Barrelhouse Buck McFarland
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Barrelhouse Buck McFarland
Thomas F. McFarland (September 16, 1903 – April 8, 1962), known professionally as Barrelhouse Buck McFarland was an American blues and boogie-woogie pianist, singer and composer. He first recorded material in the early 1930s, but had to wait until three decades later, before providing his 'barrelhouse' swan song. Life and career He was born in Alton, Illinois, United States, the son of William Henry and Elizabeth "Lizzie" McFarland, as one of 12 siblings. He moved with his family to St. Louis, Missouri, before World War I, and then to Detroit, Michigan, in 1951. In his youth, McFarland learned to play the piano and often provided the entertainment at his mother's house parties. His ability was enhanced by mixing with itinerant pianists passing through St. Louis, and playing in a number of local clubs, particularly at Johnny Pegg's Club on Biddle Street. He subsequently toured the South with the Georgia Smart Set Show. His first recording took place in Grafton, Wisconsin, prob ...
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Alton, Illinois
Alton ( ) is a city on the Mississippi River in Madison County, Illinois, United States, about north of St. Louis, Missouri. The population was 25,676 at the 2020 census. It is a part of the River Bend area in the Metro-East region of the Greater St. Louis metropolitan area. It is famous for its limestone bluffs along the river north of the city, as the former location of the state penitentiary, and for its role preceding and during the American Civil War. It was the site of the last Abraham Lincoln and Stephen Douglas debate in October 1858. The former state penitentiary in Alton was used during the Civil War to hold up to 12,000 Confederate prisoners of war. History Although Alton once was growing faster than the nearby city of St. Louis, a coalition of St. Louis businessmen planned to build a competing town to stop Alton's expansion and bring business to St. Louis. The resulting town was Grafton, Illinois. Many blocks of housing in Alton were built in the Victorian ...
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Talent Scout
In professional sports, scouts are experienced talent evaluators who travel extensively for the purposes of watching athletes play their chosen sports and determining whether their set of skills and talents represent what is needed by the scout's organization. Some scouts are interested primarily in the selection of ''prospects'', younger players who may require further development by the acquiring team but who are judged to be worthy of that effort and expense for the potential future payoff that it could bring, while others concentrate on players who are already polished professionals whose rights may be available soon, either through free agency or trading, and who are seen as filling a team's specific need at a certain position. ''Advance scouts'' watch the teams that their teams are going to play in order to help determine strategy. Many scouts are former coaches or retired players, while others have made a career just of being scouts. Skilled scouts who help to determine ...
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Dominant (music)
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chords: ty ...
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Guinness Publishing
''Guinness World Records'', known from its inception in 1955 until 1999 as ''The Guinness Book of Records'' and in previous United States editions as ''The Guinness Book of World Records'', is a reference book published annually, listing world records both of human achievements and the extremes of the natural world. The brainchild of Sir Hugh Beaver, the book was co-founded by twin brothers Norris and Ross McWhirter in Fleet Street, London, in August 1955. The first edition topped the best-seller list in the United Kingdom by Christmas 1955. The following year the book was launched internationally, and as of the 2022 edition, it is now in its 67th year of publication, published in 100 countries and 23 languages, and maintains over 53,000 records in its database. The international franchise has extended beyond print to include television series and museums. The popularity of the franchise has resulted in ''Guinness World Records'' becoming the primary international authority ...
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Colin Larkin (writer)
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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Sam Charters
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's uglies ...
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Bob Koester
Robert Gregg Koester (October 30, 1932 – May 12, 2021) was an American record producer and businessman who was the founder and owner of Delmark Records, a jazz and blues independent record label. He also operated the Jazz Record Mart in Chicago, which he billed as the "World's Largest Jazz and Blues Specialty Store", and later a record store specializing in blues and jazz in Irving Park, Chicago. Early life Koester was born in Wichita, Kansas, on October 30, 1932. He began collecting and trading classic 78 rpm records when he was in high school. He studied business and cinematography at Saint Louis University starting in 1951. Career While in university, Koester sold records by mail order from his dormitory room. He subsequently dropped out, and became a founding member of the St. Louis Jazz Club. There, he met Ron Fister, another record collector. The two of them opened a small record store, K & F Sales. On moving to bigger premises they renamed it Blue Note Record ...
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American Folk Music Revival
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music. Overview Early years The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s as espoused by instructors such as Margot Mayo, which gave musicians such as Pete Seeger popular exposure. The folk revival more generally as a popular and commercial phenomenon begins with the career of The Weavers, formed in November 194 ...
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Great Depression In The United States
In the United States, the Great Depression began with the Wall Street Crash of October 1929 and then spread worldwide. The nadir came in 1931–1933, and recovery came in 1940. The stock market crash marked the beginning of a decade of high unemployment, poverty, low profits, deflation, plunging farm incomes, and lost opportunities for economic growth as well as for personal advancement. Altogether, there was a general loss of confidence in the economic future. The usual explanations include numerous factors, especially high consumer debt, ill-regulated markets that permitted overoptimistic loans by banks and investors, and the lack of high-growth new industries. These all interacted to create a downward economic spiral of reduced spending, falling confidence and lowered production. Industries that suffered the most included construction, shipping, mining, logging, and agriculture. Also hard hit was the manufacturing of durable goods like automobiles and appliances, whose purc ...
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Lem Johnson
Lemuel Charles "Lem" Johnson (August 6, 1909 – April 1, 1989) was an American jazz saxophonist who played both tenor and soprano saxophones. Johnson was born in Oklahoma City. He played clarinet in local ensembles in the 1920s and picked up saxophone in 1928, playing with Walter Page's Blue Devils. Early in the 1930s he played in the band of Grant Moore (1931–35) in the Milwaukee, Wisconsin area, and then worked with Eli Rice and Earl Hines. In 1937 he moved to New York, where he played with Fess Williams, Luis Russell and Louis Jordan, and joined Skeets Tolbert's band in 1939. In Tolbert's group Johnson sang in addition to playing sax. He recorded with Buster Harding, Eddie Durham, Edgar Hayes, Sidney Bechet, Claude Hopkins, St. Louis Jimmy ST, St, or St. may refer to: Arts and entertainment * Stanza, in poetry * Suicidal Tendencies, an American heavy metal/hardcore punk band * Star Trek, a science-fiction media franchise * Summa Theologica, a compendiu ...
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