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Bartolini Salimbeni Annunciation
The ''Bartolini Salimbeni Annunciation'' (Italian: ''Annunciazione Bartolini Salimbeni'') is a tempera on panel painting by the Italian Gothic painter Lorenzo Monaco, completed just before his death (1420–1424). It is housed in the Bartolini Salimbeni Chapel of the church of Santa Trinita, Florence. History The panel follows the same stylistic and narrative pattern as the other frescoes in the chapel, also by Lorenzo Monaco. It shows the Annunciation and, in the predella, other episodes of the Life of the Virgin which do not feature in the frescoes. In 1998, a restoration performed by the Opificio delle Pietre Dure showed that for the Virgin's mantle a simpler technique was used, indicating that the work was perhaps completed by one Monaco's pupils after his death. Description The panel is intermediate between a medieval polyptych and a Renaissance altarpiece. It is generally described as the first work in which the subject has a direct relationship with the surrounding archi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant colou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the ''Gates of Paradise''. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of ''Commentarii'' contains important writing on art, as well as what may be the earliest surviving autobiography by any artist. Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling. Early life Ghiberti was born in 1378 in Pelago, a comune 20 km from Florence. It is said that Lorenzo was the son of Cione di Ser Buonaccorso Ghiberti and Fiore Ghi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Florence
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting The Annunciation
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Lorenzo Monaco
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1420s Paintings
Fourteen or 14 may refer to: * 14 (number), the natural number following 13 and preceding 15 * one of the years 14 BC, AD 14, 1914, 2014 Music * 14th (band), a British electronic music duo * ''14'' (David Garrett album), 2013 *''14'', an unreleased album by Charli XCX * "14" (song), 2007, from ''Courage'' by Paula Cole Other uses * ''Fourteen'' (film), a 2019 American film directed by Dan Sallitt * ''Fourteen'' (play), a 1919 play by Alice Gerstenberg * ''Fourteen'' (manga), a 1990 manga series by Kazuo Umezu * ''14'' (novel), a 2013 science fiction novel by Peter Clines * ''The 14'', a 1973 British drama film directed by David Hemmings * Fourteen, West Virginia, United States, an unincorporated community * Lot Fourteen, redevelopment site in Adelaide, South Australia, previously occupied by the Royal Adelaide Hospital * "The Fourteen", a nickname for NASA Astronaut Group 3 * Fourteen Words, a phrase used by white supremacists and Nazis See also * 1/4 (other) * Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Ghost
For the majority of Christian denominations, the Holy Spirit, or Holy Ghost, is believed to be the third person of the Trinity, a Triune God manifested as God the Father, God the Son, and God the Holy Spirit, each entity itself being God.Grudem, Wayne A. 1994. ''Systematic Theology: An Introduction to Biblical Doctrine.'' Leicester, England: Inter-Varsity Press; Grand Rapids, MI: Zondervan page 226. Nontrinitarian Christians, who reject the doctrine of the Trinity, differ significantly from mainstream Christianity in their beliefs about the Holy Spirit. In Christian theology, pneumatology is the study of the Holy Spirit. Due to Christianity's historical relationship with Judaism, theologians often identify the Holy Spirit with the concept of the ''Ruach Hakodesh'' in Jewish scripture, on the theory that Jesus was expanding upon these Jewish concepts. Similar names, and ideas, include the ''Ruach Elohim'' (Spirit of God), ''Ruach YHWH'' (Spirit of Yahweh), and the ''Ruach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraphim
A seraph (, "burning one"; plural seraphim ) is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah () used the term to describe six-winged beings that fly around the Throne of God crying "holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in the non-canonical Book of Enoch and the canonical Book of Revelation. Origins and development In Hebrew, the word ''saraph'' means "burning", and is used seven times throughout the text of the Hebrew Bible as a noun, usually to denote "serpent", twice in the Book of Nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Books
Religious texts, including scripture, are texts which various religions consider to be of central importance to their religious tradition. They differ from literature by being a compilation or discussion of beliefs, mythologies, ritual practices, commandments or laws, ethical conduct, spiritual aspirations, and for creating or fostering a religious community. The relative authority of religious texts develops over time and is derived from the ratification, enforcement, and its use across generations. Some religious texts are accepted or categorized as canonical, some non-canonical, and others extracanonical, semi-canonical, deutero-canonical, pre-canonical or post-canonical. "Scripture" (or "scriptures") is a subset of religious texts considered to be "especially authoritative", revered and "holy writ", "sacred, canonical", or of "supreme authority, special status" to a religious community. The terms ''sacred text'' and ''religious text'' are not necessarily interchangeable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Pseudo-Matthew
The Gospel of Pseudo-Matthew (or The Infancy Gospel of Matthew) is a part of the New Testament apocrypha. In antiquity the text was called The Book About the Origin of the Blessed Mary and the Childhood of the Savior. Pseudo-Matthew is one of a genre of "Infancy gospels" that seek to fill out the details of the life of Jesus of Nazareth up to the age of 12, which are briefly given in the Gospels of Matthew and Luke. In the West, it was the dominant source for pictorial cycles of the Life of Mary, especially before the Late Middle Ages. Composition date According to the research of J. Gijsel and R. Beyers (1997), the archetype of the Gospel of Pseudo-Matthew's Recensio-α dates to 800 AD and the composition date to the first half of the seventh century, maybe to around 600 and 625 AD. Gijsel writes that Joachim's representation in Pseudo-Matthew is meant to evoke the model figure of a Merovingian nobleman, this one, according to Gijsel, being Dagobert I during his reign (629639 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strozzi Altarpiece
The ''Adoration of the Magi'' is a painting by the Italian painter Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence, Italy, is considered his finest work, and has been described as "the culminating work of International Gothic painting". The artwork was commissioned by the famous banker Palla Strozzi and incorporates many notable elements. The choice of materials including the vibrant colors, gold leaf, and silver used in the painting creates a brilliant and attractive effect. Techniques such as lighting, depth, and three-dimensionality are prevalent in the work and were novel for the time. The frame, along with the painting, is a work of art in itself, specifically because of the intricate, Gothic, and ornamental architectural designs incorporated into it. Other elements of the altarpiece draw upon European conceptions, beliefs and imagery about the Orient. Exotic animals such as monkeys, horses, camels, and lions signify the patron's wealth and status, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Da Fabriano
Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi'' from the ''Strozzi Altarpiece'' (1423), and the ''Flight into Egypt''. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world. Bibliography Early life in Fabriano (c. 1370-1400) Gentile (di Niccolò di Massio) da Fabriano was born around 1370 in or near Fabriano, in the Marche. Despite having several family members who took part in different civic and religious organizations in the city, much of Gentile's early life remains undocumented. His mother died some point before 1380, and his father, Niccol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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