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Baroque Architectural
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Saint Ignatius Of Loyola, Rome
la, Ecclesia Sancti Ignatii a Loyola in Campo Martio , image = Sant'Ignazio Church, Rome.jpg , imagesize = 300px , caption = Façade of Sant'Ignazio , mapframe =yes , mapframe-caption =Click on the map for a fullscreen view , mapframe-zoom =12 , mapframe-marker =religious-christian , coordinates = , location = Via del Caravita, 8ARome , country = Italy , denomination = Roman Catholic , website = , former name = , bull date = , founded date = , founder = , dedication = , dedicated date = , consecrated date = 1722 , relics = , status = Parish churchtitular church regional church , functional status = Active , heritage designation = , designated date = , architect = Orazio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie De Medici
Marie de' Medici (french: link=no, Marie de Médicis, it, link=no, Maria de' Medici; 26 April 1575 – 3 July 1642) was Queen of France and Navarre as the second wife of King Henry IV of France of the House of Bourbon, and Regent of the Kingdom of France officially between 1610 and 1617 during the minority of her son, Louis XIII of France. Her mandate as regent legally expired in 1614, when her son reached the age of majority, but she refused to resign and continued as regent until she was removed by a coup in 1617. A member of the powerful House of Medici in the branch of the Grand Dukes of Tuscany, the wealth of her family caused Marie to be chosen by Henry IV to become his second wife after his divorce from his previous wife, Margaret of Valois. The assassination of her husband in 1610, which occurred the day after her coronation, caused her to act as regent for her son, Louis XIII, until 1614, when he officially attained his legal majority, but as the head of the '' Conseil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salomon De Brosse
Salomon de Brosse (c. 1571 – 8 December 1626) was an early 17th-century French architect who moved away from late Mannerism to reassert the French classical style and was a major influence on François Mansart. Life Salomon was born in Verneuil-en-Halatte, Oise, into a prominent Huguenot family, the grandson through his mother of the designer Jacques I Androuet du Cerceau and the son of the architect Jean de Brosse. He was established in practice in Paris in 1598 and was promoted to court architect in 1608. De Brosse died, aged 55, in Paris. Luxembourg Palace De Brosse greatly influenced the sober and classicizing direction that French Baroque architecture was to take, especially in designing his most prominent commission, the Luxembourg Palace, Paris (1615-1624), for Marie de' Medici, whose patronage had been extended to his uncle. Salomon de Brosse simplified the crowded compositions of his Androuet du Cerceau heritage and contemporary practice, ranging the U-shaped b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luxembourg Palace
The Luxembourg Palace (french: Palais du Luxembourg, ) is at 15 Rue de Vaugirard in the 6th arrondissement of Paris. It was originally built (1615–1645) to the designs of the French architect Salomon de Brosse to be the royal residence of the regent Marie de' Medici, mother of King Louis XIII. After the Revolution it was refashioned (1799–1805) by Jean Chalgrin into a legislative building and subsequently greatly enlarged and remodeled (1835–1856) by Alphonse de Gisors. The palace has been the seat of the upper houses of the various French national legislatures (excepting only the unicameral National Assembly of the Second Republic) since the establishment of the ''Sénat conservateur'' during the Consulate; as such, it has been home to the Senate of the Fifth Republic since its establishment in 1958. Immediately west of the palace on the Rue de Vaugirard is the Petit Luxembourg, now the residence of the Senate President; and slightly further west, the Musée du Luxembour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Susanna
The Church of Saint Susanna at the Baths of Diocletian ( it, Chiesa di Santa Susanna alle Terme di Diocleziano) is a Roman Catholic parish church located on the Quirinal Hill in Rome, Italy. There has been a titular church associated to its site as far back as AD 280. The current church was rebuilt from 1585 to 1603 for a monastery of Cistercian nuns founded on the site in 1587, which still exists there. The church served as the national parish for residents of Rome from the United States from 1921 to 2017, during which period it was assigned to the care of the Paulist Fathers, a society of priests founded in the United States. The Paulist Fathers' ministry to United States Catholics subsequently moved to San Patrizio (Saint Patrick). Architectural history Roman era About AD 280, an early Christian house of worship was established on this site, which, like many of the earliest Christian meeting places, was in a house (''domus ecclesiae''). According to the 6th-century ''acta'' of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini Palace
The Palazzo Barberini ( en, Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome. History The sloping site had formerly been occupied by a garden-vineyard of the Sforza family, in which a ''palazzetto'' had been built in 1549. The sloping site passed from one cardinal to another during the sixteenth century, with no project fully getting off the ground. When Cardinal Alessandro Sforza met financial hardships, the still semi-urban site was purchased in 1625 by Maffeo Barberini, of the Barberini family, who became Pope Urban VIII. Three great architects worked to create the Palazzo, each contributing his own style and character to the building. Carlo Maderno, then at work extending the nave of St Peter's, was commissioned to enclose the Villa Sforza within a vast Renaissance block along the lines of Palazzo Farnese; however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maderno
Carlo Maderno (Maderna) (1556 – 30 January 1629) was an Italian architect, born in today's Ticino, who is remembered as one of the fathers of Baroque architecture. His façades of Santa Susanna, St. Peter's Basilica and Sant'Andrea della Valle were of key importance in the evolution of the Italian Baroque. He is often referred to as the brother of sculptor Stefano Maderno, but this is not universally agreed upon. Biography Born in Capolago, in today's Ticino, which was at the time a bailiwick of the Swiss Confederacy, Maderno began his career in the marble quarries of the far north, before moving to Rome in 1588 with four of his brothers to assist his uncle Domenico Fontana. He worked initially as a marble cutter, and his background in sculptural workmanship would help mold his architecture. His first solo project, in 1596, was an utterly confident and mature façade for the ancient church of Santa Susanna (1597–1603); it was among the first Baroque façades to break with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Della Porta
Giacomo della Porta (1532–1602) was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peter's Basilica. He was born at Porlezza, Lombardy and died in Rome. Biography Giacomo Della Porta was born in the Duchy of Genoa into a family of sculptors. He was influenced by and collaborated with Michelangelo, and Giacomo Barozzi da Vignola, his teacher of architecture. With these two great masters he became one of the most important architects in the history of the Roman renaissance. In fact after 1563 he carried out Michelangelo's plans for the rebuilding of the Campidoglio or Capitoline Hill's open spaces where he completed the façade and steps of Palazzo Senatorio, and the ''Cordonata'' or the ramped steps up to the Piazza del Campidoglio. After the death of Vignola in 1573, he continued the construction of Il Gesù, the mother church of the Jesuit order, and in 1584 modified its façade after his own designs. He also worked o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of The Gesù
, image = Church of the Gesù, Rome.jpg , imagesize = , caption = Giacomo della Porta's façade, precursor of Baroque , mapframe = yes , mapframe-caption = Click on the map for a fullscreen view , mapframe-zoom = 12 , mapframe-marker = religious-christian , coordinates = , location = 54 Piazza del Gesu, Rome , country = Italy , denomination = Catholic , website = , former name = , bull date = , founded date = , founder = , dedication = , dedicated date = , consecrated date = 1584 , relics = , status = Mother church of the Society of Jesus, titular church; titular church , functional status = Active , heritage designation = , designated date = , architect = , style = , years built = , groun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouches
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was , and the cartouche was essentially an expanded shen ring. Demotic script reduced the cartouche to a pair of brackets and a vertical line. Of the five royal titularies it was the ''prenomen'' (the throne name), and the "Son of Ra" titulary (the so-called '' nomen'' name given at birth), which were enclosed by a cartouche. At times amulets took the form of a cartouche displaying the name of a king and placed in tombs. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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