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Barkouf
''Barkouf'' is an opéra bouffe in three acts premiered in 1860 in music, 1860 with music composed by Jacques Offenbach to a French language, French libretto by Eugène Scribe and Henry Boisseaux, after Abbé François Blanchet, Abbé Blanchet, the fourth of his ''Contes Orientaux'' entitled ''Barkouf et Mani''. The title role is a dog. It was the first work by the composer to be performed at the Opéra-Comique in Paris, but after its initial performances was not performed again until 2018.Fath, Rolf. Report from Strasbourg. ''Opera (British magazine), Opera'', April 2019, Vol.70, No.4, pp. 427–428. Background Having found success with one-act pieces and the longer works at the Bouffes-Parisiens, ''Barkouf'' was Offenbach's first attempt to enter the repertoire of one of the major Paris operas houses, the Opéra-Comique, which was to culminate in ''Les Contes d'Hoffmann'' in 1881. Commissioned by the house, it aroused hostility from singers during rehearsal and critics at the pr ...
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Operas By Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic music, Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic piec ...
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Jean-François Berthelier
Jean-François-Philibert Berthelier (14 December 1830 – 29 September 1888) was a French actor and singer, who performed many light tenor roles in opéra-comique and opéra-bouffe.O’Connor P. 'Jean-François Berthelier' In : ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Early career Berthelier was born in Panissières, the son of a notary. At eleven he became an orphan and moved in with a foster family. He initially worked as an office clerk in a bookstore in Lyon, where on the side he appeared on stage as an extra at the Théâtre des Célestins. His fine voice was noticed, and he made his operatic debut as Fernando in ''La favorite'' at a small provincial theatre in Poitiers in 1849.Yon & Fraison 1996, p. 59. When that theatre closed, he moved to Paris, but after he was refused entry to the Conservatoire de Musique, he turned to singing in cafés-concerts, not without success. He also composed some songs under the pseudonym Berthel. He was ...
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1860 In Music
Events *January 1 – Julius Friedländer buys the Leipzig music publishing house, CF Peters.MusicAndHistory.com: 1860
. Accessed 8 March 2013
* – The second "Querelle des Bouffons" is sparked when criticizes 's music in the ''Journal des débats''. Wagner responds on February 15. *

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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ...
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Victor Warot
Victor Alexandre Joseph Warot (18 September 1834, Verviers – 29 March 1906, Bois-Colombes) was a Belgian opera singer. He began his career as a lyric tenor but later grew into a fine dramatic singer. He was particularly known for his portrayal of Wagner and Meyerbeer heroes. Early life Warot was born in Verviers into a musical and theatrical family. His father was the tenor Victor Alexandre Charles Warot (1808-1877) and his mother the actress Cécile ''née'' Desthieux. His uncle, (Constant Noel) Adolphe Warot (1812-1875) was a well-known cellist while a second uncle, (Victor Alexandre) Charles Warot (1804-1836) was a composer and conductor. Warot's grandfather Charles (François) Warot had been prompter at the Antwerp Theatre.Kurt GänzlVictor Warot: a tenor not to be forgotten- Musical research blog of Kurt Gänzl 9 October 2019 Victor Warot ''fils'' studied initially with his father and then in Paris with Giulio Alary. Musical career He made his professional opera début at ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Charles-Louis Sainte-Foy
Charles-Louis Sainte-Foy, born Charles-Louis Pubereaux, also known simply as Sainte-Foy (13 February 1817 – 1 April 1877) was a French operatic tenor who sang at the Opéra-Comique for over 30 years. Life and career Sainte-Foy was born in Vitry-le-François, a small town in north-eastern France. His father, Jean Pubereaux, was a musician who had been given the nickname "Sainte-Foy" by his army comrades during the Napoleonic Wars. When he was discharged from the army, he gave music lessons and opened the Café Sainte-Foy in Vitry. The young Charles-Louis was originally apprenticed to a cabinet maker, but after displaying little enthusiasm for the job, his father sent him to the Paris Conservatory in 1836 where he studied music under Garaudé and Panseron and acting with Morin.''Almanach Matot-Braine de la Marne, de l'Aisne & des Ardennes'' (1878)Notices nécrologiques: "Sainte-Foy" (republished on La Vie Rémoise). Retrieved 20 July 2013 . Sainte-Foy made his debut at the Opé ...
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Bass Voice
Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass guitar, with a hollow body ** Bass clarinet, a clarinet with a lower sound ** Bass cornett, a low pitched wind instrument ** Bass drum, a large drum ** Bass flute, an instrument one octave lower than a flute ** Bass guitar, with a solid body and electric pickups ** Bass recorder, an instrument one octave lower than the alto recorder ** Bass sarrusophone, a low pitched double reed instrument ** Bass saxophone ** Bass trombone, a lower pitched trombone ** Bass trumpet ** Bass violin ** Double bass, the largest and lowest pitched bowed string instrument ** Electric upright bass, the electric version of a double bass ** Tuba, often called "the bass" in the context of brass instruments * Bass (voice type), a type of classical male singing voice ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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