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Ballroom Rumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lecuona Cuban Boys
The Lecuona Cuban Boys was a popular Cuban orchestra which toured the world for over forty years. The band was founded by Ernesto Lecuona, whose role was that of a patron-entrepreneur. He did not actually play with the band, but sometimes gave a piano recital before the band played. The core of the band was put together in 1931 as ''Orquesta Encanto''; the band changed name early in 1934. On tour in Europe, in 1934, Lecuona returned to Cuba, and Armando Oréfiche took charge of the band in Europe. Ernesto gave them the gift of his name, which, at the time, was a property well worth having, and the right to use a number of his compositions. The LCB was exceptionally strong in arrangements, compositions and instrumental quality (most of them could play two or three instruments). Their only weak spot was the lack of a really first-rate Cuban singer, but that was not so important as might seem because they played so often to non-Latin audiences. Some of their pick-up singers could sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morton Gould
Morton Gould (December 10, 1913February 21, 1996) was an American composer, conductor, arranger, and pianist. Biography Morton Gould was born in Richmond Hill, New York, United States. He was recognized early as a child prodigy with abilities in improvisation and composition. His first composition was published at age six. Gould studied at the Institute of Musical Art in New York. His most important teachers were Abby Whiteside and Vincent Jones. During the Depression, Gould, while a teenager, worked in New York City playing piano in movie theaters, as well as with vaudeville acts. When Radio City Music Hall opened, Gould was hired as the staff pianist. By 1935, he was conducting and arranging orchestral programs for New York's WOR radio station, where he reached a national audience via the Mutual Broadcasting System, combining popular programming with classical music. In 1936, Gould married Shirley Uzin, but the marriage ended in divorce in 1943. In the following year, Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harl McDonald
Harl McDonald (July 27, 1899 - March 30, 1955) was an American composer, conductor, pianist and teacher. McDonald was born in Boulder, Colorado, and studied at the University of California, Berkeley, the University of Redlands, and the Leipzig Conservatory. He was appointed a lecturer at the University of Pennsylvania in 1927 and enjoyed other appointments at the University including the Director of the Music Department and Director of the University's Choral Society and the University of Pennsylvania Glee Club. Among his students there was Ann Wyeth McCoy. In addition to his administrative duties with the University, McDonald composed numerous musical works and served on the board of directors of the Philadelphia Orchestra Association. He died in Princeton, New Jersey due to a stroke at the age of 55 while helping to direct the production of a motion picture film on orchestral music. His four symphonies are subtitled "The Santa Fe Trail" (#1 - 1933), "The Rhumba" (#2 - 1934), "Lame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enric Madriguera
Enric R. Madriguera (17 February 1902 – 7 September 1973) was a violinist of Catalan origin who was playing concerts as a child before he studied at the Barcelona Conservatory. (The Castilian form of his name is Enrique, which he sometimes used on records.) Biography He was born in Barcelona, Spain, and whilst still in his twenties he was lead violinist at Boston's and Symphony orchestras, before becoming the conductor of the Cuban Philharmonic. In the late 1920s, Madriguera played in 's studio orchestra at Columbia Records in New York, and served briefly as that company's director of Latin mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Reisman
Leo F. Reisman (October 11, 1897 – December 18, 1961) was an American violinist and bandleader in the 1920s and 1930s. Born and reared in Boston, Massachusetts, United States, he was of Jewish ancestry; from German immigrants who immigrated to the United States in the 19th century. Inspired by the Russian-American violinist Jascha Heifetz, Reisman studied violin as a young man. After being rejected by the Boston Symphony Orchestra, he formed his own band in 1919. He became famous for having over 80 hits on the popular charts during his career. Jerome Kern called Reisman's orchestra "The String Quartet of Dance Bands". Biography Reisman's first recording was on a 10-inch 78 rpm record for Columbia Records, recorded on January 10, 1921 – the two titles being "Love Bird", with a catalog issue of Columbia A-3366, mx.79634 and the other title being "Bright Eyes", with a catalog issue of Columbia A-3366, mx.79635. Reisman recorded for Columbia exclusively from July 1923 throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathaniel Shilkret
Nathaniel Shilkret (December 25, 1889 – February 18, 1982) was an American musician, composer, conductor and musical director. Early career Shilkret (originally named Natan Schüldkraut) was born in New York City, United States, to parents who emigrated from Lemberg (now Lviv in Ukraine).Shilkret, Nathaniel, ed. Shell, Niel and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Scarecrow Press, Lanham, Maryland, 2005. Shilkret, Nathaniel, Barbara Shilkret, and Niel Shell, ''Feast or Famine: Sixty Years in the Music Business'', archival edition of Shilkret autobiography, 2001 (copies deposited in the New York Public Library for the Performing Arts, The City College of New York Archival Library, The New York Philharmonic Archives, The Victor Archives (SONY)). His father played a number of instruments, and made certain that Nat and his three brothers were all accomplished musicians at an early age. Older brother Lew Shilkret was a fine pianist who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Dorsey
James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You (In This World of Ordinary People)" and " It's The Dreamer In Me". His other major recordings were "Tailspin", " John Silver", " So Many Times", " Amapola", "Brazil ( Aquarela do Brasil)", " Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame. Early life Jimmy Dorsey was born in Shenandoah, Pennsylvania, United States, the first son of Theresa Langton Dorsey and Thomas Francis Dorsey. His father, Thomas, was initially a coal miner, but would later become a music teacher and marching-band director. Both Jimmy and his younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xavier Cugat
Xavier Cugat (; 1 January 1900 – 27 October 1990) was a Spanish musician and bandleader who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music. In New York City he was the leader of the resident orchestra at the Waldorf–Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Life and career Cugat was born Francisco de Asís Javier Cugat Mingall de Bru y DeulofeuXavier Cugat official webpage xaviercugat.com; accessed 8 November 2015. in , |
Siboney (song)
"Siboney", also known as "Canto Siboney", is a 1927 song by Cuban composer Ernesto Lecuona. It was part of the 1927 revue ''La tierra de Venus'', which featured singer Rita Montaner. The music is in cut time, originally written in C major.musicnotes.com "Musicnotes File: Siboney, Ernesto Lecuna Digital Sheet Music". Accessed 6 May 2011 The lyrics were reportedly written by Lecuona while away from Cuba and is about the he was experiencing.LiveJourna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amapola (song)
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. Recordings "Amapola" was first recorded instrumentally by Cuban Orquesta Francesa de A. Moreno for Columbia in February 1923. Spanish tenor Miguel Fleta made the first vocal recording in 1925. In 1935, the Lecuona Cuban Boys released their rendition of the song as a single, recorded in 1935 in Paris. Japanese singer Noriko Awaya released her version of the song in 1937. A popular recorded version was made later by the Jimmy Dorsey Orchestra with vocalists Helen O'Connell and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
