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Basie And Eckstine, Inc.
''Basie/Eckstine Incorporated'' is a 1959 studio album featuring Billy Eckstine and the Count Basie Orchestra. It was released by Roulette Records and marked Eckstine and Basie's only recorded collaboration. Track listing # "Stormy Monday Blues" - 3:11 # "Lonesome Lover Blues" (Billy Eckstine, Gerald Valentine) - 3:08 # "Blues, the Mother of Sin" (Eckstine, Sid Kuller) - 3:41 # "Jelly, Jelly" (Eckstine, Earl Hines) - 3:02 # "Don't Cry Baby" (James P. Johnson, Saul Bernie, Stella Unger) - 3:31 # "Trav'lin' All Alone" (J. C. Johnson) - 2:54 # "Little Mama" (Eckstine, Kuller) - 3:29 # "I Want a Little Girl" (Billy Moll, Murray Mencher) - 3:25 # " Drifting" ( Charles Brown, Johnny Moore, Eddie Williams) - 3:59 # "Song of the Wanderer" (Neil Moret) - 3:22 # "Piano Man" (Eckstine, Kuller) - 4:04 Personnel * Billy Eckstine - vocals ;The Count Basie Orchestra: * Count Basie - piano * Marshal Royal - lead alto saxophone * Frank Wess - alto saxophone, flute * Frank Foster, Billy M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Moore's Three Blazers
Johnny Moore's Three Blazers was a popular American vocal group in the 1940s and 1950s. The original members were: *Johnny Moore (John Dudley Moore, October 20, 1906, Austin, Texas – January 6, 1969, Los Angeles, California); * Charles Brown (Tony Russell Brown, September 13, 1922, Texas City, Texas – January 21, 1999, Oakland, California); *Eddie Williams (Edward Earl Williams, June 12, 1912, San Augustine, Texas – February 18, 1995, Los Angeles). Career Johnny Moore and his younger brother Oscar grew up in Texas and then Phoenix, Arizona, where they both started playing guitar and formed a string band. In the mid-1930s they relocated to Los Angeles, where Oscar Moore, who had been influenced by Charlie Christian and turned to jazz, joined the King Cole Trio. Johnny Moore remained devoted to rhythm and blues. His guitar style is considered to have been an influence on Chuck Berry. He joined and formed several groups, before forming the Three Blazers with two other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Fowlkes
Charles Baker Fowlkes (February 16, 1916 – February 9, 1980) was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years. Early life Fowlkes was born in New York City on February 16, 1916. He studied alto and tenor saxophone, clarinet, and violin before settling on the baritone saxophone (he occasionally played flute). Later life and career Fowlkes spent most of his early career in New York. He played with Tiny Bradshaw (1938–1944), Lionel Hampton (1944–1948), and Arnett Cobb (1948–1951). Fowlkes joined Basie's orchestra in 1953 and remained with it until his death; the main interruptions during his time with Basie were absences due to managing the career of his wife, vocalist Wini Brown. He died in Dallas on February 9, 1980. Discography With The Count Basie Orchestra *''The Count!'' (Clef, 1952 955 *''Basie Jazz'' (Clef, 1952 954 *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Clef, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Mitchell (saxophonist)
William Melvin Mitchell (November 3, 1926 – April 18, 2001) was an American jazz tenor saxophonist.Allmusic/ref> Career Mitchell was born in Kansas City, Missouri, United States. He and his family moved to Detroit, where he received early music education at Cass Tech. He was known for his close association with trumpeter Thad Jones, who was also from Detroit, and worked in several big bands, including Woody Herman's when he replaced Gene Ammons. In 1949, Mitchell recorded with the Milt Buckner band, as well as making several recordings with Thad Jones. From 1951 to 1954, Mitchell led the house band at the Blue Bird Inn in Detroit. The band operated in different configurations, including with drummer Oliver Jackson and his bassist brother Ali; as a quartet with Terry Pollard, Beans Richardson, and Elvin Jones; as a quintet including Thad Jones; and, for several months in 1953, with Miles Davis as a guest soloist. From 1956 to 1957, he played with Dizzy Gillespie in his bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshal Royal
Marshal Walton Royal Jr. (December 5, 1912 – May 8, 1995) was an American jazz alto saxophonist and clarinetist best known for his work with Count Basie, with whose band he played for nearly twenty years. Early life and education Marshal Royal Jr. was born into a musical family in Sapulpa, Oklahoma. Career Royal's first professional gig was with Lawrence Brown's band at Danceland in Los Angeles, and he soon had a regular gig at the Apex, working for Curtis Mosby in Mosby's Blue Blowers, a 10-piece band. He then began an eight-year (1931–1939) stint with the Les Hite orchestra at Sebastian's Cotton Club, which was near the MGM studios in Los Angeles. He spent 1940 to 1942 with Lionel Hampton, until the war interrupted his career. With his brother, Ernie, he served in the U.S. Navy in the 45-piece regimental band that was attached to the Navy's preflight training school for pilots at St. Mary's College in Moraga, California. The band played for bond rallies, regimental rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
