Basilica Della Santa Casa
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Basilica Della Santa Casa
The Basilica della Santa Casa ( en, Basilica of the Holy House) is a Marian shrine in Loreto, in the Marches, Italy. The basilica is known for enshrining the house in which the Blessed Virgin Mary is believed by some Catholics to have lived. Pious legends claim the same house was flown over by angelic beings from Nazareth to Tersatto (Trsat in Croatia), then to Recanati, before arriving at the current site. The basilica is also known for enshrining the Madonna and Child image of "Our Lady of Loreto". Pope Benedict XV designated the religious image as patroness of air passengers and auspicious travel on 24 March 1920. Pope Pius XI granted a Canonical Coronation to the venerated image made of Cedar of Lebanon wood on 5 September 1922, replacing the original Marian image consumed in fire on 23 February 1921. The church The basilica containing the ''Santa Casa'' is a Late Gothic structure built starting from 1468, and continued by Giuliano da Maiano, Giuliano da Sangall ...
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Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ...
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Canonical Coronation
A canonical coronation ( la, Coronatio Canonica) is a pious institutional act of the pope, duly expressed in a bull, in which the pope bestows the right to impose an ornamental crown, a diadem or an aureole to an image of Christ, Mary or Joseph that is widely venerated in a particular diocese or locality. The formal act is generally carried out by a representing proxy of the pope, via the designated apostolic nuncio to a country or kingdom, or at times a lesser papal legate, or on rare occasions by the pope himself, by ceremonially attaching a crown, tiara, or stellar halo to the devotional image or statue. The Holy Office originally issued the authorisation of a canonical coronation through a dicastery, called the "Vatican Chapter". Subsequently, until 1989, the Vatican's Sacred Congregation of Rites was assigned this duty. Since then, the Congregation for Divine Worship and the Discipline of the Sacraments arranges to execute the ceremonial act which the decree authorizes. ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Tiburzio Vergelli
Tiburzio Vergelli (1551-1609) was an Italian sculptor and founder. Born in Camerino, Vergelli was a highly skilled metal smelter. He trained in the workshop of Antonio Calcagni and Girolamo Lombardo in Recanati. His first work is the statue of Pope Sixtus V, given to his hometown Camerino. In the aftermath of the election of a new Pope, this statue was done around the same time as Calcagni was working on a similar statue for Loreto, Marche (1585–1587) and follows the same compositional scheme. This generated a split between the two, who subsequently contributed separately to the main door of the Basilica della Santa Casa The Basilica della Santa Casa ( en, Basilica of the Holy House) is a Marian shrine in Loreto, in the Marches, Italy. The basilica is known for enshrining the house in which the Blessed Virgin Mary is believed by some Catholics to have lived. Pio ...; Calcagni was entrusted to the door of the south side, the north side was given to Vergelli. For the baptism ...
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Pope Paul V
Pope Paul V ( la, Paulus V; it, Paolo V) (17 September 1550 – 28 January 1621), born Camillo Borghese, was head of the Catholic Church and ruler of the Papal States from 16 May 1605 to his death in January 1621. In 1611, he honored Galileo Galilei as a member of the Papal Accademia dei Lincei and supported his discoveries. In 1616, Pope Paul V instructed Cardinal Bellarmine to inform Galileo that the Copernican theory could not be taught as fact, but Bellarmine's certificate allowed Galileo to continue his studies in search for evidence and use the geocentric model as a theoretical device. That same year Paul V assured Galileo that he was safe from persecution so long as he, the Pope, should live. Bellarmine's certificate was used by Galileo for his defense at the trial of 1633. Early life Camillo Borghese was born in Rome on 17 September 1550 into the Borghese family of Siena which had recently established itself in Rome. He was the eldest son of seven sons of t ...
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Girolamo Lombardo
Girolamo Lombardo, also Girolamo Lombardi (1506–1590), was an Italian sculptor. Lombardo was born in Ferrara, the son of the architect and sculptor Antonio Lombardo, and also was the brother of Lodovico and Aurelio, also sculptors. He studied and began in his father's workshop in Ferrara, then subsequently traveled to Venice to continue training with Jacopo Sansovino, with which, between 1532 and 1540, he worked in the Biblioteca Marciana in the Loggia of the bell tower of Saint Mark's in Venice. Lombardo is documented in Loreto, Marche since 1543, where for some years he was active with his brother Aurelio and where they were in 1550 also reached the third brother, Lodovico. Around 1552 he moved with his brothers and opened their own foundry and workshop in Recanati, passing the Venetian mature technique to all operators of the workshop. The school sculptural continued in subsequent generations with Tiburzio Vergelli Tiburzio Vergelli (1551-1609) was an Italian sculptor ...
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Parvis
A parvis or parvise is the open space in front of and around a cathedral or church, especially when surrounded by either colonnades or porticoes, as at St. Peter's Basilica in Rome. It is thus a church-specific type of forecourt, front yard or apron. Etymology The term derives via Old French from the Latin ''paradisus'' meaning "paradise". This in turn came via Ancient Greek from the Indo-European Aryan languages of ancient Iran, where it meant a walled enclosure or garden precinct with heavenly flowers planted by the Clercs (Clerics). Parvis of St Paul's Cathedral In London in the Middle Ages the Serjeants-at-law practised at the parvis of St Paul's Cathedral, where clients could seek their counsel. In the 14th century Geoffrey Chaucer referred to ''"A sergeant of the laws ware and wise/ That often hadde yben at the par uis..."''. Later, ecclesiastical courts developed at Doctors' Commons on the same site. Late English use In England the term was much later used to mean ...
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Pope Sixtus V
Pope Sixtus V ( it, Sisto V; 13 December 1521 – 27 August 1590), born Felice Piergentile, was head of the Catholic Church and ruler of the Papal States from 24 April 1585 to his death in August 1590. As a youth, he joined the Franciscan order, where he displayed talents as a scholar and preacher, and enjoyed the patronage of Pius V, who made him a cardinal. As a cardinal, he was known as Cardinal Montalto. As Pope, he energetically rooted out corruption and lawlessness across Rome, and launched a far-sighted rebuilding programme that continues to provoke controversy, as it involved the destruction of antiquities. The cost of these works was met by heavy taxation that caused much suffering. His foreign policy was regarded as over-ambitious, and he excommunicated both Queen Elizabeth I of England and King Henry IV of France. He is recognized as a significant figure of the Counter-Reformation. He is the most recent pope to date to take on the pontifical name "Sixtus". Early li ...
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Façade
A façade () (also written facade) is generally the front part or exterior of a building. It is a Loanword, loan word from the French language, French (), which means 'frontage' or 'face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on Efficient energy use, energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian language, Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the ''Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian architecture, Georgian period for existing houses in English towns to be give ...
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Donato Bramante
Donato Bramante ( , , ; 1444 – 11 April 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo. His Tempietto (San Pietro in Montorio) marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred. Life Urbino Bramante was born under the name Donato d'Augnolo, Donato di Pascuccio d'Antonio, or Donato Pascuccio d'Antonio in Fermignano near Urbino. Here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltro's ducal palace. Bramante's architecture has eclipsed his painting skills: he knew the painters Melozzo da Forlì and Piero della Francesca well, who were ...
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Giuliano Da Sangallo
Giuliano da Sangallo (c. 1445 – 1516) was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the favored architect of Lorenzo de' Medici, his patron. In this role, Giuliano designed a villa for Lorenzo as well as a monastery for Augustinians and a church where a miracle was said to have taken place. Additionally, Giuliano was commissioned to build multiple structures for Pope Julius II and Pope Leo X. Leon Battista Alberti and Filippo Brunelleschi heavily influenced Sangallo and in turn, he influenced other important Renaissance figures such as Raphael, Leonardo da Vinci, his brother Antonio da Sangallo the Elder, and his sons, Antonio da Sangallo the Younger and Francesco da Sangallo. Early life Giuliano da Sangallo (né Giuliano Giamberti) was born c. 1445 in Florence. His father, Francesco Giamberti, was a woodworker and an architect who worked closely with Cosimo de' Medici. This proved to be helpful ...
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Giuliano Da Maiano
Giuliano da Maiano (1432–1490) was an Italian architect, intarsia-worker, and sculptor, the elder brother of Benedetto da Maiano, with whom he often collaborated. Biography He was born in the village of Maiano, near Fiesole, where his father was a stone-cutter who moved his family and business to Florence, where, according to Vasari, he operated a stonemason's yard, providing mouldings and carved stone detail for construction. Giuliano showed early promise, and his father hoped at first to make of him a notary, but his talent for sculpture and design won out. His first designs were for the intarsia inlay in the fittings for the New Sacristy of the Duomo, Florence, carried out in collaboration with Benedetto in 1463-1465, where Giuliano carved the wooden bas-reliefs of putti and garlands in the frieze, and for works in Palazzo Vecchio in collaboration with Benedetto, notably the ceiling in octagonal compartments and the white marble doorcase in Benedetto's ''Sala d'Audienza'' ...
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