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Barnyard Blues
"Livery Stable Blues" is a jazz composition copyrighted by Ray Lopez ''(né'' Raymond Edward Lopez; 1889–1979) and Alcide Nunez in 1917. It was recorded by the Original Dixieland Jass Band on February 26, 1917, and, with the A side "Dixieland Jass Band One-Step" or "Dixie Jass Band One-Step" (a tune later better known as "Original Dixieland One-Step"), became widely acknowledged as the first jazz recording commercially released. It was recorded by the Victor Talking Machine Company in New York City at its studio at 46 West 38th Street on the 12th floor – the top floor. History The Original Dixieland Jass Band was a group of white musicians from New Orleans. They had gained popularity playing at Schiller's Cafe in Chicago and Reisenweber's Restaurant in New York City, and became largely responsible for making the New Orleans style popular on a national level. The ODJB made test recordings for Columbia on January 30, 1917, but no usable recordings resulted. On February 26 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ODJB
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by tromb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-bar Blues
The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". Background The blues originated from a combination of work songs, spirituals, and early southern country music. The music was passed down through oral tradition. It was first written down by W. C. Handy, an African American composer and band leader. Its popularity led to the creation of "race records" and the popularity of blues singers like Bessie Smith and Ma Rainy. The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12-bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Hall (New York)
The Aeolian Building is a skyscraper in Midtown Manhattan in New York City, at 29–33 West 42nd Street and 34 West 43rd Street, just north of Bryant Park. The 1912 building was the fourth headquarters of the Aeolian Company, which manufactured pianos and other musical instruments. the 18-story building contained the 1,100-seat Aeolian Hall (1912–1927), a top concert hall of its day. The building stands next to the Grace Building. History The building, on the site of the Latting Tower, a popular observatory during the 19th century, was designed by the architects Whitney Warren and Charles Wetmore and completed in 1912. Its name refers to the Aeolian Company, which manufactured pianos. It is high and has 18 floors. In mid-1922, the company sold the building to the Schulte Cigar Stores Company for over $5 million. From 1961 to 1999, the building housed the Graduate Center of the City University of New York, and today houses the State University of New York's College ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Whiteman
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", " In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of ''Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including " Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", " Hot Lips (He's Got Hot Lips When He Plays Jazz)", " Mississippi Suite", " Grand Canyon Suite", and " Trav'lin' Light". He co-wrote the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Spargo
Antonio Sparbaro, known professionally as Tony Sbarbaro or Tony Spargo (June 27, 1897 – October 30, 1969) was an American jazz drummer associated with New Orleans jazz. He was the drummer of the Original Dixieland Jazz Band for over 50 years. Background Sbarbaro was born in New Orleans, Louisiana, United States, to an immigrant Sicilian family. Early in his career he played with the Frayle Brothers Band (possibly as early as 1911) and the Reliance Band of Papa Jack Laine. He did side work with Merritt Brunies and Carl Randall. He joined the Original Dixieland Jazz Band for their initial recordings in 1917; he became its leader in 1925 and remained a member of the ensemble until its dissolution in the 1960s, being the only founding member still in the group at that time. Sbarbaro also composed for the group, writing the tune "Mourning Blues" among others. He remained a fixture of Dixieland jazz performance for most of his life, playing later in life in New Orleans with Miff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Ragas
Henry W. Ragas (January 1, 1891 – February 18, 1919) was a jazz pianist who was a member of the Original Dixieland Jazz Band, the first jazz band to record commercially. Background He played piano with the Original Dixieland Jass Band on their earliest recording sessions. As such, he is the very first jazz pianist to be recorded (not counting piano rolls), although his contributions are barely audible due to the primitive recording equipment available. His role in the band was to fill out the chords and to provide a bass line. He did not play solos on the recordings. Ragas gained experience as a solo pianist during the period from 1910 to 1913. He traveled with Johnny Stein's band to Chicago in 1916 and left the group to form the Original Dixieland Jazz Band the first jazz group to record. Ragas was on the band's first 21 recordings including "Bluin' the Blues", which he composed. He also wrote "Lazy Daddy", "Dixieland Jass Band One-Step", " Clarinet Marmalade Blues", and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Shields
Lawrence James Shields (September 13, 1893 - November 21, 1953) was an early American dixieland jazz clarinetist. He was a member of the Original Dixieland Jazz Band, the first jazz band to record commercially. Background Shields was born into an Irish-American family in Uptown New Orleans, on the same block where jazz pioneer Buddy Bolden lived. Shields' family were musical; his brothers Harry, Pat (guitar), and Eddie (piano) all played music professionally. Shields started playing clarinet when he was 14 and played with Papa Jack Laine's bands. He was one of the early New Orleans musicians to go to Chicago, first heading north in the summer of 1915 to join Bert Kelly's band, then with Tom Brown's band, before joining the Original Dixieland Jass Band (ODJB) in November 1916. The following year that band made the first jazz phonograph records, propelling Shields' playing to national prominence. Around this time, he also played occasionally with King Watzke's band. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Edwards (musician)
Edwin Branford "Eddie" Edwards (May 22, 1891 – April 9, 1963) was an early jazz trombonist who was a member of the Original Dixieland Jass Band. Life and career A native of New Orleans, Louisiana, Edwards started on violin at age 10 and moved to trombone five years later. He played both instruments professionally with the bands of Papa Jack Laine and Ernest Giardina. In addition to music Edwards played minor-league baseball and worked as an electrician. In 1916 he was picked by Alcide Nunez to go to Chicago, Illinois, to play trombone with Johnny Stein's Jazz Band. With a few changes of personnel this band became the Original Dixieland Jazz Band which made the first jazz records in 1917. He played on one of the first commercially released jazz recordings, "Livery Stable Blues", later released as "Barnyard Blues". He left the band after being drafted into the United States Army. The band replaced him with Emile Christian. Edwards served in the Army from July 1918 to Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick LaRocca
Dominic James "Nick" LaRocca (April 11, 1889 – February 22, 1961), was an American early jazz cornetist and trumpeter and the leader of the Original Dixieland Jass Band. He is the composer of one of the most recorded jazz classics of all-time, "Tiger Rag". He was part of what is generally regarded as the first recorded jazz band, a band which recorded and released the first jazz recording, "Livery Stable Blues" in 1917. Background Nick LaRocca was born in New Orleans, Louisiana, the son of poor Sicilian immigrants. His father was Girolamo LaRocca of Salaparuta, Sicily and his mother was Vita De Nina of Poggioreale, Sicily. Young Nick was attracted to the music of the brass bands in New Orleans and covertly taught himself to play cornet against the wishes of his father who hoped his son would go into a more prestigious profession. LaRocca at first worked as an electrician, playing music on the side. From around 1910 through 1916 he was a regular member of Papa Jack Laine's ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
