Basie Meets Bond
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Basie Meets Bond
''Basie Meets Bond'' is a 1966 album by Count Basie and his orchestra. The album is a collection of musical pieces originating from the first four James Bond films; '' Dr No'', '' From Russia with Love'', '' Goldfinger'' and '' Thunderball''. The album was Basie's first for United Records, and was produced by Teddy Reig. Reception Ken Dryden, writing on AllMusic said of the album that "While it seems doubtful that Basie added any of this music to his regular band repertoire, his band does its best to do justice to the arrangements." Dryden praised Eddie "Lockjaw" Davis's solo on "Goldfinger" and Marshall Royal and Count Basie's solos on "Thunderball". Dryden conceded that the album could be "safely bypassed by most jazz fans" but said that Basie's fans might "find this surprising LP worth the investment". Track listing Personnel *The Count Basie Orchestra **Count Basie - piano ** Al Aarons, Sonny Cohn, Wallace Davenport, Phil Guilbeau - trumpet **Henderson Chambers, Al Grey ...
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Count Basie Orchestra
The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart. Originally including such musicians as Buck Clayton and Lester Young in the line-up, the band in the 1950s and 1960s made use of the work of such arrangers as Neal Hefti and featured musicians such as Thad Jones and Eddie "Lockjaw" Davis. Its recordings of this era included collaborations with singers such as Frank Sinatra and Ella Fitzgerald. History Early years Count Basie arrived in Kansas City, Missouri in 1927, playing on the Theater Owners Bookers Association (TOBA) circuit. After playing with Walter Page's Blue Devils, in 1929 he joined rival band leader Bennie Moten's band. Up ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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Al Aarons
Albert Aarons (March 23, 1932 – November 17, 2015) was an American jazz trumpeter. Biography Aarons was born in Pittsburgh, Pennsylvania, and graduated from Wayne State University in Detroit. He began to gain attention as a trumpet player in 1956, and started working with jazz artist Yusef Lateef and pianist Barry Harris in the latter part of that decade in Detroit. After a period playing with jazz organist Wild Bill Davis, he played trumpet in the Count Basie Orchestra from 1961 to 1969. In the 1970s, Aarons worked as a sideman for singers Sarah Vaughan and Ella Fitzgerald, and saxophonist Gene Ammons. He was also a contributor to jazz fusion, playing on '' School Days'' with Stanley Clarke, and appears with Snooky Young on the classic 1976 album '' Bobby Bland and B. B. King Together Again...Live''. Discography As leader *''Al Aarons & the L.A. Jazz Caravan'' (LOSA, 1996?) As sideman With Gene Ammons *'' Free Again'' (Prestige, 1971) With Count Basie *'' The Legend'' (R ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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James Bond Theme
The "James Bond Theme" is the main signature theme music of the James Bond films and has featured in every Eon Productions Bond film since '' Dr. No'', released in 1962. Composed by Monty Norman (with arrangements for film provided by John Barry), the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Bond film besides the 2006 reboot '' Casino Royale'' (played fully, instead, at the end of that film). The "James Bond Theme" has accompanied the opening titles twice, as part of the medley that opens ''Dr. No'' and then again in the opening credits of '' From Russia with Love'' (1963). It has been used as music over the end credits for ''Dr. No'', '' Thunderball'' (1965), '' On Her Majesty's Secret Service'' (1969), ''The World Is Not Enough'' (1999), '' Casino Royale'' (2006), ''Quantum of Solace'' (2008), ''Skyfall'' (2012), and ''Spectre'' (2015). Authorship and origin Monty Norman wrote the "James Bond Theme" and received royalt ...
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Lionel Bart
Lionel Bart (1 August 1930 – 3 April 1999) was a British writer and composer of pop music and musicals. He wrote Tommy Steele's " Rock with the Caveman" and was the sole creator of the musical ''Oliver!'' (1960). With ''Oliver!'' and his work alongside theatre director Joan Littlewood at Theatre Royal, Stratford East, he played an instrumental role in the 1960s birth of the British musical theatre scene after an era when American musicals had dominated the West End. Best known for creating the book, music and lyrics for ''Oliver!'', Bart was described by Andrew Lloyd Webber as "the father of the modern British musical". In 1963 he won the Tony Award for Best Original Score for ''Oliver!'', and the 1968 film version of the musical won a total of 6 Academy Awards including the Academy Award for Best Picture. Some of his other compositions include the theme song to the James Bond film '' From Russia with Love'', and the songs " Living Doll" by Cliff Richard, "Far Away" by ...
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From Russia With Love (soundtrack)
''From Russia with Love'' is the soundtrack for the second James Bond film, '' From Russia With Love''. This is the first series film with John Barry as the primary soundtrack composer. John Barry, arranger of Monty Norman's "James Bond Theme" for '' Dr. No'', would be the dominant Bond series composer for most of its history and the inspiration for fellow series composer, David Arnold (who uses cues from this soundtrack in his own for ''Tomorrow Never Dies''). The theme song was composed by Lionel Bart of ''Oliver!'' fame and sung by Matt Monro. Production Following the decision of the producers not to use Monty Norman, though keeping his "James Bond Theme", Harry Saltzman decided on using the then popular Lionel Bart of ''Oliver!'' fame. Bart was unable to read or write music, but he offered to compose the music and lyrics for a title song to the film. The producers chose John Barry to score the film. Barry had not only arranged and conducted the "James Bond Theme" from t ...
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Don Black (lyricist)
Donald Blackstone (born 21 June 1938) known by pen name Don Black is an English lyricist. His works have included numerous musicals, movie, television themes and hit songs. He has provided lyrics for John Barry, Charles Strouse, Matt Monro, Andrew Lloyd Webber, Quincy Jones, Hoyt Curtin, Lulu, Jule Styne, Henry Mancini, Meat Loaf, Michael Jackson, Elmer Bernstein, Michel Legrand, Hayley Westenra, A. R. Rahman, Marvin Hamlisch and Debbie Wiseman. AllMusic stated that "Black is perhaps best-known for his collaborations with Andrew Lloyd Webber, and for the James Bond theme songs he co-wrote with composer John Barry: ' Thunderball', ' Diamonds Are Forever' and ' The Man with the Golden Gun'." Early life He was born Donald Blackstone in London, the youngest of five children of Russian Jewish immigrants from Ukraine, Morris and Betsy (née Kersh) Blackstone. His father worked as a garment presser and his mother in a clothes shop and during his childhood the family lived ...
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Thunderball (soundtrack)
''Thunderball'' is the soundtrack album for the fourth James Bond film '' Thunderball''. The album was first released by United Artists Records in 1965 in both monaural and stereo editions, with a CD release in 1988. The music was composed and conducted by John Barry, and performed by the John Barry Orchestra. This was Barry's third soundtrack for the series. The soundtrack was still being recorded when it came time for the album to be released, so the LP only featured twelve tracks from earlier in the film; an expanded edition with six bonus tracks was released for the first time when the album was reissued on Compact Disc on 25 February 2003 as part of the "James Bond Remastered" collection. Additionally, the music in the film was unfinished days before the film's release in theatres due to a late change by Eon Productions to use a title song with the same name as the film. Title theme change The original main title theme to ''Thunderball'' was titled "Mr. Kiss Kiss, Bang Ba ...
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Anthony Newley
Anthony Newley (24 September 1931 – 14 April 1999) was an English actor, singer, songwriter, and filmmaker. A "latter-day British Al Jolson", he achieved widespread success in song, and on stage and screen. "One of Broadway's greatest leading men", from 1959 to 1962 he scored a dozen entries on the UK Top 40 chart, including two number one hits. Newley won the 1963 Grammy Award for Song of the Year for "What Kind of Fool Am I", sung by Sammy Davis Jr., and wrote "Feeling Good", which became a signature hit for Nina Simone. His songs have been performed by a wide variety of artists including Fiona Apple, Tony Bennett, Barbara Streisand, Michael Bublé and Mariah Carey. With songwriting partner Leslie Bricusse, Newley won an Academy Award for the film score of ''Willy Wonka & the Chocolate Factory'' (1971), featuring "Pure Imagination", which has been covered by dozens of artists. He collaborated with John Barry on the title song for the James Bond film '' Goldfinger'' (19 ...
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Leslie Bricusse
Leslie Bricusse OBE (; 29 January 1931 – 19 October 2021) was a British composer, lyricist, and playwright who worked on theatre musicals and wrote theme music for films. He was best known for writing the music and lyrics for the films '' Doctor Dolittle'', '' Goodbye, Mr. Chips'', '' Scrooge'', ''Willy Wonka & the Chocolate Factory'', '' Tom and Jerry: The Movie'', the songs " Goldfinger", " You Only Live Twice", "Can You Read My Mind (Love Theme)" (with John Williams) from ''Superman'', and "Le Jazz Hot!" with Henry Mancini from '' Victor/Victoria''. Early life and education Born in Pinner, Middlesex, now the London Borough of Harrow. Bricusse was educated at University College School in London and then at Gonville and Caius College, Cambridge. While at Cambridge, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. It was during his college drama career that he began working for Beatrice Lillie. Career In the 1960s and ...
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Goldfinger (Shirley Bassey Song)
"Goldfinger" is the title song from the 1964 James Bond film '' Goldfinger''. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only ''Billboard'' Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21. The song finished at No. 53 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. In 2008, the single was inducted into the Grammy Hall of Fame. Background Leslie Bricusse and Anthony Newley were asked to create the lyrics for the song. But when its composer John Barry played them the first three notes, Bricusse and Newley looked at each other and sang out: ". . . wider than a mile," to the melody of " Moon River," the popular theme song from '' ...
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