Baptistry Of Pisa
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Baptistry Of Pisa
The Pisa Baptistery of St. John ( it, Battistero di San Giovanni) is a Roman Catholic ecclesiastical building in Pisa, Italy. Construction started in 1152 to replace an older baptistery, and when it was completed in 1363, it became the second building, in chronological order, in the Piazza dei Miracoli, near the Duomo di Pisa and the cathedral's free-standing campanile, the famous Leaning Tower of Pisa. The baptistery was designed by Diotisalvi, whose signature can be read on two pillars inside the building, with the date 1153. Description The largest baptistery in Italy, it is 54.86 m high, with a diameter of 34.13 m. The Pisa Baptistery is an example of the transition from the Romanesque style to the Gothic style: the lower section is in the Romanesque style, with rounded arches, while the upper sections are in the Gothic style, with pointed arches. The Baptistery is constructed of marble, as is common in Italian architecture. The portal, facing the facade of the cathedral, ...
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Pisa Cathedral
Pisa Cathedral ( it, Cattedrale Metropolitana Primaziale di Santa Maria Assunta; Duomo di Pisa) is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy, the oldest of the three structures in the plaza followed by the Pisa Baptistry and the Campanile known as the Leaning Tower of Pisa. The cathedral is a notable example of Romanesque architecture, in particular the style known as ''Pisan Romanesque''. Consecration, Consecrated in 1118, it is the seat of the Archbishop of Pisa. Construction began in 1063 and was completed in 1092. Additional enlargements and a new facade were built in the 12th century and the roof was replaced after damage from a fire in 1595. History Construction on the cathedral began in 1063 (1064 according to the Pisan calendar of the time) by the architect Buscheto, and expenses were paid using the spoils received fighting against the Muslims in Sicily in 1063. It includes various styli ...
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Lintel (architecture)
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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Santo Sepolcro (Pisa)
The Church of the Santo Sepolcro (Italian: ''Chiesa del Santo Sepolcro'', literally "Church of the Holy Sepulchre") is a religious edifice in Pisa, Tuscany, Italy. Built in the early 12th century (it is known at least from 1113), it was designed by Diotisalvi, who also designed the Baptistery of Pisa Cathedral forty years later.On the bell tower, a plaque says that ''Deustesalvet'' (Diotisalvi, literally "God Saves You"), architect of the Baptistry, was the designer of the edificeInscription/ref> It has an octagonal plan and, until the 16th century, it was surrounded by a portico. The central tambour, supported by eight ogival arches, is super-elevated and is surmounted by a conic cusp. The attribution to the Holy Sepulchre is a reference to the latter's relics which were carried in Pisa by archbishop Dagobert after his participation to the First Crusade. The structure resembles indeed the Dome of the Rock in Jerusalem, conquered by the crusaders in 1099. The portals have deco ...
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Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his '' Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, but the concept became widespread only in the 19th century, after the work of schola ...
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Italian Renaissance Sculpture
Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put. In complete contrast to painting, there were many surviving Roman sculptures around Italy, above all in Rome, and new ones were being excavated all the time, and keenly collected. Apart from a handful of major figures, especially Michelangelo and Donatello, it is today less well-known than Italian Renaissance painting, but this was not the case at the time. Italian Renaissance sculpture was dominated by the north, above all by Florence. This was especially the case in the quattrocento (15th century), after which Rome came to equal or exceed it as a centre, though producing few sculptors itself. Major Florentine sculptors in stone included (in rough chronological order, with dates of death) Orcagna (136 ...
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Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent ...
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Giovanni Pisano
Giovanni Pisano (c. 1250 – c. 1315) was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor". History Born in Pisa, Giovanni Pisano was the son of the famous sculptor Nicola Pisano. He received his training in the workshop of his father and in 1265–1268 he worked with his father on the pulpit in Siena Cathedral. His next major work with his father was the fountain ''Fontana Maggiore'' in Perugia (completed 1278). Nicola Pisano is thought to have died either around 1278 or in 1284 when Giovanni took up residence in Siena. These first works were made in Nicola's style and it is difficult to separate the contributions of the two artists. However the ''Madonna with Child'' can be attributed with certainty to Gi ...
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Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the emperor Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably by his hand. "The head of a young girl" (now displayed in the Museo del Palazzo Venez ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Italo Griselli
Italo may refer to: *Italo-, a prefix indicating a relation to Italy or Italians Film * ''Italo'' (film), a 2014 comedy film *Italo crime, a genre of crime film Music genres *Italo disco *Italo dance *Italo house People *Italo Allodi (1928–1999), footballer *Ítalo Argentino Lúder (1916–2008), Argentine politician *Italo Balbo (1896–1940), politician *Italo Bocchino (born 1957), politician *Italo Brancucci (1904–1958), composer * Italo "Babe" Caccia (1917–2009), American college athlete, coach, and administrator *Italo Calvino (1923–1985), writer *Italo Campanini (1845–1896), singer *Italo Casini (1892–?), bobsledder *Italo Chelini (1914–1972), baseball player *Italo Cappabianca (1936–2001), politician * Ítalo Estupiñán (1952–2016), footballer *Ítalo Ferreira (born 1994), Brazilian surfer * Italo Galbiati (born 1937), footballer *Italo Gardoni (1821–1882), singer *Italo Gariboldi (1879–1970), soldier *Italo Gismondi (1887–1974), archæologist *It ...
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