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Barbara Fris
Barbara Fris (born May 10, 1956) is a Canadian soprano and actress who performs as an opera singer, concert artist, and recitalist. She specializes in opera and classical symphonic works for voice, having performed across Canada, in Europe and the United States where she also has sung a wide range of works that include operettas, musical theatre, light classics, lieder, French mélodie, and art songs. Early years Fris was born in City of Halifax, Halifax, Nova Scotia, and began her musical studies at the Nova Scotia Teacher's College (Truro), where she obtained an Associate of Education Diploma and Licentiate (degree), Licentiate as an Early Childhood Music Specialist (1977). She later graduated from Dalhousie University, Faculty of Music (1980) with a Bachelor of Music in Performance (Honours) and the University of Toronto Opera Division (1983), where she obtained a Diploma in Opera Performance (Honours) as a scholarship student of the noted Dutch baritone, Bernard Diamant a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halifax Regional Municipality
Halifax is the capital and largest municipality of the Provinces and territories of Canada, Canadian province of Nova Scotia, and the largest municipality in Atlantic Canada. As of the 2021 Census, the municipal population was 439,819, with 348,634 people in its urban area. The regional municipality consists of four former municipalities that were Amalgamation (politics), amalgamated in 1996: History of Halifax (former city), Halifax, Dartmouth, Nova Scotia, Dartmouth, Bedford, Nova Scotia, Bedford, and Halifax County, Nova Scotia, Halifax County. Halifax is a major economic centre in Atlantic Canada, with a large concentration of government services and private sector companies. Major employers and economic generators include the Canadian Armed Forces, Department of National Defence, Dalhousie University, Nova Scotia Health Authority, Saint Mary's University (Halifax), Saint Mary's University, the Halifax Shipyard, various levels of government, and the Port of Halifax. Agricult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calgary Opera
Calgary Opera is a Canadian opera company based in Calgary, Alberta. The company has its administrative base at the Mamdani Opera Centre, a facility in the Wesley United Church, since July 2005. The company gives its seasonal mainstage productions at the Southern Alberta Jubilee Auditorium. During the summer, the company presents 'Opera in the Village', the only Canadian outdoor summer opera festival. History The company was founded in 1972 as the Southern Alberta Opera Association. The association initially performed two opera productions per year, from 1973 to 1977. Alexander Gray was the first artistic director of the Southern Alberta Opera Association, and held the post until 1976. In 1976, the association appointed Brian Hanson as both its general manager and artistic director. During Hanson's tenure, the association expanded its season to three productions per season, beginning in 1978. Hanson described his general philosophy of programming operas for the company as " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera '' Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Opera Company
The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs in its own opera house, the Four Seasons Centre for the Performing Arts. For forty years until April 2006, the COC had performed at the O'Keefe Centre (now known as Meridian Hall). History Nicholas Goldschmidt and Herman Geiger-Torel founded the organization in 1950 as the Royal Conservatory Opera Company. Geiger-Torel became the COC's artistic director in 1956 and its general director in 1960. The company was renamed the Canadian Opera Association in 1960, and the Canadian Opera Company in 1977. Geiger-Torel retired from the general directorship in 1976. Lotfi Mansouri was the COC's general director from 1976 to 1988. In 1983, the COC introduced surtitles (supertitles) to their productions, the first company to use them in an opera house. Productions included Joan Sutherland's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinto
Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms ' or ' are used to denote this category of voice.) The spinto voice type is recognisable by its tonal "slice" or ''squillo''. This enables the singer to cut through the wall of sound produced by a full Romantic orchestra in a wide variety of roles, excluding only the most taxing ones written by the likes of Richard Wagner (such as ''Brünhilde'', ''Isolde'', ''Tristan'' and ''Siegfried''), Giacomo Meyerbeer (''John of Leyden''), Verdi (''Otello''), Puccini (''Turandot'', ''Calaf'') and Richard Strauss (''Elektra''). * : a fundamentally lyric soprano with a fair amount of extra "pulp" in her tone and a distinct thrust in her vocal attack. As they possess both a lyric and a dramatic quality, spinto sopranos are suitable for a broad spectrum of rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera There are a wide variety of roles written for this voice, and they may sing |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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