Bank Of New South Wales Building, Brisbane
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Bank Of New South Wales Building, Brisbane
The Bank of New South Wales Building is a heritage-listed former bank building located at 33 Queen Street, Brisbane City, City of Brisbane, Queensland, Australia. It was designed by Hall & Devereux and built from 1928 to 1930 by F J Corbett & Sons. It is also known as Westpac Bank Building. It was added to the Queensland Heritage Register on 21 October 1992. History This bank was constructed between 1928–30, replacing an earlier building. The Bank of New South Wales began operating on the site in rented premises in 1851. In 1853, the bank purchased the property and in 1866 erected a purpose-built bank with residence. The contractor was Hugo William Du Rietz. This first building was demolished in 1928 and replaced by the current building which was completed in 1930. Designed by the firm of Hall and Devereux, it was erected by FJ Corbett & Sons for approximately . It was an example of the pervasive fashion for the neo-classical style in commercial and civic buildings of ...
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Queen Street, Brisbane
Queen Street is the main street of Brisbane, the capital of Queensland, Australia. It is named after Queen Victoria of the United Kingdom. The western part of the street is covered by a new plaza at the base of Brisbane Square and underneath part of the western half is the Queen Street bus station. Queen Street is heavily built up with arcades, shops, hotels, offices and apartment high-rises such as MacArthur Central, Brisbane Square, Central Plaza, Aurora Tower, Treasury Casino, Wintergarden, Broadway on the Mall, The Myer Centre and QueensPlaza. Queen Street is also the location of Brisbane's General Post Office. Geography Queen Street is the city's central road, partly covered by a pedestrian mall called the Queen Street Mall. It ends at the Victoria Bridge and is bounded by two of the Brisbane River's central reaches. Uptown at the top of the mall is George Street. The next street parallel to the south is Elizabeth Street, while Adelaide Street is the next par ...
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Mezzanine
A mezzanine (; or in Italian language, Italian, a ''mezzanino'') is an intermediate floor in a building which is partly open to the double-height ceilinged floor below, or which does not extend over the whole floorspace of the building, a loft with non-sloped walls. However, the term is often used loosely for the floor above the ground floor, especially where a very high-ceilinged original ground floor has been split horizontally into two floors. Mezzanines may serve a wide variety of functions. Industrial mezzanines, such as those used in warehouses, may be temporary or semi-permanent structures. In Royal Italian architecture, ''mezzanino'' also means a chamber created by partitioning that does not go up all the way to the arch vaulting or ceiling; these were historically common in Italy and France, for example in the palaces for the nobility at the Quirinal Palace. Definition A mezzanine is an intermediate floor (or floors) in a building which is open to the floor below. It ...
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Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ...
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Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Dentil
A dentil (from Lat. ''dens'', a tooth) is a small block used as a repeating ornament in the bedmould of a cornice. Dentils are found in ancient Greek and Roman architecture, and also in later styles such as Neoclassical, Federal, Georgian Revival, Greek Revival, Renaissance Revival, Second Empire, and Beaux-Arts architecture. Dentillation refers to use of a course of dentils. History Origin The Roman architect Vitruvius (iv. 2) states that the dentil represents the end of a rafter (''asser''). It occurs in its most pronounced form in the Ionic temples of Asia Minor, the Lycian tombs and the porticoes and tombs of Persia, where it clearly represents the reproduction in stone of timber construction. The earliest example is found carved into the rock of the tomb of Darius, c. 500 BC, reproducing the portico of his palace. Its first employment in Athens is in the cornice of the caryatid portico of the Erechtheum (480 BC). When subsequently introduced into the bed-mould of the corn ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Columns
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''post''. Supports with a rectangular or other non-round section are usually called '' piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative feat ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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