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Bara (Henner)
''Bara'' (previously often spelled ''’Barra’'') is a painting by Jean-Jacques Henner exhibited at the Salon of 1882 and today part of the collection at the Petit Palais in Paris. It depicts a Republican boy-hero of the French Revolution, Joseph Bara, killed by the Vendeans in 1793. Description The painting, oil on canvas, 85.5cm x 144cm depicts the young Joseph Bara, laid out naked on the ground after his murder, against a brown background. His arms are stretched out, his head thrown back and his chest raised. A few drops of blood are spattered on his straggling hair. The pose is one of elegant and classical simplicity and aside from the indication of a wound to the head, the body is perfectly unblemished. In Bara’s hand is a drumstick (according to the painting’s catalogue entry, a dagger) and the dimly distinguished form of a drum lies behind him on his left. The theme of the painting is an unusual one for Henner, who more commonly painted mythological subjects; a su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Henner - Bara - PPP182 - Musée Des Beaux-Arts De La Ville De Paris
Jean-Jacques is a French name, equivalent to "John James" in English. Since the second half of 18th century, Jean Jacques Rousseau was widely known as Jean Jacques. Notable people bearing this name include: Given name * Jean-Jacques Annaud (born 1943), French film director, screenwriter and producer * John James Audubon, born Jean-Jacques Rabin (1785–1851), American ornithologist and painter from Breton origin * Jean-Jacques Bertrand (1916–1973), Premier of Quebec, Canada * Jean-Jacques Burnel (born 1952), Franco-English musician, bassist * Jean-Jacques Challet-Venel (1811–1893), member of the Swiss Federal Council * Jean-Jacques Colin (1784-1865), French chemist * Jean-Jacques Conceição (born 1964), Angolan basketball player * Jean-Jacques De Gucht (born 1983), Flemish politician and member of Open VLD * Jean-Jacques Dessalines (1758–1806), a leader of the Haïtian Revolution * Jean-Jacques Domoraud (born 1981), Côte d'Ivoire footballer * Jean-Jacques Goldman (born 1951), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemeentemuseum Den Haag
The Kunstmuseum Den Haag is an art museum in The Hague in the Netherlands, founded in 1866 as the Museum voor Moderne Kunst. Later, until 1998, it was known as Haags Gemeentemuseum, and until the end of September 2019 as Gemeentemuseum Den Haag. It has a collection of around 165,000 works, over many different forms of art. In particular, the Kunstmuseum is renowned for its large Piet Mondrian, Mondrian collection, the largest in the world. Mondrian's last work, ''Victory Boogie-Woogie'', is on display at the museum. The current museum building was constructed between 1931–1935, designed by the Dutch architect Hendrik Petrus Berlage, H.P. Berlage. The KM21 (museum for contemporary art) and Fotomuseum Den Haag (The Hague museum for photography) are part of the Kunstmuseum, though not housed in the same building and with a separate entrance fee. Collection Modern art The museum's collection of modern art includes works by international artists (Edgar Degas, Claude Monet, Pablo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1882 Paintings
Year 188 (CLXXXVIII) was a leap year starting on Monday of the Julian calendar. At the time, it was known in the Roman Empire as the Year of the Consulship of Fuscianus and Silanus (or, less frequently, year 941 ''Ab urbe condita''). The denomination 188 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Publius Helvius Pertinax becomes pro-consul of Africa from 188 to 189. Japan * Queen Himiko (or Shingi Waō) begins her reign in Japan (until 248). Births * April 4 – Caracalla (or Antoninus), Roman emperor (d. 217) * Lu Ji (or Gongji), Chinese official and politician (d. 219) * Sun Shao, Chinese general of the Eastern Wu state (d. 241) Deaths * March 17 – Julian, pope and patriarch of Alexandria * Fa Zhen (or Gaoqing), Chinese scholar (b. AD 100) * Lucius Antistius Burrus, Roman politician (executed) * Ma Xiang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovelock (hair)
A Lovelock was popular amongst European "men of fashion" from the end of the 16th century until well into the 17th century. The lovelock was a long lock of hair, often plaited ( braided) and made to rest over the left shoulder (the heart side) to show devotion to a loved one. Origin Most sources contemporary with the rise of the fashion (mid-1500s) thought the lovelock was an imitation of an American Indian hairstyle. People such as Francis Higginson— Salem, Massachusetts's first minister—"reported n his 1630 book ''New-Englands Plantation''speculation that the style of wearing one long lock of hair among fashionable young men in England was conscious imitation of the asymmetrical Powhatan male cut." Sir Thomas Dale, governor of Jamestown and John Rolfe, the husband of Pocahontas, also believed that the trend was a conscious imitation of Indian hairstyling. They further specified that lovelocks had arrived in England with the group of Roanoke colonists rescued by Sir Franci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Arsène Arnaud Claretie
Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the '' Théâtre Français''. Biography He was born at Limoges. After studying at the lycée Bonaparte in Paris, he became a journalist, achieving great success as dramatic critic to ''Le Figaro'' and to the ''Opinion nationale''. He was a newspaper correspondent during the Franco-Prussian War, and during the Paris Commune acted as staff-officer in the National Guard. In 1885 he became director of the Théâtre Français, and from that time devoted his time chiefly to its administration until his death. During the battle for Octave Mirbeau's comedy ''Les affaires sont les affaires'' (''Business is business''), the Comité de Lecture was abolished, in October 1901, and Jules Claretie obtained sole responsibility for choosing the modern plays to be performed. He was elected a member of the Académie française in 1888, and took his seat in February 1889, being receive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Paul Prud'hon
Pierre-Paul Prud'hon (, 4 April 1758 – 16 February 16, 1823) was a French Romantic Painting, painter and drawing, draughtsman best known for his allegorical paintings and portraits such as ''Madame Georges Anthony and Her Two Sons'' (1796). He painted a portrait of each of Napoleon's two wives. He was an early influence on Théodore Géricault. Biography Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for wealthy Parisians led him to be held in high esteem at Napoleon's court. His painting of Joséphine de Beauharnais, Josephine portrays her not as an Empress, but as a lovely, attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon's second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilia Dilke
Emilia Francis Strong (2 September 1840, Ilfracombe, Devon – 23 October 1904), better known as Lady Dilke, was a British author, art historian, feminist and trade unionist. Biography Emilia Francis Strong, the daughter of Henry and Emily Weedon Strong, was called by her middle name, with its masculine spelling, during her childhood and youth. She was raised in Iffley, near Oxford, and attended the South Kensington Art School in London in her late teens. She married Mark Pattison, Rector of Lincoln College, Oxford, in 1861; she was then known as Francis Pattison, Mrs. Mark Pattison, or, in some of her publications, as E. F. S. Pattison. After Mark Pattison's death in 1884, she married Sir Charles Dilke, and was subsequently known as Lady Dilke or Emilia Dilke. Both of her marriages were topics of some public discussion. She became a contributor to the '' Saturday Review'' in 1864 and subsequently was for many years fine-art critic of the ''Academy'' and from 1873 its a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Academy (periodical)
''The Academy'' was a review of literature and general topics published in London from 1869 to 1902, founded by Charles Appleton. The first issue was published on 9 October 1869 under the title ''The Academy: A Monthly Record of Literature, Learning, Science, and Art''. It was published monthly from October 1869 to January 1871, then semimonthly from February 1871 to 1873, and weekly from 1874 to 1902 under the titles ''The Academy: A Weekly Review of Literature, Science, and Art'' and then ''The Academy: A Weekly Review of Literature and Life''. The last issue was number 1549 on 11 January. In January 1902, ''The Academy'' merged with the periodical ''Literature'', becoming ''The Academy and Literature''. The merged periodical retained the numbering of ''The Academy'', however, and reverted to the name ''The Academy'' in 1905. Against the prevailing custom of anonymous authorship, ''The Academy'' provided the full names of its writers. In its early years, the reviewers included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchante
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Réunion Des Musées Nationaux
The Réunion des Musées Nationaux (RMN) is a French cultural umbrella organisation, an établissement public à caractère industriel et commercial (EPIC), formed in 2011, through the merger of the Paris National Museums and the Grand Palais. Its genesis came about in 1896, under the leadership of the French statesmen Raymond Poincaré Raymond Nicolas Landry Poincaré (, ; 20 August 1860 – 15 October 1934) was a French statesman who served as President of France from 1913 to 1920, and three times as Prime Minister of France. Trained in law, Poincaré was elected deputy in 1 ... and Georges Leygues, with the aim of purchasing works of art for national collections. The institution has three current directives: the welcoming of the public, the organizing of temporary exhibitions, and the holding of exhibitions and its permanent collections. On January 1, 2011, the Réunion des Musées Nationaux merged with the public establishment of the Grand Palais des Champs-Élysées, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Des Beaux-Arts De Mulhouse
The Musée des Beaux-Arts de Mulhouse is a municipal art museum in Mulhouse, France. It originated with the '' Société industrielle de Mulhouse (SIM)'', a learned society established in 1826 by local industrialists such as Dollfus, Koechlin, and Schlumberger, which had begun collecting artworks in 1831, and was founded in 1864 by Frédéric Engel-Dollfus. The building Since 1985, the museum is housed in a former hôtel particulier, the ''Villa Steinbach'', which consists of a core from 1788 and a wing of 1924, added by the then owner, the SIM. Between 1883 and 1944, the museum had been housed in the monumental building now used for the Musée de l'impression sur étoffes. The collection Due to the insufficient size of the current building only a small fraction of the ca. 1,000 paintings in the collection can be shown. Over half of the paintings still belong to the ''Société industrielle de Mulhouse'' and are on permanent loan to the museum. Many of the paintings belong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Portræt_af_Christian_IV.jpg "Click for more on -> Lovelock (hair)")
