Ballets By Riccardo Drigo
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Ballets By Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores ...
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Riccardo Drigo -1892
Riccardo is a male given name, Italian version of Ricardo or Richard. It also may be a surname. It means "Powerful Leader". It may refer to: People A–L *Riccardo Antoniazzi (1853–1912), Italian violin maker *Riccardo Bacchelli (1891–1985), writer *Riccardo Barthelemy (1869–1955), Italian composer *Riccardo Bauer (1896–1982), Italian journalist and politician *Riccardo Bertazzolo (1903–1975), Italian boxer *Riccardo Billi (1906–1982), Italian film actor and comedian *Riccardo Bocchino (born 1988), Italian rugby union player *Riccardo Bonetto (born 1979), Italian football player *Riccardo Brengola (1917–2004), Italian violinist *Riccardo Broschi (1698–1795), composer, brother of famous castrato singer Carlo Broschi *Riccardo Burchielli (born 1975), Italian artist *Riccardo Calimani (born 1946), Italian writer and historian *Riccardo Campa (born 1967), Italian professor *Riccardo Campogiani (1990–2007), Swedish assault victim *Riccardo Carapellese (1922–1995), I ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Baron Karl Karlovich Kister
Baron is a rank of nobility or title of honour, often hereditary, in various European countries, either current or historical. The female equivalent is baroness. Typically, the title denotes an aristocrat who ranks higher than a lord or knight, but lower than a viscount or count. Often, barons hold their fief – their lands and income – directly from the monarch. Barons are less often the vassals of other nobles. In many kingdoms, they were entitled to wear a smaller form of a crown called a ''coronet''. The term originates from the Latin term , via Old French. The use of the title ''baron'' came to England via the Norman Conquest of 1066, then the Normans brought the title to Scotland and Italy. It later spread to Scandinavia and Slavic lands. Etymology The word ''baron'' comes from the Old French , from a Late Latin "man; servant, soldier, mercenary" (so used in Salic law; Alemannic law has in the same sense). The scholar Isidore of Seville in the 7th century thoug ...
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Concertmaster
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," " ...
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I Due Orsi
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural '' ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for ...
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Opera Bouffe
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Costantino Dall'Argine
Costantino is both a masculine Italian given name and an Italian surname. Notable people with the name include: People with the given name *Costantino Affer (1906–1987), Italian medallist *Costantino Barbella (1853–1925), Italian sculptor *Costantino Bresciani Turroni (1882–1963), Italian economist and statistician *Costantino de Castro, 11th-century Italian Roman Catholic bishop *Costantino Catena (born 1969), Italian classical pianist *Costantino Cedini (1741–1811), Italian painter *Costantino Corti, 19th-century Italian sculptor *Costantino D'Orazio (born 1974), Italian art critic and curator *Costantino Fiaschetti, 18th-century Italian architect *Costantino De Giacomo, Italian physician *Costantino Lazzari (1857–1927), Italian politician *Costantino Nigra (1828–1907), Italian diplomat *Costantino Nivola (1911–1988), Italian sculptor *Costantino Pasqualotto (1681–1755), Italian painter *Costantino Patrizi Naro (1798–1876), Italian cardinal *Costantino Rocca (born ...
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Garibaldi Theatre (Padua)
The Garibaldi Theatre ( it, Teatro Garibaldi) is the name of many theatres in Italy, particularly in Sicily: * Garibaldi Theatre (Enna) * Garibaldi Theatre (Modica) * Garibaldi Theatre (Padua) * Garibaldi Theatre (Palermo) *Garibaldi Theatre (Piazza Armerina) The Garibaldi Theatre is a theatre in Piazza Armerina, Sicily, southern Italy. The theatre was built to the east of the town, close to the 14th century wall, opposite the church of St. Stephen. The exact date of construction is unknown, due to t ... * Garibaldi Theatre (Ragusa) * Garibaldi Theatre (Treviso) {{dab Theatres in Sicily ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Romance (music)
The term romance ( es, romance/romanza, it, romanza, german: Romanze, french: romance, russian: романс, pt, romance, ro, romanţă) has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone. The ''Oxford Dictionary of Music'' states that "generally it implies a specially personal or tender quality". Instrumental music bearing the title "Romance" Typically, a Classical piece or movement called a "Romance" is in three, meaning three beats in the bar * Beethoven: two violin romances (''Romanzen'') for violin and orchestra, No. 1 G major, Op. 40; No. 2 in F major, Op. 50 take the form of a loose theme and variations * Johannes Brahms: ''Romanze'' in F major for piano, Op. 118, No. 5 (1893) * Max Bruch: "Romance for Viola and Orchestra in F" * Arthur Butterworth: Romanza for horn and string quartet with double bass ad libitum (or piano), Op. 12 ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ...
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Antonio Buzzolla
Antonio Buzzolla (2 March 1815 – 20 March 1871) was an Italian composer and conductor. A native of Adria, he studied in Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ..., and later worked with Gaetano Donizetti and Saverio Mercadante. He composed five operas, but was better known in his lifetime for Aria, ariettas and canzonettas in the Venetian dialect. Beginning in 1855 he served as the ' of the Cappella Marciana at St Mark's Basilica in Venice. Buzzolla was one of the composers invited by Giuseppe Verdi to contribute to the ''Messa per Rossini''; he composed the opening movement, the ''Requiem e Kyrie''. He died in Venice in 1871. Compositions Sacred Works * ''Messa a quattro parti e piena orchestra'' * ''Requiem a quattro'' * ''Requiem aeternam e Kyrie'' della ' ...
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