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Banjo Roll
In bluegrass music, a banjo roll or roll is a pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'. "Each standard"roll pattern is a ''right hand'' fingering pattern, consisting of eight (eighth) notes, which can be played while holding ''any'' chord position with the left hand." "When used as back-up, the same pattern can be repeated over and over throughout an entire song, (...ith chord changesas required), or the roll patterns can be combined with one another and with ack-up licks.. The roll patterns can also be used to embellish the vamping style of back-up, especially when the chords are played high... These roll patterns can be used as back-up for any song played at any tempo." The banjo is commonly played in open tunings, such as open G (as are all of the examples): G'DGBD', allowing rolls to be practiced on all open strings (without fretting). Rolls are a distinguishing characteris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo Forward Roll On G Major Chord
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats per minute (BPM). Metronomes may include synchronized visual motion. Musicians use the device to practise playing to a regular pulse. A kind of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented his mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software metronomes were invented. Musicians practise with metronomes to improve their timing, especially the ability to stick to a regular tempo. Metronome practice helps internalize a clear sense of timing and tempo. Composers and conductors often use a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crosspicking
Crosspicking is a technique for playing the mandolin or guitar using a plectrum or flatpick in a rolling, syncopated style across three strings. This style is probably best known as one element of the flatpicking style in bluegrass music, and it closely resembles a banjo roll, the main difference being that the banjo roll is fingerpicked rather than flatpicked. A typical element of the technique is the use of three pitches played repeatedly within a four-pulse rhythm. This results in a continual shifting of the pitches ''vis-a-vis'' the accented pulse. The three pitches are usually played on three adjacent strings—one per string. The pick direction can vary, depending on the required emphasis and the melody. Using "D" for down" and "U" for "up" (and slashes to indicate groups of three), mandolin player Jesse McReynolds used a crosspicking roll of :D - U - U / D - U - U / D - U . . . creating a repeating pattern of notes that expresses the melody. Guitarist George Shuffler u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chop Chord
In music, a chop chord is a "clipped backbeat". In : . It is a muted chord that marks the off-beats or upbeats. As a rhythm guitar and mandolin technique, it is accomplished through chucking, in which the chord is muted by lifting the fretting fingers immediately after strumming, producing a percussive effect. Traditional bluegrass bands typically do not have a drummer, and the timekeeping role is shared between several instruments. The upright bass generally plays the on-beats, while the banjo keeps a steady eighth-note rhythm. The mandolin plays chop chords on the off-beats or upbeats. (see: boom-chick) By partially relaxing the fingers of the left hand soon after strumming, the strings are allowed to rise off the frets, and their oscillations are damped by the fingers. All strings are stopped ( fingered); open strings are not played in chop chords. The offbeat was played on the piano in rhythm and blues "shuffle" style, as heard in songs like Louis Jordan's " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Run
In bluegrass and other music, the G run (G-run), or Flatt run (presumably after Lester Flatt), is a stereotypical ending used as a basis for improvisation on the guitar. It is the most popular run in bluegrass, the second being "Shave and a Haircut". The best known version, above, is a slight elaboration of the simplest form, below. \relative c' See also *Banjo roll *Fill (music) In popular music, a fill is a short musical passage, riff, or rhythmic sound which helps to sustain the listener's attention during a break between the phrases of a melody. "The terms riff and fill are sometimes used interchangeably by musician ... Sources Bluegrass music Riffs {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shave And A Haircut
"Shave and a Haircut" and the associated response "two bits" is a seven-note musical call and response (music), call-and-response couplet, Ostinato#Riff, riff or fanfare popularly used at the end of a musical performance, usually for comedic effect. It is used melodically or rhythmically, for example as a door knock. "Bit (money), Two bits" is a term in the United States and Canada for 25 Cent (currency), cents, equivalent to a Quarter (United States coin), U.S. quarter. "Four bits" and "Six bits" are also occasionally used, for example in the cheer "Two bits, four bits, six bits, a dollar." The final words may also be "get lost", "drop dead" (in Australia), or some other facetious expression. In the UK, it was often said as "five bob" (slang for five shillings), although words are now rarely used to accompany the rhythm or the tune. History An early occurrence of the tune is from an 1899 Charles Hale song, "At a Darktown Cakewalk". Other songs from the same period also used t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counter-melody
In music, a counter-melody (often countermelody) is a sequence of notes, perceived as a melody, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment. In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876. The more formal term countersubject applies to a secondary or subordinate melodic idea in a fugue. A countermelody differs from a harmony part sung by a backup singer in that whereas the harmony part typically lacks its own independent musical line, a countermelody is a distinct melodic line. See also *Nebenstimme *Parallel harmony *Traditional sub-Saharan African harmony Traditional sub-Saharan African harmony is a music theory of harmony in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Articulation (music)
Articulation is a fundamental musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to oratory. Western music has a set of traditional articulations that were standardized in the 19th century and remain widely used. Composers are not limited to these, however, and may invent new articulations as a piece requires. When writing electronic and computer music, composers can design articulations from the ground up. In addition to the following instructions given by composers, performers choose how to articulate the events of a score independently, in accordance with their interpretation of it. Until the 17th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bones (instrument)
The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the most commonly used bones, although wooden sticks shaped like true bones are now more often used. Metal spoons may be used instead, as is common in the United States, known as " playing the spoons". The technique probably arrived in the U.S. via Irish and other European immigrants, and has a history stretching back to ancient China, Egypt, Greece, and Rome. They have contributed to many music genres, including 19th century minstrel shows, traditional Irish and Scottish music, the blues, bluegrass, zydeco, French-Canadian music, and music from Cape Breton in Nova Scotia. The clacking of the loose rib bones produces a much sharper sound than the zydeco washboard or frottoir, which mimics rattling a bone up and down a fixed ribcage. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (music)
In music, especially folk and popular music, a matrix is an element of variations which does not change. The term was derived from use in musical writings and from Arthur Koestler's '' The Act of Creation'', who defines creativity as the bisociation of two sets of ideas or matrices. Musical matrices may be combined in any number, usually more than two, and may be — and must be for analysis — broken down into smaller ones. They may be intended by the composer and perceived by the listener, or they may not, and they may be purposefully ambiguous. The simplest examples given by van der Merwe are fixed notes, definite intervals, and regular beats, while the most complex given are the Baroque fugue, Classical tonality, and Romantic chromaticism. The following examples are some matrices which are part of "Pop Goes the Weasel": *major mode *6/8 time *four-bar phrasing *regular beat *rhyming tune structure *ending both halves of the tune with the same figure *melodic climax *perfect c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accent (music)
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer or added by the performer as part of his or her interpretation of a musical piece. Compared to surrounding notes: * A ''dynamic accent'' or ''stress accent'' is an emphasis using louder sound or a stronger sound, typically most pronounced on the attack of the sound. * A ''tonic accent'' is an emphasis on notes by virtue of being higher in pitch as opposed to higher in volume. * An ''agogic accent'' is an emphasis by virtue of being longer in duration. Accents which do not correspond to the stressed beats of the prevailing meter are said to be syncopated. For example, in common time, also called 4/4, the most common metre in popular music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
