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Bartholomeus Van Der Helst
Bartholomeus van der Helst (1613 – buried 16 December 1670) was a Dutch painter. Considered to be one of the leading portrait painters of the Dutch Golden Age, his elegant portraits gained him the patronage of Amsterdam's elite as well as the Stadtholder's circle.Walter A. Liedtke, ''Dutch Paintings in the Metropolitan Museum of Art, Volumes 1-2'', Metropolitan Museum of Art, 2007, pp. 223-331 Besides portraits, van der Helst painted a few genre pictures as well as some biblical scenes and mythological subjects.Rudolf E. O. Ekkart. "Helst, Bartholomeus van der." Grove Art Online. Oxford Art Online. Oxford University Press, accessed 15 May 2017 Life Bartholomeus van der Helst was born in Haarlem in 1613. His exact date of birth is not known as the birth records of Haarlem of that time are lost. He was the son of a Haarlem innkeeper called Lodewijk and Lodewijk's second wife, Aeltgen Bartels. Van der Helst had moved to Amsterdam some time before 1636, the year in which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Princess Royal And Princess Of Orange
Mary, Princess Royal (Mary Henrietta Stuart; 4 November 1631 – 24 December 1660), was an English princess, a member of the House of Stuart, and by marriage Princess of Orange and Countess of Nassau. She acted as regent for her minor son from 1651 to 1660. She was the first holder of the title Princess Royal. The eldest daughter of King Charles I of England and Queen Henrietta Maria, Mary was married to the future stadtholder of the Netherlands, William II of Orange, at 9 years old in 1641. Initially, she remained in England with her parents because of the heated political situation in England until early 1642, when she and her mother left for the Netherlands. Five years later in 1647, Mary's husband inherited the titles of Prince of Orange and Stadtholder of Holland, Zeeland, Utrecht, Guelders, Overijssel and Groningen in the United Provinces of the Netherlands. Eight days after her husband's death in 1650, Mary gave birth to a son, William III of Orange, who later became King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Night Watch
''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best-known painting in its collection. ''The Night Watch'' is one of the most famous Dutch Golden Age paintings. The painting is famous for three things: its colossal size (), the dramatic use of light and shadow (tenebrism) and the perception of motion in what would have traditionally been a static military group portrait. The painting was completed in 1642, at the peak of the Dutch Golden Age. It depicts the eponymous company moving out, led by Captain Frans Banninck Cocq (dressed in black, with a red sash) and his lieutenant, Willem van Ruytenburch (dressed in yellow, with a white sash). With ef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William II, Prince Of Orange
William II (27 May 1626 – 6 November 1650) was sovereign Prince of Orange and Stadtholder of County of Holland, Holland, County of Zeeland, Zeeland, Lordship of Utrecht, Utrecht, Guelders, Lordship of Overijssel, Overijssel and Groningen (province), Groningen in the United Provinces of the Netherlands from 14 March 1647 until his death three years later. His only child, William III of England, William III, reigned as King of England, Ireland, and Scotland. Early life William II, Prince of Orange, was the son of Frederick Henry, Prince of Orange, and Amalia of Solms-Braunfels. Frederick Henry was the youngest son of William the Silent (stadtholder 1559–1584); his older half brother Maurits of Nassau was stadtholder (1585–1625); he was stadtholder from 1625 to 1647. The stadtholders governed in conjunction with the Netherlands States-General, States-General, an assembly of representatives from each of the seven provinces, but usually dominated by the largest and wealthiest pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godfried Kneller
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I. His major works include ''The Chinese Convert'' (1687; Royal Collection, London); a series of four portraits of Isaac Newton painted at various junctures of the latter's life; a series of ten reigning European monarchs, including King Louis XIV of France; over 40 "kit-cat portraits" of members of the Kit-Cat Club; and ten " beauties" of the court of William III, to match a similar series of ten of Charles II's mistresses painted by Kneller's predecessor as court painter, Sir Peter Lely. Early life Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Zacharias Kniller, a portrait painter.Cokayne, George Edward (1906) Complete Baronetage'. Volume V. Exeter: W. Pollard & Co. . pp. 27–28 Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Houbraken
Arnold Houbraken (28 March 1660 – 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters. Life Houbraken was sent first to learn ''threadtwisting'' (Twyndraat) from Johannes de Haan, who introduced him to engraving. After two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten. In 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes. He is best known for the art historical work ''The Great Theatre of Dutch Painters'' (1718–1721). When he died his son Jacob assisted his mother with the last proofs of the manuscript before publishing. His first attempt at an instructive manual for artists was his Emblem book, ''Inhoud van 't Sie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation Rijksmuseum. Retrieved on 4 April 2013. On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by |
Peace Of Westphalia
The Peace of Westphalia (german: Westfälischer Friede, ) is the collective name for two peace treaties signed in October 1648 in the Westphalian cities of Osnabrück and Münster. They ended the Thirty Years' War (1618–1648) and brought peace to the Holy Roman Empire, closing a calamitous period of European history that killed approximately eight million people. Holy Roman Emperor Ferdinand III, the kingdoms of France and Sweden, and their respective allies among the princes of the Holy Roman Empire participated in these treaties.Clodfelter, Micheal (2017). ''Warfare and Armed Conflicts: A Statistical Encyclopedia of Casualty and Other Figures, 1492–2015.'' McFarland. p. 40. . The negotiation process was lengthy and complex. Talks took place in two cities, because each side wanted to meet on territory under its own control. A total of 109 delegations arrived to represent the belligerent states, but not all delegations were present at the same time. Two treaties were signe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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