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Barbra Streisand In Concert
Barbra Streisand in Concert is Barbra Streisand's first full tour which ran from 1993 through 1994. The tour consisted of 26 shows starting on New Year's Eve 1993 in Las Vegas and ended Anaheim, California in July 1994. The 18 shows that went on sale following the new year concerts in Las Vegas sold out in 1 hour. This tour was also the first time Barbra toured anywhere in Europe and was the last until her Timeless tour in 2000. Background Barbra had only toured once previously, in 1966, when a planned five-week 20-city tour was cut to four dates, due to her pregnancy. Although Streisand continued to perform at various concert events, the 1994 tour marked her first after decades of reported stage fright. Commercial reception According to Barbra's official website, the tour set attendance and box office records in every city it played in with the first 18 dates selling out within 1 hour. The phone requests for tickets reached 5 million within the first hour the tour went on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbra Streisand
Barbara Joan "Barbra" Streisand (; born April 24, 1942) is an American singer, actress and director. With a career spanning over six decades, she has achieved success in multiple fields of entertainment, and is among the few performers List of people who have won Academy, Emmy, Grammy, and Tony Awards, awarded an Emmy, Grammy, Oscar, and Tony (EGOT). Streisand began her career by performing in nightclubs and Broadway theaters in the early 1960s. Following her guest appearances on various television shows, she signed to Columbia Records, insisting that she retain full artistic control, and accepting lower pay in exchange, an arrangement that continued throughout her career, and released her debut ''The Barbra Streisand Album'' (1963), which won the Grammy Award for Album of the Year. Throughout her recording career, Streisand has topped the US Billboard 200, ''Billboard'' 200 chart with 11 albums—a record for a woman—including ''People (Barbra Streisand album), People'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
As If We Never Said Goodbye
"As If We Never Said Goodbye" is a show tune from the musical ''Sunset Boulevard''. It was written by Don Black, Christopher Hampton (with additional lyrics by Amy Powers), and Andrew Lloyd Webber. Ben Rimalower on Playbill calls it Andrew Lloyd Webber's greatest song. In ''Sunset Boulevard'', the main character, Norma Desmond, reveals her longing to return to the spotlight of fame. The song has been performed by Barbra Streisand. It is featured on her album '' Back to Broadway'' and the live albums '' The Concert'' and '' Back to Brooklyn.'' Elaine Paige recorded the song for her album ''Encore''. Countertenor Chris Colfer (as Kurt Hummel) sings the song in the ''Glee'' season 2 episode " Born This Way". A review in ''Salon'' describes Colfer's performance as turning the song "into a valentine to self-knowledge and self-improvement—and a young, gay singer's dream of treating the world as a stage and commanding it like a star." English tenor Alfie Boe, recorded his vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa, Can You Hear Me?
"Papa, Can You Hear Me?" is a 1983 song composed by Michel Legrand with lyrics by Alan Bergman and Marilyn Bergman, for Barbra Streisand in the title role of '' Yentl''. The song was nominated for Best Original Song at the 56th Academy Awards; Streisand's longtime friend Donna Summer performed it during the ceremonies. The song peaked at No.26 at Billboard's Adult Contemporary. Critical reception ''Herald-Journal'' deemed it "forgettably gooey". ''Ottawa Citizen'' negatively compared the song to the Star Wars theme, postulating that only the most loyal Streisand fans would make a cognitive connection to the musical upon hearing the tune. Chicago ''Sun-Times'' deemed it "emotional". ''Newsweek International'' said it was a "gay anthem". However, for many Jews, and others who have lost a father, "Papa Can You Hear Me" is comparable to the treasured "My Yiddishe Momme", the moving lament for those who have lost a mother. ''Healing Times: A Personal Workbook'' created a therapeuti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Not While I'm Around (Sweeney Todd)
"Not While I'm Around" is a song from the Stephen Sondheim musical '' Sweeney Todd: The Demon Barber of Fleet Street''. It is a duet between Tobias Ragg and Mrs. Lovett that first appeared on Broadway in 1979. A screen adaptation for the 2007 film of the same name features Edward Sanders as Tobias and Helena Bonham Carter as Mrs. Lovett. Synopsis In the pie shop that Mrs. Lovett owns, Mrs. Lovett's Meat Pie Emporium, she has taken in young Tobias Ragg, who was homeless, to be her helper. When Mrs. Lovett tells Tobias to run and get a piece of toffee, she inadvertently takes out a coin purse she stole from Tobias' old master, Adolfo Pirelli, who Sweeney Todd killed. Tobias expresses suspicions about Todd and states his desire to protect Mrs. Lovett, whom he has come to view as a mother figure. However, Mrs. Lovett tells him not to be afraid. Critical reception Scott Foundas of ''Variety'' described this song as "tender and haunting", noting that street urchin Tobias "becomes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Someday My Prince Will Come
"Someday My Prince Will Come" is a song from Walt Disney's 1937 animated movie ''Snow White and the Seven Dwarfs''. It was written by Larry Morey (lyrics) & Frank Churchill (music), and performed by Adriana Caselotti (Snow White's voice in the movie). It was also featured in the 1979 stage adaptation of the 1937 animated musical movie. In AFI's 100 Years...100 Songs, it was ranked the 19th greatest film song of all time. Production Conception Adriana Caselotti was cast in the 1937 film ''Snow White and the Seven Dwarfs'' after interrupting a phone conversation her father – a voice coach – was having on the phone with a talent scout. The scout was casting the upcoming film and noted that a previous candidate had sounded like a 30-year-old so was let go; Caselotti picked up the extension and recommended herself. Only 18 at the time, Disney thought she sounded like a 14-year-old, which is what he wanted, and he offered her the part. She worked on the film for a nominal f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Once Upon A Dream (Sleeping Beauty Song)
"Once Upon a Dream" is a song written for the 1959 animated musical fantasy film ''Sleeping Beauty'' produced by Walt Disney. Its lyrics were written by Jack Lawrence and Sammy Fain while the music is adapted by George Bruns. The song's melody is based on the "Grande valse villageoise" (nicknamed "The Garland Waltz"), from the 1890 ballet '' The Sleeping Beauty'' by Pyotr Ilyich Tchaikovsky. "Once Upon a Dream" serves as the film's main theme, and as the love theme of Princess Aurora and Prince Philip. It is performed in the film by a chorus as an overture and third-reprise finale, as well as in a duet by Mary Costa and Bill Shirley, who voiced the roles of Aurora and Philip, respectively. Notable covers American girl group No Secrets recorded the song "Once Upon (Another) Dream", whose chorus is based on "Once Upon a Dream", in 2003 for the two-disc DVD release of ''Sleeping Beauty''. The song was then included in the 2004 compilation album '' Disneymania 2''. "Once Upon a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Don't Bring Me Flowers
"You Don't Bring Me Flowers" is a song written by Neil Diamond with Alan and Marilyn Bergman for the daily TV sitcom ''All That Glitters''. The song was intended to be the theme song, but Norman Lear, the show's creator, changed the concept of the show and the song was no longer appropriate. Diamond then expanded the track from 45 seconds to 3:17, adding instrumental sections and an additional verse. The Bergmans contributed to the song's lyrics, which tell the story of two lovers who have drifted apart while they "go through the motions" and heartache of life together. In 1977, Diamond released the album '' I'm Glad You're Here with Me Tonight'', which included the track "You Don't Bring Me Flowers" as a solo performance. Early in 1978, Barbra Streisand covered the song on her album ''Songbird''. These recordings were spliced together by different radio stations, creating unofficial duets, the success of which led to the studio bringing them together for an official duet recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Way We Were (song)
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973 through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974). Its lyrics detail the melancholic relationship between the two main characters in the 1973 film of the same name. Its appeal was noted by several music critics, who felt its impact helped revive Streisand's career. The song also won two Academy Awards, which were credited to the songwrite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man That Got Away
"The Man that Got Away" is a torch song, published in 1953 and written for the 1954 version of the film '' A Star Is Born.'' The music was written by Harold Arlen, and the lyrics by Ira Gershwin. In 1954, it was nominated for the Academy Award for Best Original Song. In 2004, Judy Garland's performance of the song was selected by the American Film Institute as the eleventh greatest song in American cinema history. Composition "The Man That Got Away" was one of several songs composed by Harold Arlen and Ira Gershwin for the 1954 film '' A Star is Born'', a vehicle for Judy Garland, whom Arlen had already provided with the career-defining songs " Over the Rainbow" and " Get Happy". Arlen and Gershwin would collaborate on songs for ''A Star is Born'' afternoons at Gershwin's Beverly Hills mansion, Arlen being seated at a Steinway while Gershwin would work on the lyrics seated at a card table. "The Man That Got Away" was written in response to screenwriter Moss Hart's request for a " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evergreen (Love Theme From A Star Is Born)
"Evergreen" (also called "Love Theme from ''A Star Is Born''") is the theme song from the 1976 film '' A Star Is Born''. It was composed and performed by American singer, songwriter, actress and director Barbra Streisand with lyrics by Paul Williams, and arranged by Ian Freebairn-Smith. The song was released on the soundtrack album to ''A Star Is Born''. Background As composers, Streisand and Williams earned an Academy Award for Best Original Song, making Streisand the first woman to be so honored as a composer. She also earned a Grammy Award for Song of the Year. Streisand and Williams also won Golden Globes for Best Original Song. The song's opening couplet, "Love, soft as an easy chair; love, fresh as the morning air", almost did not appear that way. Williams wrote the "morning air" line first, but told Streisand to "flip those two first lines, because it sings better". In 1997, the track appeared on the tribute album '' Diana, Princess of Wales: Tribute''. Chart perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man (Oh, Where Can You Be?)
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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