on 3 August 1158, the day on which Lodi was refounded after its destruction by the Milanese troops in 1111. The first phase of construction, for which it is probable that materials from the old ''Laus Pompeia'' (in what is now Lodi Vecchio) were reused, ended in 1163. The crypt was inaugurated with the translation of the relics of Saint Bassianus on 4 November 1163, in the presence of emperor Frederick I Barbarossa. The second phase was carried on from 1170 to 1180, although the façade was completed only in 1284. Later, 18th century restorations altered the appearance of the building, which was however brought back to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lodi Duomo Facciata
Lodi may refer to: Places Canada * Lodi, Ontario, a community in North Stormont, Ontario, Canada Italy * Lodi, Lombardy, in the Province of Lodi of the Lombardy region ** Treaty of Lodi, 1454 between Italian city-states ** Battle of Lodi, 1796 in Lodi * Province of Lodi, a province in the Lombardy region of Italy * Lodi Vecchio, a commune of the Lombardy region United States * Lodi, Arkansas * Lodi, California ** Lodi AVA, a California wine region ** Lodi Academy, a school in Lodi, California * Lodi, Illinois (other), various places * Lodi, Indiana * Lodi, Michigan (other), various places * Lodi, Mississippi (other), various places * Lodi, Missouri * Lodi, Nebraska * Lodi, Nevada * Lodi, New Jersey * Lodi (village), New York, a village in Seneca County * Lodi, New York, a town in Seneca County * Lodi, Ohio * Lodi, Texas * Lodi, Virginia * Lodi, Wisconsin, a city * Lodi (town), Wisconsin * Lodi Township, Athens County, Ohio * Lodi Township, Michigan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick I Barbarossa
Frederick Barbarossa (December 1122 – 10 June 1190), also known as Frederick I (german: link=no, Friedrich I, it, Federico I), was the Holy Roman Emperor from 1155 until his death 35 years later. He was elected King of Germany in Frankfurt on 4 March 1152 and crowned in Aachen on 9 March 1152. He was crowned King of Italy on 24 April 1155 in Pavia and emperor by Pope Adrian IV on 18 June 1155 in Rome. Two years later, the term ' ("holy") first appeared in a document in connection with his empire. He was later formally crowned King of Burgundy, at Arles on 30 June 1178. He was named by the northern Italian cities which he attempted to rule: Barbarossa means "red beard" in Italian; in German, he was known as ', which means "Emperor Redbeard" in English. The prevalence of the Italian nickname, even in later German usage, reflects the centrality of the Italian campaigns to his career. Frederick was by inheritance Duke of Swabia (1147–1152, as Frederick III) before his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battagio
Giovanni Battagio was an Italian Renaissance sculptor and architect. A follower of Giovanni Antonio Amadeo, from 1483 he worked on Santa Maria presso San Satiro and other buildings in Milan. He designed the Sanctuary of Santa Maria della Croce in Crema, and the Tempio Civico dell'Incoronata in Lodi, one of the masterworks of the Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ... in Lombardy. People from Lodi, Lombardy 15th-century Italian architects Italian Renaissance architects Architects from Lombardy 15th-century Italian sculptors Italian male sculptors Year of birth unknown Year of death unknown Italian Renaissance sculptors {{Italy-architect-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aligi Sassu
Aligi Sassu (17 July 1912 – 17 July 2000) was an Italian painter and sculptor. Biography Aligi Sassu was born in Milan, Lombardy. He was the son of Lina Pedretti (from Parma, Emilia) and Antonio Sassu (from Sassari, Sardinia). His father Antonio was one of the founders of the Italian Socialist Party (Partito Socialista Italiano) in Sassari in 1894, and had moved to Milan in 1896, where he married Pedretti in 1911. At the beginning of the 1920s, the Sassu family moved back to Sardinia to Thiesi, where Antonio opened a shop. After three years, the family returned to Milan, where Aligi got interested in art and enrolled to the Brera Academy of Fine Arts. Together with his friend and designer Bruno Munari, he decided to introduce himself to the Futurism leader, Filippo Tommaso Marinetti. In 1928, he wrote, together with Munari, the ''Manifesto della Pittura'' (Painting Manifesto), taking as basic assumption the display of anti-naturalistic forms. He studied Diego Velázquez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertino Piazza
Alberto or Albertino Piazza (1490–1528) was an Italian painter. He was born and died in Lodi, Lombardy Lodi ( , ; Ludesan: ) is a city and ''comune'' in Lombardy, northern Italy, primarily on the western bank of the River Adda. It is the capital of the province of Lodi. History Lodi was a Celtic village; in Roman times it was called, in Latin .... His elder brother Martino was also a painter. References External links * 1490 births 1528 deaths 16th-century Italian painters Italian male painters People from Lodi, Lombardy {{Italy-painter-15thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Vault
A groin vault or groined vault (also sometimes known as a double barrel vault or cross vault) is produced by the intersection at right angles of two barrel vaults. Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 949. The word "groin" refers to the edge between the intersecting vaults. Sometimes the arches of groin vaults are pointed instead of round. In comparison with a barrel vault, a groin vault provides good economies of material and labor. The thrust is concentrated along the groins or arrises (the four diagonal edges formed along the points where the barrel vaults intersect), so the vault need only be abutted at its four corners. Groin vault construction was first exploited by the Romans, but then fell into relative obscurity in Europe until the resurgence of quality stone building brought about by Carolingian and Romanesque architecture. It was superseded by the more flexible rib vaults of Gothic architecture i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Callisto Piazza
280px, ''Beheading of the Baptist'', Gallerie dell'Accademia in Venice Callisto Piazza (1500–1561) was an Italian painter. Biography Callisto, a member of the Piazza family of painters, was born in Lodi, Lombardy. In 1523 he was working in Brescia. His first dated and signed work is from the following year, and shows a typical Brescian style. This style was then emerging, and included artists such as Romanino and Moretto. Piazza shows influences from contemporaries such as Dosso Dossi and Ludovico Mazzolino of the Ferrarese school, as well as Giovanni Agostino da Lodi. In 1526–1529 Piazza worked in Val Camonica, at Erbanno, Borno, Breno, Esine and Cividate Camuno. In 1529 he returned to his native Lodi where he formed a workshop with his brothers Cesare and Scipione (died 1552). In 1538, while in Crema, he married the noblewoman Francesca Confalonieri. Later Callisto moved to Milan, where he received numerous commissions, such as the decoration of the San Girolamo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certosa Di Pavia
The Certosa di Pavia is a monastery and complex in Lombardy, Northern Italy, situated near a small town of the same name in the Province of Pavia, north of Pavia. Built in 1396–1495, it was once located on the border of a large hunting park belonging to the Visconti family of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy. ''Certosa'' is the Italian name for a house of the cloistered monastic order of Carthusians founded by St. Bruno in 1044 at Grande Chartreuse. Though the Carthusians in their early centuries were known for their seclusion and asceticism and the plainness of their architecture, the Certosa is renowned for the exuberance of its architecture, in both the Gothic and Renaissance styles, and for its collection of artworks which are particularly representative of the region. History Gian Galeazzo Visconti, hereditary lord and first Duke of Milan, commissioned the building of the Certosa to the architect Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Amadeo
260px, Amadeo, Milan Cathedral 260px, The Colleoni Chapel in Bergamo. Giovanni Antonio Amadeo (c. 1447 – 27 or 28 August 1522) was an Italian Renaissance sculptor of the Early Renaissance, architect, and engineer. Biography Amadeo was born in Pavia. In 1470 he was commissioned by Bartolomeo Colleoni to complete his funerary chapel, the Cappella Colleoni in Bergamo, which had been begun by Guiniforte and Francesco Solari. Amadeo added polychrome decoration and many sculptures in the ancient style including medallions, small columns, busts, reliefs of "Histories from the Old Testament" and "Histories of Hercules". Amadeo also designed the funerary monument to Medea Colleoni, which was intended for the church of Santa Maria della Basella in Urgnano. The condottiero's tomb was realized in collaboration with other artists, with Amadeo providing the reliefs of the lower sarcophagus and of the smaller upper sarcophagus, as well seven statues of the Virtues. Amadeo was also commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mullioned Window
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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